Isobel Elsom

Eynsford-Hill in My Fair Lady (1964).

In later years Isobel served as a frequent foil to Jerry Lewis in a few of his solo pictures (Rock-a-Bye Baby (1958), The Bellboy (1960), The Errand Boy (1961), Who's Minding the Store? (1963)). She ended her film career playing Mrs.

Carrolls (1947), The Ghost and Mrs.

Muir (1947), Ivy (1947), Smart Woman (1948), The Secret Garden (1949), Lust for Life (1956), The Miracle (1959) and The Second Time Around (1961).

One standout blue-blooded part was as one of Charles Chaplin's intended victims in the black comedy Monsieur Verdoux (1947).

Broadway shows included "Hand in Glove" (1944), "The Innocents" (1950), "Romeo and Juliet" (as Lady Capulet) (1951), "The Climate in Eden" (1952), "The Burning Glass" (1954) and "The First Gentleman" (1957). What the tiny-framed Elsom lacked in stature, she certainly made up for in pure chutzpah. The matronly actress remained in Hollywood and played a number of huffy blue-bloods in both comedies and drama for over two decades, including The War Against Mrs.

Hadley (1942), You Were Never Lovelier (1942), Between Two Worlds (1944), Of Human Bondage (1946), The Two Mrs.

Isabel remarried in 1942 and was the widow of actor Carl Harbord in 1958.

Her voice suitable for sound pictures, she continued her leading status with such early British talkies as The Other Woman (1931), Stranglehold (1931), The Crooked Lady (1932), The Thirteenth Candle (1933), and The Primrose Path (1934).

Settling in America in the 1930's, Isobel achieved great character success in the role of retired actress "Leonora Fiske" in the 1940 play "Ladies in Retirement," which she also took to film (Ladies in Retirement (1941)) starring Ida Lupino). She would alternate between film and the Broadway stage for the next two decades.

Crane" (1928) and "The Outsider" (1928).

She continued on the New York stage with such plays as "The Mulberry Bush" (1927), "People Don't Do Such Things" (1927), "The Silver Box" (1928), "The Behavior of Mrs.

In the late 1920s, she made a transatlantic visit to the American stage, taking her first Broadway curtain all in "The Ghost Train" in 1926.

Isobel made an elegant entry into British feature films as Lady Monkhurst in the drama Milestones (1916) and continued in leading roles with the silent films Tinker, Tailor, Soldier, Sailor (1918), Onward Christian Soldiers (1918), A Member of Tattersall's (1919), For Her Father's Sake (1921), Dick Turpin's Ride to York (1922), the title role in The Love Story of Aliette Brunton (1924), The Last Witness (1925) and Tragödie einer Ehe (1927).

She began on the stage in 1911 and went on to grace a number of silent and sound pictures in England, marrying and divorcing director Maurice Elvey in the interim.

The epitome of opulent, grande dame pomposity, British character actress Isobel Elsom was born Isabelle Reed in Cambridge, England on March 16, 1893.