Age, Biography and Wiki
Jan Cornall was born on 17 August, 1950 in Melbourne, is an Australian singer-songwriter and comedian. Discover Jan Cornall's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 74 years old?
Popular As |
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Occupation |
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Age |
74 years old |
Zodiac Sign |
Leo |
Born |
17 August, 1950 |
Birthday |
17 August |
Birthplace |
Melbourne |
Nationality |
Melbourne |
We recommend you to check the complete list of Famous People born on 17 August.
She is a member of famous Songwriter with the age 74 years old group.
Jan Cornall Height, Weight & Measurements
At 74 years old, Jan Cornall height not available right now. We will update Jan Cornall's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
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Not Available |
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Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Not Available |
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Jan Cornall Net Worth
Her net worth has been growing significantly in 2022-2023. So, how much is Jan Cornall worth at the age of 74 years old? Jan Cornall’s income source is mostly from being a successful Songwriter. She is from Melbourne. We have estimated
Jan Cornall's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
Net Worth in 2022 |
Pending |
Salary in 2022 |
Under Review |
House |
Not Available |
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Not Available |
Source of Income |
Songwriter |
Jan Cornall Social Network
Timeline
In January 2008 Jan took part in Gang Festival in Sydney, an artist-run exchange between Australian and Indonesian artists and wrote, produced and performed in a stage version of Take Me To Paradise, with Indonesian performers: artist Jumaadi, poet Sitok Srengenge, musicians Deva Permana and Wendy Anggerani for OzASia Festival in Adelaide.
Her time spent in Indonesia began collaborative relationships which she continued to develop over the following years with an Asia Link residency in Jakarta in 2006. During this time Cornall wrote Take Me To Paradise, a novel, and composed and recorded Singing Srengenge in collaboration with noted Indonesian poet Sitok Srengenge and jazz pianist Imel Rosalin. At festivals in Indonesia, Cornall returned to performance after an absence of 20 years, performing her spoken and sung word at literary festivals and performance art at Perfurbance No. 2, #3, No. 4, street and village festivals in Jogjakarta. As an arts and travel journalist, Cornall's articles and have been published in Jakarta Post, RealTime Arts, Arts Hub, Urthona magazine and The Daily Telegraph.
In 2000, Cornall worked as writer on a unique project with Australian Tibetan musician Tenzing Tsewang, dramatising the story of his journey out of Tibet. Directed by Brian Joyce, Hanging Onto the Tail of a Goat was the first solo theatre production by a Tibetan performer in Australia. It showed in Melbourne, Wollongong, Penrith and Sydney's Opera House Studio. At the same time she began teaching writing workshops and retreats in communities, writers centres and colleges. In 2004 Jan ran her first writers retreat in Ubud, Bali in conjunction with the inaugural Ubud Writers and Readers Festival.
During the 1990s Cornall wrote the screenplay Talk, an Australian feature film directed by Susan Lambert. Talk showed in New York as part of a US tour and was reviewed in the Village Voice. Cornall went on to write two musical plays for the Women on a Shoestring theatre company about Australian farming women and the unknown stars of the Australian silent film industry.
At the end of 1984, after touring nationally with a number of shows, Cornall gave up performing to concentrate on writing for theatre and film. She received a New Writers Fellowship from the Literature Fund of the Australia Council for the Arts. Her resultant play Escape From a Better Place was performed by four theatre companies, later adapted for ABC Radio Drama and read at the International Women's Playwrights Conference in Athens in 2000.
In 1983 Cornall went solo, performing her one-woman comedy on stage with Gretel Killeen and Wendy Harmer at the Gap Women's Comedy Shows in Sydney and regional NSW.
On her return to Australia, Cornall joined the radical arm of The Pram Factory "Nightshift", performing in Marguerite Duras' play L'Amant Anglais and the world premiere of Stephen Sewell's play Traitors. In 1979, Cornall was invited to be writer in residence at the Pram Factory, where she wrote and performed in her musical Failing in Love Again. With musical partner Elizabeth Drake, they performed alongside Jeannie Lewis, Margaret Roadnight and Robyn Archer on the Australian festival circuit and with Cabaret Conspiracy in Sydney
In 1973, Cornall performed alongside Red Symonds, lead guitarist of Skyhooks, in the play The Ride Across Lake Constance by German absurdist Peter Handke. Following this time, Cornall travelled overseas, performing solo as a singer/songwriter, before joining the all-girl Latin jazz band, Baba Yaga, in Portland Oregon. She recorded the album On The Edge with the band as vocalist and percussionist.
Born in Melbourne, Australia, Jan Cornall started performing at young age in school plays and musicals. She studied speech and drama at Melbourne Teacher's college under the tutelage of Max Gillies. She began her performance career as a founding member of the Tribe experimental theatre group in 1968. During this time they performed 'Happenings', 'Guerilla Theatre' and 'Street Theatre', leading the Vietnam War moratorium marches in Melbourne with a series of street performances. The Tribe group were regulars at the famous La Mama Theatre (Melbourne) where they met and later merged with the Australian Performing Group (APG) at the Pram Factory Theatre.
Jan Cornall (born 1950) is an Australian singer, comedian and writer. Known for her contributions to queer music through the group Baba Yaga during the 1970s and the hit musical Failing in Love Again (1979), Jan Cornall was a leader in the women's comedy and cabaret resurgence of the early 1980s. She has contributed to Australian community theatre, addressing issues facing regional and rural women, and had a long involvement in forging cross cultural links with Indonesian and Australian writers and artists.