Jack Vance

His first publications were stories in science fiction magazines. As he became well known, he published novellas and novels, many of which were translated into French, Dutch, Spanish, Russian, Italian and German. An Integral Edition of all Vance's works was published in 44 volumes and in 2010 a six-volume The Complete Jack Vance was released. A 2009 profile in The New York Times Magazine described Vance as "one of American literature's most distinctive and undervalued voices". He died at his home in Oakland, California on May 26, 2013, aged 96.

Vance died on the morning of May 26, 2013, at the age of 96 in his home in the Oakland Hills. Vance's son John Holbrook Vance II described the cause as the complications of old age, saying (then aged 96) "everything just finally caught up with him". Tributes to Vance were given by various authors, including George R. R. Martin, Michael Moorcock, Neil Gaiman, and Elizabeth Bear. Steven Gould, president of the Science Fiction Writers of America, described Vance as "one of the greatest science fiction and fantasy writers of the 20th century". A memorial site set up by his family to post tributes received hundreds of messages in the days following his death.

In 2012, Spatterlight Press started offering DRM-free e-books editions of many of the works of Jack Vance, based on the source texts collected by the Integral Edition project. It is the intent of Spatterlight Press to publish the complete Integral Edition in e-book form, and also as print-on-demand paperbacks. Gollancz use the VIE texts in their "SF Gateway" e-ditions starting in 2012.

In 1946, Vance met and married Norma Genevieve Ingold (died March 25, 2008), another Cal student. Vance continued to live in Oakland, in a house he built and extended with his family over the years, including a hand-carved wooden ceiling from Kashmir. The Vances had extensive travels, including one around-the-world voyage, and often spent several months at a time living in places like Ireland, Tahiti, South Africa, Positano (in Italy) and on a houseboat on Lake Nagin in Kashmir.

An Integral Edition of all Vance's works was published in a limited edition of 44 hardback volumes. A special 45th volume contains the three novels Vance wrote as Ellery Queen. This edition was created from 1999 to 2006 by 300 volunteers working via the internet, under the aegis of the author. The texts and titles used are those preferred by the author.

Vance won the World Fantasy Award for Life Achievement in 1984, and he was a Guest of Honor at the 1992 World Science Fiction Convention in Orlando, Florida. The Science Fiction and Fantasy Writers of America made him its 15th Grand Master in 1997, and the Science Fiction Hall of Fame inducted him in 2001, its sixth class of two deceased and two living writers.

In the early 1980s, Vance became increasingly interested in sailing, and he started building a 36 foot trimaran. Later, he owned Venture (a 17 foot cutter-rigged boat), Columbia (a 35 foot ketch-rigged boat), and finally Hinano (a 45 foot boat). While Vance derived pleasure from his sailing hobby, his increasingly poor eyesight and the high costs of outfitting, berthing, and maintaining the vessel led him to sell the Hinano. Vance's failing eyesight also led him to cease his amateur jazz hobby.

Although legally blind since the 1980s, Vance continued to write with the aid of BigEd software, written especially for him by Kim Kokkonen. His final novel was Lurulu. Although Vance had stated Lurulu would be his final book, he subsequently completed an autobiography, which was published in July 2009.

In 1976, the fantasy/sf small press Underwood-Miller released their first publication, the first hardcover edition of The Dying Earth in a high-quality limited edition of just over 1000 copies. Other titles in the "Dying Earth" cycle also received hardcover treatment from Underwood-Miller shortly thereafter, such as The Eyes of the Overworld and Cugel's Saga. After these first publications and until the mid-1990s, Underwood-Miller published many of Vance's works, including his mystery fiction, often in limited editions featuring dustjacket artwork by leading fantasy artists. The entire Jack Vance output from Underwood-Miller comes close to a complete collection of Vance's previously published works, many of which had not seen hardcover publication. Also, many of these editions are described as "the author's preferred text", meaning that they have not been drastically edited. In the mid-1990s, Tim Underwood and Charles Miller parted company. However, they have continued to publish Vance titles individually, including such works as Emphyrio and To Live Forever by Miller, and a reprint edition of The Eyes of the Overworld by Underwood. Because of the low print-run on many of these titles, often they could only be found in science fiction bookstores at the time of their release.

Many themes important to his more famous science fiction novels appeared first in the mysteries. The most obvious is the "book of dreams", which appears in Bad Ronald and The View from Chickweed's Window, prior to being featured in The Book of Dreams. The revenge theme is also more prominent in certain mysteries than in the science fiction (The View from Chickweed's Window in particular). Bad Ronald was adapted to a TV film of the same name aired on ABC in 1974, as well as a French production (Méchant garçon) in 1992; this and Man in the Cage are the only works by Vance to be made into film to date.

The mystery novels reveal much about Vance's evolution as a science fiction and fantasy writer. He stopped working in the mystery genre in the early 1970s, except for science-fiction mysteries; see below. Bad Ronald is especially noteworthy for its portrayal of a trial-run for Howard Alan Treesong of The Book of Dreams. The Edgar-Award-winning The Man in the Cage is a thriller set in North Africa at around the period of the French-Algerian war. A Room to Die In is a classic 'locked-room' murder mystery featuring a strong-willed young woman as the amateur detective. Bird Isle, a mystery set at a hotel on an island off the California coast, reflects Vance's taste for farce.

His most notable awards included Hugo Awards in 1963 for The Dragon Masters, in 1967 for The Last Castle, and in 2010 for his memoir This Is Me, Jack Vance!; the Nebula Award in 1966, also for The Last Castle; the Jupiter Award in 1975 and the World Fantasy Award in 1990 for Lyonesse: Madouc. and the Edgar Award in 1961 for the best first mystery novel for The Man in the Cage.

For most of his career, Vance's work suffered the vicissitudes common to most writers in his chosen field: ephemeral publication of stories in magazine form, short-lived softcover editions, in which stories sometimes were insensitively edited beyond his control. As he became more widely recognized, conditions improved, and his works became internationally renowned among aficionados. Much of his work has been translated into several languages, including Dutch, Esperanto, French, Spanish, Russian, and Italian. Beginning in the 1960s, Jack Vance's work has also been extensively translated into German. In the large German-language market, his books continue to be widely read.

Vance was an original member of the Swordsmen and Sorcerers' Guild of America (SAGA), a loose-knit group of heroic fantasy authors founded in the 1960s and led by Lin Carter. Its purpose was to promote the sword and sorcery subgenre (such as Dying Earth stories by Vance), and some new works were published in Flashing Swords! anthologies edited by Carter, in both mass-market paperback and Doubleday Science Fiction Book Club editions.

Science fiction authors Frank Herbert and Poul Anderson were among Vance's closest friends. In the early 1950s, when Frank Herbert was a reporter, he interviewed Vance, and the men became friends. They moved to Mexico with their families to establish a "writer’s colony" at Lake Chapala, near Guadalajara. In 1962, Vance, Frank Herbert and Poul Anderson jointly built a houseboat which they sailed in the Sacramento Delta. The Vances and the Herberts lived together near Lake Chapala, Mexico, for a while. Vance's interest in houseboats led him to depict them in “The Moon Moth” (1961), The Palace of Love (1967), and in chapter 2 of Wyst: Alastor 1716 (1978).

Vance has also written mysteries set in his science fiction universes. An early 1950s short story series features Magnus Ridolph, an interstellar adventurer and amateur detective who is elderly and not prone to knocking anyone down, and whose exploits appear to have been inspired, in part, by those of Jack London's South Seas adventurer, Captain David Grief. The "Galactic Effectuator" novelettes feature Miro Hetzel, a figure who resembles Ridolph in his blending of detecting and troubleshooting (the "effectuating" indicated by the title). A number of the other science fiction novels include mystery, spy thriller, or crime-novel elements: The Houses of Iszm, Son of the Tree, the Alastor books Trullion and Marune, the Cadwal series, and large parts of the Demon Princes series.

Vance made his debut in print with "The World-Thinker", a 16-page story published by Sam Merwin in Thrilling Wonder Stories, Summer 1945. His lifetime output totals more than 60 books—perhaps almost 90. His work has been published in three categories: science fiction, fantasy and mystery. Among Vance's earliest published work was a set of fantasy stories written while he served in the merchant marine during the war. They appeared in 1950, several years after Vance had started publishing science fiction in the pulp magazines, under the title The Dying Earth.

Vance graduated in 1942. Weak eyesight prevented military service. He found a job as a rigger at the Kaiser Shipyard in Richmond, California, and enrolled in an Army Intelligence program to learn Japanese, but washed out. In 1943, he memorized an eye chart and became an able seaman in the Merchant Marine. In later years, boating remained his favorite recreation; boats and voyages are a frequent motif in his work. He worked as a seaman, a rigger, a surveyor, a ceramicist, and a carpenter before he established himself fully as a writer, which did not occur until the 1970s.

Vance began trying to become a professional writer in the late 1940s, as part of the San Francisco Renaissance, a movement of experimentation in literature and the arts. His first lucrative sale was one of the early Magnus Ridolph stories to Twentieth Century Fox, who also hired him as a screenwriter for the Captain Video television series. The proceeds supported the Vances for a year's travel in Europe. There are various references to the Bay Area Bohemian life in his work. In the 1950s, Vance started a pottery and ceramics hobby, buying a kiln; this interest was an influence on his story "The Potters of Firsk” (1950).

Vance wrote many science fiction short stories in the late 1940s and through the 1950s, which were published in magazines. Of his novels written during this period, a few were science fiction, but most were mysteries. Few were published at the time, but Vance continued to write mysteries into the early 1970s. In total, he wrote 15 novels outside of science fiction and fantasy, including the extended outline, The Telephone was Ringing in the Dark, published only by the VIE (Vance Integral Edition), and three books published under the Ellery Queen pseudonym. Some of these are not mysteries, such as Bird Isle, and many fit uneasily in the category. These stories are set in and around his native San Francisco, except for one set in Italy and another in Africa. Two begin in San Francisco but take to the sea.

Vance's stories written for pulps in the 1940s and 1950s covered many science fiction themes, with a tendency to emphasize mysterious and biological themes (ESP, genetics, brain parasites, body switching, other dimensions, cultures) rather than technical ones. Robots, for example, are almost entirely absent, though the short story "The Uninhibited Robot" features a computer gone awry. Many of the early stories are comic. By the 1960s, Vance had developed a futuristic setting that he came to call the Gaean Reach, a fictional region of space settled by humans. Thereafter, all his science fiction was, more or less explicitly, set therein. The Gaean Reach per se is loose and expanding, old Earth (Gaia), being the center. Each planet has its own history, state of development and culture. Within the Reach conditions tend to be peaceable and commerce tends to dominate. At the edges of the Reach, out in the lawless Beyond, conditions are usually less secure.

When asked about literary influences, Vance most often cited Jeffery Farnol, a writer of adventure books, whose style of "high" language he mentions (the Farnol title Guyfford of Weare being a typical instance); P. G. Wodehouse, an influence apparent in Vance's taste for overbearing aunts; and L. Frank Baum, whose fantasy elements were directly borrowed by Vance (see The Emerald City of Oz). In the introduction to Dowling and Strahan's The Jack Vance Treasury, Vance mentions that his childhood reading including Edgar Rice Burroughs, Jules Verne, Robert W. Chambers, science fiction published by Edward Stratemeyer, the magazines Weird Tales and Amazing Stories, and Lord Dunsany. According to pulp editor Sam Merwin, Vance's earliest magazine submissions in the 1940s were heavily influenced by the style of James Branch Cabell. Fantasy historian Lin Carter notes several probable lasting influences of Cabell on Vance's work, and suggests that the early "pseudo-Cabell" experiments bore fruit in The Dying Earth (1950). SF critic Don Herron cites Clark Ashton Smith as an influence on Vance's style and characters' names.

Vance's science fiction runs the gamut from stories written for pulps in the 1940s to multi-volume tales set in the space age. Scott Bradfield states that Vance "wrote about incomprehensibly far-off futures that weren’t driven by the splashy intergalactic military conflicts of his Golden Age predecessors, such as E.E. Doc Smith or Robert A. Heinlein. Instead, Vance’s futures are marked by rich, panoramic socioeconomic systems." While Vance's stories have a wide variety of temporal settings, a majority of them belong to a period long after humanity has colonized other stars, culminating in the development of a fictional region of interstellar space called the Gaean Reach. In its early phase, exhibited by the Oikumene of the Demon Princes series, this expanding, loose and pacific agglomerate has an aura of colonial adventure, commerce and exoticism. Later it becomes peace-loving and stolidly middle class.

Certain of the science fiction stories are also mysteries, penned using his full name John Holbrook Vance, three under the house pseudonym Ellery Queen, and one each using the pseudonyms Alan Wade, Peter Held, John van See, and Jay Kavanse. Some editions of his published works give his year of birth as 1920.In addition to the comic Magnus Ridolph stories, two major stories feature the effectuator Miro Hetzel, a futuristic detective, and Araminta Station is largely concerned with solving various murders. Vance returned to the "dying Earth" setting (a far distant future in which the sun is slowly going out, and magic and technology coexist) to write the picaresque adventures of the ne'er-do-well scoundrel Cugel the Clever, and those of the magician Rhialto the Marvellous. These books were written in 1963, 1978 and 1981. His other major fantasy work, Lyonesse (a trilogy comprising Suldrun's Garden, The Green Pearl, and Madouc), was completed in 1989 and set on a mythological archipelago off the coast of France in the early Middle Ages.

John Holbrook Vance (August 28, 1916 – May 26, 2013) was an American mystery, fantasy, and science fiction writer. Though most of his work has been published under the name Jack Vance, he also wrote several mystery novels under pen names.

Vance's great-grandfather is believed to have arrived in California from Michigan a decade before the Gold Rush and married a San Francisco woman. Early family records were apparently destroyed in the fire following the 1906 San Francisco earthquake. Vance’s maternal grandfather, L. M. (Ludwig Mathias) Hoefler, was a successful lawyer in San Francisco.