Inverna Lockpez

In 2010, Cuba: My Revolution was published by DC Comics/Vertigo, documenting her struggles from her time during the Cuban Revolution until her eventual coming to America.

In 2008, The Noble Barn was published. It's a collection of 32 color images of Lockpez' paintings of icons of rural America life done in an expressionistic technique that suggests a way of regarding the relationship between the natural landscape and the work of human hands.

Lockpez attended medical school at the University of Havana, then she studied painting and sculpture at the National Academy of San Alejandro. Afterwards, she studied printmaking at Taller de Grabado. Lockpez attended the School of Social Work at Columbia University once she came to the United States and later in the 1980s, she attended the School of Visual Arts in Manhattan.

After settling in New York, Lockpez joined the NYC Women Artists in Revolution, an organization that protested against museums and galleries who did not present female artists. She exhibited in the first all-female art exhibition X12 in 1970. During the 1970s, Lockpez primarily focused on sculptures, and in 1972, her 25-foot sculpture Walking Pineapples won an outdoor competition promoted by The Municipal Art Society. However, her artwork was met with much controversy because New York at the time was dominated by minimalist and conceptual art. In the late 70's, she was commissioned by The Bronx Council on the Arts to paint indoor murals at a community center and a day care center. In 1978, she became the director of INTAR Gallery, New York City, which focused on exhibiting the work of Latino, Black, Asian and Native American artists. She attended the School of Visual Arts in Manhattan and studied film, video, and computer graphics. Her art reflected themes of ecology and the welfare of the environment. Since 1985, her work has been in more than 80 exhibits across the United States. She was commissioned to paint several indoor murals. Her graphic design posters were published by the John F. Kennedy Center in Washington, D.C.; book covers by Theater Communications Group in New York City; and she designed sets and costumes for various theaters. She moved to a converted Mill on the East Branch of the Delaware River in upstate New York in 1985, and began her series Markings of the Land. Her art was mainly black and white and full of mountains and animal iconography. From the early 80's to the middle 90's she curated more than sixty exhibitions, lectured around the country, and was a consultant and panelist for more than 15 non-profit arts organizations. In 1988 Lockpez became the president of the National Association of Artists' Organizations (NAAO.) In 2001, she became the Director of the Catskill Center’s Erpf Gallery in Arkville, and the Platte Clove Artist-in-Residency Program.

Inverna Lockpez was born in Havana, Cuba. Growing up, Lockpez yearned to be an artist although her mother wanted her to follow in her father’s footsteps and be a doctor. However, in 1959, after Fidel Castro overthrew Cuban President Fulgencio Batista, Lockpez decided to set aside art and pursue a career in medical studies. During the 1961 Bay of Pigs Invasion, Lockpez was a volunteer doctor and went to the front-lines to help. There, Lockpez helped an injured prisoner and was arrested for conspiracy. While in prison, Lockpez was tortured repeatedly by her own comrades. After three months, Lockpez was found by her father in prison where he paid for her release. Later she began to focus on art again, and in September 1965, Lockpez had an art exhibition at the Czechoslovakian Embassy. On opening day riots formed outside the embassy against her work because she defied Castro's approved artistic categories. Lockpez’s artwork was confiscated and she had to go into hiding. After receiving her travel visa, Lockpez left Cuba in September 1966, and moved to the United States.

Inverna Lockpez (born November 21, 1941) is a Cuban American painter, sculptor, and activist, that participated in the second wave of America's feminist movement. She is known for her graphic novel Cuba: My Revolution (illustrated by Dean Haspiel), a fictionalized memoir of her life prior to coming to the United States.