Age, Biography and Wiki

Issac Delgado was born on 11 September, 1962 in Marianao, Havana, Cuba. Discover Issac Delgado's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 62 years old?

Popular As N/A
Occupation N/A
Age 62 years old
Zodiac Sign Virgo
Born 11 September, 1962
Birthday 11 September
Birthplace Marianao, Havana, Cuba
Nationality Cuba

We recommend you to check the complete list of Famous People born on 11 September. He is a member of famous with the age 62 years old group.

Issac Delgado Height, Weight & Measurements

At 62 years old, Issac Delgado height not available right now. We will update Issac Delgado's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Issac Delgado's Wife?

His wife is Massiel Valdes

Family
Parents Not Available
Wife Massiel Valdes
Sibling Not Available
Children Alessia Delgado, Dalina Delgado

Issac Delgado Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Issac Delgado worth at the age of 62 years old? Issac Delgado’s income source is mostly from being a successful . He is from Cuba. We have estimated Issac Delgado's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income

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Timeline

2019

Issac latest recording is "Lluvia y Fuego" (2019/Egrem) and features new original classics as well as tributes to Benny Moré and Cheo Feliciano.

2014

The following piano guajeo (or piano tumbao), created by Lewis is from "No me mires a los ojos." It is a prime example of one of the most critical timba piano innovations—the idea that the piano tumbao be a "hook" by which the song can be identified and that contributes greatly to the song's popularity. There are three places where the left hand adds an extra note between two right hand notes, a technique never used before in timba, which has become a major timba piano innovation. Melón was the first to use it as a central part of his style (Moore 2010 pt. 6.). Listen: "No me Mires a los ojos" by Issac Delgado.

2010

Lewis's piano guajeo on Delgado's "La temática" incorporates the technique of pattern displacement. A series of repeated octaves invoke a characteristic metric ambiguity (Moore 2010: pt. 4. 96-108).

2006

In 2006 Delgado went to the U.S. to work on a new album. In May of 2007 he released En Primera Plana. He followed up with an album entitled, Así Soy in October 2008. In 2011, Delgado released a maxi-single with La India in four different versions titled, "Que No Se Te Olvide."

1996

Delgado's most famous group (1996‐1998) was with Alain Pérez on bass and Iván "Melón" Lewis on piano. Of particular note was the band's ability to spontaneously change the arrangement during performances. They were able to produce changes spontaneously by using flexible rhythm section schemes allowing them to alter the form of an arrangement to fit the flow of each performance (Moore 2012: 91). When the entire rhythm section of this band moved to Spain, Delgado added Antonio "Pachá" Portuondo on timbales and Denis "Papacho" Savón on congas. He then convinced drummer Yoel Páez, bassist Joel Domínguez, and pianist Yaniel "El Majá" Matos to leave Paulito FG's band to join him.

1994

In 1994 he received another EGREM award for his CD El chevere de la salsa y el caballero del son. His next album was El Ano Que Viene. He later travelled to the United States to perform in the Festival of Salsa in New York's Madison Square Garden with Celia Cruz, José Alberto "El Canario", and Grupo Niche. In New York he recorded another album, Otra Ideal. In 1997 he performed at the festival, Guerra de la Salsa with La India, Rey Ruiz, and Tony Vega.

The overall sound of Delgado's recordings from this period sound far more like salsa than timba, However, little details in the arrangements reveal the handiwork of some of Cuba's most important innovators. Delgado's 1994 hit "La sandunguita" (composed by his bassist Alain Pérez) took unprecedented liberties with clave, that are considered "sacrilegious" to old school musicians (Peñalosa 2012: 246). While such innovations further aggravated the salsa—timba clave schism, there is no disagreement that "La sandunguita" swings.

1991

In 1991 Delgado put together his own band and recorded the CD, Dando La Hora under the artistic direction of Gonzalo Rubalcaba. This album received the 1992 EGREM Prize. His second CD, Con Ganas, again with Rubalcaba, received two EGREM prizes in 1993.

1988

In 1988, Delgado became the lead vocalist for the group NG La Banda. It was with this group that he found fame. NG was the band that launched the timba revolution, the first new popular Cuban music genre in decades. As NG's lead vocalist, Delgado was at the cutting edge of Cuban dance music. His singing talents soon brought him to superstar status within the fast-growing timba field. Delgado became one of timba's best composers and a uniquely creative melodic improviser. In concert he often improvises words and melodies for periods of several minutes. He recorded three CDs with NG and was awarded the EGREM prize for 1990-1991.

1983

Issac Delgado began his professional career in 1983 when he joined Orquesta de Pacho Alonso. He travelled internationally with the orchestra and recorded a CD with them, his first commercial recording. In 1987 he became the vocalist for Galaxia, who also recorded a CD.

1962

Issac Delgado (born Isaac Felipe Delgado-Ramirez on April 11, 1962 in Marianao, Habana, Cuba) is one of the founders of the band NG La Banda and is a popular salsa and timba performer.