Age, Biography and Wiki
Javier Viver was born on 1971. Discover Javier Viver's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 52 years old?
| Popular As |
N/A |
| Occupation |
N/A |
| Age |
52 years old |
| Zodiac Sign |
|
| Born |
1971, 1971 |
| Birthday |
1971 |
| Birthplace |
N/A |
| Nationality |
|
We recommend you to check the complete list of Famous People born on 1971.
He is a member of famous with the age 52 years old group.
Javier Viver Height, Weight & Measurements
At 52 years old, Javier Viver height not available right now. We will update Javier Viver's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
| Family |
| Parents |
Not Available |
| Wife |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Javier Viver Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Javier Viver worth at the age of 52 years old? Javier Viver’s income source is mostly from being a successful . He is from . We have estimated
Javier Viver's net worth
, money, salary, income, and assets.
| Net Worth in 2023 |
$1 Million - $5 Million |
| Salary in 2023 |
Under Review |
| Net Worth in 2022 |
Pending |
| Salary in 2022 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
|
Javier Viver Social Network
| Instagram |
|
| Linkedin |
|
| Twitter |
|
| Facebook |
|
| Wikipedia |
|
| Imdb |
|
Timeline
In 2006 makes the series The Celebrities Archived 2016-05-30 at the Wayback Machine, a project about Narcissus and the loss of the face, which becomes the prize «Generaciones 2007».
In 2015 publishes, with the editorial RM, the photobook Révélations about the iconography of Salpêtrière (Paris, 1875-1918). This book was favourably reviewed and various prizes like the first prize for The Best Book of Art 2015 awarded by the Spanish Ministry of Culture, Education and Sport and the prize Ars Libris Barcelona (International Fair of Contemporary Edition). In 2016 it is nominated for the Best Photobook in the Fotobookfestival of Kassel and is selected for the Prize PhotoEspaña for The Best Book of Photography 2016.
He makes the degree of Fine Arts at the Complutense University of Madrid, where he became Doctor with a research about the Spanish producer José Val del Omar in the PLAT laboratory. The title is Laboratorio Val del Omar, and was published as a documentary by Cameo within the Val del Omar. Elemental de España collection (2010). As a consequence, he received the request of making an installation with Javier Ortiz Echagüe in the Reina Sofía National Museum during the exhibition Desbordamiento Val del Omar.
In 2005 designs the installation The Audience, an analogy of the play El gran teatro del mundo by Calderón de la Barca.
His work Sic transit (2004), where photography and cinematography join together, won the I Prize Plastics Arts of Madrid.
Viver completes his education with residences in The Spanish Academy of Rome, in Location1 with the «International Residency Program» (New York, 2002-2003), in Hangar (Barcelona, 2002), and in the «ARtist residence project» at The Swatch Art Peace Hotel (Shanghai, 2014).
Between 2001 and 2003 he works in ESpHeM, a fictitious company which offer temporary systems of packaging to live in the world. It was very good received by the critics and was rewarded with three prizes awarded by the Spanish Ministry or Foreign Affairs, the Spanish Fine Arts Circle and the Botin Foundation.
Javier Viver (born in Madrid in 1971) is a sculptor, photographer, designer and editor of photobooks. His work proposes a debate between the iconography and the inconoclasty as means of the invisible apparition.
