James Balog

I’ve basically devoted my career to looking at the relationship between humans and nature. I want to do what I can to shift human understanding of who we are and what we are and how we should relate to all the rest of what’s on this planet. I want to crack through the veneer of the illusions that surround us and see inside reality more purely than you normally get to see. That’s the real witchcraft and voodoo of this artistic process we’re in. I hope that the work helps people to think and see differently—and ultimately, we can only hope, behave differently.

I’ve believed for a long time that photographers are like the antennae of civilization. We are an integral part of the sensing mechanism of the human animal. We are out there feeling in the darkness, trying to see what’s around us and reveal what hasn’t been revealed before. Not all photographers work that way, but to me that’s one of the central elements of photography. I would like to think that passionate, involved photographers would be looking at the world and trying their hardest to speak about the important things that are going on today.

In a lot of my work I’m trying to make a commentary about humans encroaching on nature through their presence. But I’m not so naïve as to think that my own presence is not an impact on the animals and plants and landscapes that I happen to enter. What I can do as a photographer, hopefully, is to help everybody else see their impact in a way that maybe they hadn’t before.

THE HUMAN ELEMENT is a 2018 documentary film directed by Matthew Testa and produced by Olivia Ahnemann. SYNOPSIS: "We humans are a force of nature. At the same time human activities alter the basic elements of life – earth, air, water, and fire – those elements change human life in turn. In this drama, blending art and science, we follow photographer James Balog as he explores wildfires, hurricanes, sea level rise, a struggling coal mining community, and our changing air supply. THE HUMAN ELEMENT highlights Americans who are on the frontlines of climate change, inspiring us to re-evaluate our relationship with the natural world."

Extreme Ice Survey. The Extreme Ice Survey (EIS) tells the story of a planet in flux. With methodology that combines time-lapse imagery with conventional photography and video, EIS, now in its second decade of field operations, is the world's most extensive ground-based photographic glacier study to date. Over a million time-lapse frames reveal the extraordinary retreat of glaciers and ice sheets due to climate change, providing scientists with vital insights on glacier dynamics. As of January 2018, 28 cameras were shooting at glaciers in Greenland, Iceland, Alaska, the Alps, Antarctica, and the Rocky Mountains of the U.S.; previously, as many as 43 cameras had been in the field at once. The cameras shoot year-round, every half-hour of daylight. EIS supplements the time-lapse record by occasionally repeating shots at fixed locations in Iceland, Bolivia, the Canadian province of British Columbia, Mt. Everest, Mt. Kilimanjaro and the French and Swiss Alps.

In January 2016, Balog began production on a feature-length documentary film, exploring the environmental effects of the Anthropocene. Released as The Human Element, the film debuted in April 2018, co-presented by Green Film Fest, part of the San Francisco International Film Festival.

The film received the 2014 News and Documentary Emmy award for Outstanding Nature Programming.

Chasing Ice is a 2012 documentary film directed by Jeff Orlowski about the efforts of Balog and his Extreme Ice Survey to publicize the effects of climate change. It was released in the United States on November 16, 2012.

Balog's best-known project explores the impact of climate change on the world's glaciers. In 2007 he initiated the Extreme Ice Survey, the most wide-ranging ground-based photographic glacier study ever conducted. National Geographic magazine showcased Balog's ice work in June 2007 and June 2010, and the project is featured in the 2009 NOVA documentary Extreme Ice as well as the 75-minute film Chasing Ice, which premiered in January 2012. Balog's book Ice: Portraits of the World’s Vanishing Glaciers summarizes the work of the Extreme Ice Survey through 2012.

Balog's work has primarily evolved as a combination of art, science and environmental documentary. He views his imagery as exploring the "contact zone" between man and nature. David Holbrooke's 2006 documentary film A Redwood Grows in Brooklyn explores his thoughts about art, nature and perception.

Holga series. Starting in 1997 and continuing intermittently through the present day, Balog has continued a series of photographs made with a Holga camera, a toy appreciated for its low-fidelity aesthetic. Balog enjoys working with the imperfections in the exposures, such as vignetting and blur, and makes it part of the finished "look." makes them part of the pieces. He actually wants the camera to produce little defects that will inspire new creative revelations.

Balog has received many awards for his work. In 1996 he became the first photographer ever commissioned by the U.S. Postal Service to create a full set of stamps. He is the author of seven books, including Extreme Ice Now: Vanishing Glaciers and Changing Climate: A Progress Report (2009), Tree: A New Vision of the American Forest (2004), and Survivors: A New Vision of Endangered Wildlife (1990), described as a conceptual breakthrough in nature photography.

Early in his career, Balog concentrated on man's direct impact on nature, producing a series on nuclear missile silos in the agrarian landscapes of the American West. In his first book project, Wildlife Requiem, Balog examined the killing of animals for sport. Published in 1984, Wildlife Requiem shocked the photography establishment with its brutally graphic images.

Balog's work has appeared in National Geographic, The New Yorker, Life, Vanity Fair, The New York Times Magazine, Smithsonian, Audubon, Outside and numerous trade publications such as American Photo, Professional Photographer and Photo District News. He was a contributing editor to National Geographic Adventure. Assignments and personal projects have included documenting the aftermath of the 1980 eruption of Mount St. Helens, the 2004 tsunami that devastated Southeast Asia, Hurricane Katrina's collision with the U.S. Gulf Coast, and the 2010 Deepwater Horizon Gulf oil disaster.

Tree series. For the Tree series, Balog wanted to photograph some of world's tallest trees in their full grandeur, but he realized that his subjects were far too large to capture in a single frame. He devised a multi-frame approach of photographing the trees from the top down. The method was inspired by some of the lunar landing pictures from the NASA missions during the 1960s. Balog climbed each tree, and then photographed it in sections as he rappelled downward. Later, he created digital mosaics by stitching the images together using computer imaging software. Some images required up to four days of shooting, plus as many as six weeks of computer work to assemble the final composition. The tree images eventually became a 2004 book, Tree: A New Vision of the American Forest.

James Balog (pronounced BAY-log; born July 15, 1952) sometimes referred to as Jim Balog, is an American photographer whose work explores the relationship between humans and nature. Since the early 1980s Balog has photographed such subjects as endangered animals, North America's old-growth forests, and polar ice. His work aims to combine insights from art and science to produce innovative, dynamic and sometimes shocking interpretations of our changing world.