Jay Clayton (musician)

Clayton's teaching career lifted off in 1982, when she left New York City to build the vocal jazz program at the Cornish College of the Arts. She was on the jazz faculty at Cornish College for the Arts for 20 years. Jay has taught numerous master classes and workshops at places including City College of New York, University of Music and Performing Arts Vienna, and the Bud Shank Jazz Workshop, Banff Centre, which she co-taught with fellow vocalist Sheila Jordan, The New School, the Vermont Jazz Workshop, and Princeton University.

Clayton became part of the free jazz and avant-garde jazz crowd, which was unusual for a vocalist. With her status as an established avant-garde musician, she gained many connections. In 1967, Clayton and her husband, Frank Clayton, began presenting a loft jazz concert series in their home including artists, Joanne Brackeen, Cecil McBee, Jane Getz, and Sam Rivers, to name a few. As Clayton gained more and more recognition, she began to perform with other famous avant-garde jazz and minimalist musicians, some of which include: Muhal Richard Abrams, Gary Bartz, Jane Ira Bloom, George Cables, Steve Lacy, Julian Priester, Perry Robinson, Mark Whitecage, Steve Reich, and John Cage. As an independent artist already used to creating her own events, Clayton acted as the artistic director for the first ever Women in Jazz Festival, produced by Cobi Narita in 1979. She served as a consultant for ABC Cable’s Women in Jazz, compiling footage for the series. The year 1980 saw the release of All Out, her first album as a leader, featuring Jane Ira Bloom, Harvie Swartz, Larry Karush, and Frank Clayton.

Judith Colantone, known as Jay Clayton, (born October 28, 1941) is an American avant-garde jazz vocalist and educator.

Clayton, was born in Youngstown, Ohio, in 1941. From a young age, Clayton would pick up different jazz standards, and eventually learned to play the accordion. As she grew, she picked up piano and received lessons for a number of years. After graduating high school, Clayton spent the following summer at the St. Louis Institute of Music, a formerly accredited music college in Missouri. First in her family to enroll in college, Clayton attended Miami University in Oxford, Ohio. Due to the fact that classical music was the only genre of vocal training offered by Miami University at that time, Clayton studied classical music, though often listened to jazz records and attended jazz performances in her free time. Clayton graduated with a degree in music education in 1963, then moved to New York City.