Hettie Jones

In 1999, Jones won the Poetry Society of America’s Norma Farber First Book Award for her first volume of poetry titled Drive (1998, Hanging Loose Press). According to Booklist, the publication of Drive is what established Jones as a “potent and fearless poet.” Jones also published two additional volumes of poetry titled All Told (2003) and Doing 70 (2007), both of which are available in print from Hanging Loose Press. Jones’ poetry focuses on topics related to everyday life, “whether presenting New York scenes with delightfully quirky insight, offering biting but brief political commentary, or lightly cloaking compact observations on the state of the world in simple words with sharp wit” (Booklist). Her poems are written in a self-narrative style that often display hope and positivity. She also explores themes of transportation and transformation that result in reflection and internal meditation. These themes are especially specific to the poems found in Drive and Doing 70.

Jones published her memoir, How I Became Hettie Jones, in 1990. She detailed the experiences of growing up among a Jewish family and community, being part of the Beat Generation, her early writing, and the social difficulties of being in an interracial marriage and raising biracial children.

Jones is a longtime editor and has taught poetry, fiction, and memoir at many universities, including Penn State University, NYU, the 92nd Street Y, University of Wyoming, and Parsons School of Design. Jones is a former chair of the PEN Prison Writing Committee, and from 1989 to 2002 she ran a writing workshop at the New York State Correctional Facility for Women at Bedford Hills, which included inmate Judy Clark as a student. This workshop hailed as inspiration for Jones’ nationally distributed collection, Aliens At The Border. Jones also co-authored a memoir for Rita Marley, widow of Bob Marley. More recently, Jones has received grants to begin a writing program on Manhattan's Lower East Side at the Lower East Side Girls Club Center for Community. Her book, Love, H, a selection from 40 years of correspondence with the sculptor Helene Dorn, was published by Duke University Press in October 2016.

By 1964, LeRoi had become active in the Black Arts movement and their marriage was deteriorating. While still married to Hettie, he fathered a daughter, Dominique di Prima, with poet Diane DiPrima. LeRoi divorced Hettie and moved to Harlem. She continued writing, editing, and teaching.

Jones still resides in the same East Village apartment at 27 Cooper Square that she and LeRoi moved into in 1962. She successfully spearheaded a campaign in 2005 to save her apartment building when it was to be demolished to build a hotel.

Jones has two daughters from her marriage to LeRoi Jones: Kellie Jones (born 1959) and Lisa Jones Brown (born 1961). They are educators and writers.

In 1957, the couple founded the literary magazine Yugen, and launched the publication house Totem Press. They published early works by Beat generation figures Allen Ginsberg, Jack Kerouac, Frank O'Hara, Joel Oppenheimer, and Charles Olson, all of whom they'd befriended as well.

Hettie Jones (née Cohen; born in 1934) is an American poet. She has written twenty-three books that include a memoir of the Beat Generation, three volumes of poetry, and publications for children and young adults, including The Trees Stand Shining and Big Star Fallin' Mama: Five Women in Black Music.

Hettie Jones was born Hettie Cohen on June 15, 1934 in Brooklyn, New York, to a Jewish family. She entered Mary Washington College in Virginia in 1952. She had not traveled far from her home until college, and had not experienced anti-semitism up until that time: "The roommates didn't want to live with me because I was a Jew."