Ivan Moody

Ivan Moody’s music is recorded on the Hyperion, ECM, Sony, Challenge, Telarc, Gothic, Oehms, Orange Mountain, Linn and Cappella Romana labels.

Other significant works include the ‘cello concerto Epitaphios (1993), the cantata Revelation (1995), Endechas y Canciones (1996), the recorder concerto Pnevma (1998), Lamentations of the Myrrhbearer (2001) for string quartet, Lumière sans déclin (2000) for string orchestra, and the choral triptych written for Trio Mediaeval - Words of the Angel (1998), Troparion of Kassiani (1999), A Lion’s Sleep (2002), and Chalice of Wisdom, using a text from Matins of the Feast of St Thomas, written in 2002 for the ensemble amarcord.

Recent works include "Los Espejos de Velázquez" for the pianist Artur Pizarro (premiered in Vila Nova de Gaia in July 2016), "Paris, 7 am" (soprano and piano quintet) for soprano Suzie LeBlanc (premiered by Suzie LeBlanc and the Blue Engine, Robert Korgaard and the Blue Engine Quartet, Toronto, December 2016), "Le Vergine" for Stimmwerck (premiered at the Stimmwercktage, Adlersberg, June 2016), "Vespers Sequence" for New York Polyphony, premiered at St Mary the Virgin, New York, January 2017), "Psalm Antiphon", using the same scoring as Stravinsky's "Symphony of Psalms", commissioned by the Chamber Choir of Lisbon University and premiered on 13 July 2017 in Lisbon, "Psalm 1" and "Antiphon for Psalm 1", commissioned for Singer Pur and the Regensburger Domspatz and "Amorphous Metal" for the Trio Entremadeiras, premiered in Guarda, 9 February 2018. Newly-complete works include "Isangele" for the English Chamber Choir, to be premiered at the Patmos Festival in August 2018 and three new motets on texts from the Codex Las Huelgas and the Byzantine rite for Trio Mediaeval, to be premiered in Oslo in October 2018.

In October 2014 he was in residence at Biola University in Southern California, where he gave a series of masterclasses and lectures. The concluding monographic concert ended with the world premiere of "Cielo della Luna", the third part of the "Dante Trilogy", commissioned by the Biola Conservatory of Music. The first part of the Trilogy, "O Luce Etterna", was a commission from the Alcobaça Festival for the Capela Musical Cupertino de Miranda, and the second, "Oltre la Spera", was written for the Grupo de Música Contemporânea de Lisboa and the Grupo Musical Olisipo and first performed, as was the bass clarinet concerto "Dragonfly", at the composer's 50th Birthday concert at the Palácio Foz in Lisbon on 27 June 2014. In 2016 was Composer in Residence at the Stimmwercktage in Adlersberg, Germany.

Works completed in 2010 include Canticum Canticorum IV, a commission from Seattle Pro Musica, Angelus Domini descendit, a commission from the Choir of Royal Holloway, University of London and Sub tuum praesidium, a commission from the English Chamber Choir. 2011 saw the completion of a sequence of music for Byzantine-rite vespers for the Children's Choir of St Vladmir's Orthodox Theological Seminary in New York and Ode 8 of the Paschal Canon, part of a multi-composer work commissioned by Cappella Romana. Recently completed works include "Simeron", for the Goeyvaerts Trio, recorded on Challenge CC72616), "Keskiyö" for two harpsichords, "Shoreline" for two pianos, "Dragonfly", a bass clarinet concerto for Luís Gomes and the Grupo de Música Contemporânea de Lisboa, "Fioriture" for American pianist Paul Barnes (recorded on Orange Mountain OMM0107), "Qohelet" for the Italian ensemble De Labyrinto, the "Dante Trilogy" for choir and ensemble, and "O Isplendor", in memory of John Tavener, for Cappella Nova, recorded on Linn Records CKD 539.

Later compositions include a large-scale BBC commission, The Dormition of the Virgin (2003), concertos for double-bass (The Morning Star, 2003), piano (Linnunlaulu, 2003) and bassoon (Arise, 2004), Passione Popolare, built on popular religious texts from Magna Graecia and premièred at the Antidogma Festival in Italy in June 2005, and Ossetian Requiem, written for the Amsterdam-based ‘Cello Octet Conjunto Ibérico. In 2008, he completed a new work for the King's Singers, "Canti della Rosa" and a large-scale setting of the Stabat Mater, incorporating texts from the Byzantine liturgy and by Anna Akhmatova, for the Oslo International Festival of Church Music. His 2009 Hymn to St Nicholas for eight voices was commissioned for the KotorArt Festival in Montenegro, where it was premiered under the composer's direction, and received its American premiere in November of that year.

As of 1990, he has lived near Lisbon, Portugal, where he was until 1998 Professor of Composition at the Academia de Artes e Tecnologias, Lisbon. He has been involved in the construction of a database for the Portuguese Contemporary Music Centre ([1]), was a Research Fellow of the CESEM research unit at the Universidade Nova in Lisbon 2010–2012 ([2] and again from 2015, and was Professor of Church Music of the Department of Orthodox Theology at the University of Eastern Finland ([3]) from 2013-2014. In 2005 he was elected the first Chairman of the International Society for Orthodox Church Music (ISOCM). His book "Modernism and Orthodox Spirituality in Contemporary Music" was published in 2014 by ISOCM/SASA ([4]).

Moody's compositions show the influences of Eastern liturgical chant and the Orthodox Church, of which he is a member (he is a protopresbyter of the Ecumenical Patriarchate of Constantinople)). His Canticum Canticorum I, written for the Hilliard Ensemble and premiered in 1987, achieved enormous success and remains his most frequently-performed work, and in 1990 he won the Arts for the Earth Festival Prize for Prayer for the Forests, subsequently premièred by the renowned Tapiola Choir of Finland. One of his most important works is the oratorio Passion and Resurrection (1992), based on Orthodox liturgical texts, premièred in 1993 by Red Byrd and the Estonian Philharmonic Chamber Choir under Tõnu Kaljuste at the Tampere Festival. In 1996 it was given its North American premiere by Cappella Romana. The Akáthistos Hymn (1998), the composer’s largest work to date, and the first complete musical setting of this text, was written for Cappella Romana following these performances.

Ivan Moody is a composer born in London in 1964. He studied composition with at London University, York University and privately with John Tavener. He also studied Orthodox theology at the University of Joensuu in Finland. Moody is active as a conductor, having directed ensembles such as Voces Angelicae, the Kastalsky Chamber Choir (United Kingdom), Capilla Peña Florida (Spain), Cappella Romana (United States), the Choir of the Cathedral of St George, Novi Sad, (Serbia) the KotorArt Festival Choir (Montenegro), the Orthodox Choir of the University of Joensuu (Finland) and Ensemble Alpha (Portugal); and as a widely published musicologist. His research interests include the music of Eastern Europe, especially 20th century and contemporary music from Russia and the Balkans, the music of the Orthodox Church in the modern era, music and spirituality, music as theology, Serbian church music, the aesthetics of modernism and post-modernism and their intersection with Orthodox church music and the musical culture of the Mediterranean.