Jack Earl

“…What I do is a presentation of the way things are… you just present it and let people see it. …There has to be a sense of mystery in what you make.” –Jack Earl to Jane Milosch, June 2007

“I’ve done the only thing I could do, so there’s no glory in that… There’s no thought in it, you’re just being led because it’s what you do… to know your limitations is very beneficial. It keeps you solid… it keeps me in contact with my life and things around me, which is my source. So it’s kind of circular… Art is a job.”- Jack Earl to Jane Milosch, June 2007

While growing up in his hometown of Uniopolis, Ohio, Earl became inspired by his high school art teacher, Darvin Luginbuhl. He earned his BA at Bluffton College in Ohio in 1956, and then taught art in high schools until he earned his MA in art education at The Ohio State University in 1964. 1963 to 1972 became a time of inspiration and exploration for Earl, as he worked in art education and ceramics at the Toledo Museum of Art and Design. He was interested in making and studying historical porcelain figurines, and by the early 1970s Earl’s “whimsical” pieces “had transformed the European tradition into a thoroughly modern and American idiom.” From 1972 to 1978, Earl was an associate professor at Virginia Commonwealth University, and in 1974 he and colleague Tom DaLousa were two of the first residents of the John Michael Kohler Arts Center’s Arts/Industry residency program. By the end of the decade, Earl was creating shockingly real (and in some cases, surreal) works of art. After having one of his porcelain sculptures selected into Objects: USA, a touring national exhibition from 1969 to 1971 organized by SC Johnson and Son, Inc. (Racine, WI), Earl’s work began to gain recognition. He soon was awarded a solo exhibition the Museum of Contemporary Crafts in New York City (now the Museum of Arts and Design), and his work was featured in the only craft magazine of the time, Craft Horizons (now American Craft). From 1978 onward, Earl has gone on to work full-time as a studio artist in his home of Lakeview, Ohio. In 1985 Lee Nordness published “The Genesis and Triumphant Survival of an Underground Ohio Artist” about Earl’s life and work, one of the first books written solely about a craft artist. Earl has continued to present his work in countless group and solo exhibitions, and is featured in many prominent permanent collections nationally.

Jack Earl (born August 2, 1934, in Uniopolis, Ohio) is an American ceramic artist and former teacher, known for drawing inspiration from his home state of Ohio to create rural pieces “with meticulous craftsmanship and astute details… to where you could smell the air, hear the silence and swat the flies.” Although his works hint at highly personal, intellectual, and narrative themes in an almost unsettling manner, Earl is “a self-described anti-intellectual who shuns the art world." He is known particularly for using his trademark format, the dos-a-dos (translated “back to back”): “This art form is like a book with two stories… the two seemingly incongruent images prompt the viewer to fill in the conceptual gap through poetic speculation.” His work often involves dogs or the character “Bill”, who is said to be a combination of Earl’s father-in-law, himself, and others. The titles to his pieces are typically lengthy, stream-of-consciousness narratives that suggest the folk or rural lifestyle. These are intended to add another dimension to the artwork. His work has received a notable response over his decades-long career, especially since he is regarded as “a master at reminding us that within the events we take for granted are moments of never-ending mystery and wonder.” Earl continues to live in Lakeview, Ohio with his wife, Fairlie.