Jean 'Moebius' Giraud

The second and third installment were never created because of the author's death in 2012.

He died in Paris, on 10 March 2012 at the age of 73, after a long battle with cancer.

Major Grubert has continued to appear in Moebius' work throughout his career, and was also the central character in the "sketchbook graphic-novel" 'Le Major' in 2011. Arzach Moebius' talent for creating strange and desolate landscapes was even more showcased in 'Arzach', a collection of short comic stories about a silent warrior riding on a pterodactyl-like creature. The stories have no balloons, captions or onomatopoeias, which makes up for a surreal and psychedelic reading experience. Even the main character's name seems disturbing, as Moebius spelled it differently in every story (Arzak, Arzach, Harzac, Harzach, Harzack).

Jean Giraud was invested with a knighthood in the Ordre National du Mérite in 2011.

Only the first book was published under the title 'Arzak: L'Arpenteur' ('Arzak: The Surveyor') by Glénat in 2010.

One of his final comics created under his own name was 'La Version Irlandaise', the first of a two-part volume in the 'XIII' series, which was released at the same time with its companion piece by the regular authors William Vance and Jean Van Hamme in November 2007.

In 2005 Moebius wrote the French manga story 'Icare' for Jirô Taniguchi (Éditions Kana). With Jean-Marc Lofficier, who also translated most of his works to English, he worked on the scripts of a couple of stories set in the same universe as 'The Airtight Garage'.

The Chinese 3D-CGI feature film 'Thru the Moebius Strip' (2005) was based on an original story and designs by Jean Giraud.

However, the psychedelic hallucinations did end up in the 2004 movie 'Blueberry, l'expérience secrète' starring Vincent Cassel, Michael Madsen and Juliette Lewis (with Jean Giraud in a cameo role). The film was no commercial success, but did gain a certain cult status as a "trip film". Since it deviated so much from the source material, the Charlier heirs demanded that their family name should be removed from the credits. Film work Besides the abandoned 'Dune' project, Jean Giraud/Moebius has participated in the development of several movies.

From 2004 to 2010, Stardom published 'Inside Moebius', an illustrated autobiographical fantasy featuring many of his longtime characters, such as Major Grubert, Blueberry and Arzak. The project covers 700 pages and was published in six hardcover volumes.

A sequel called 'Après L'Incal' was started by Jodorowsky in 2000. Moebius drew only the first book; the second and third installments were drawn by José Ladrönn.

In 1999, Giraud released 'Giraud/Moebius - Histoire de mon double', which featured a biography of Giraud by Moebius and vice versa.

He also worked with Coelho on the video game 'Pilgrim' in 1997.

Giraud also made original character designs and did visual development for the Warner Bros movie 'Space Jam' in 1996.

The books were published by Fleurus, Novedi and Alpen, before Giraud returned to Dargaud in 1995.

In later years, Moebius created sequels like 'L'Homme du Ciguri' ('The Man from the Ciguri', 1995) and 'Le Chasseur Déprime' (2008), while the first Moebius book at Éditions du Fromage, 'Le Bandard Fou' ('The Horny Goof', 1974) can be considered a prequel.

'Arzach' was a major influence on the development of the 'Panzer Dragoon' video game by Team Andromedia in 1995.

Witch scriptwriter Jean-Luc Coudray, he made 'Les Histoires de Monsieur Mouche' in 1994. Not surprisingly, 'Blueberry' also changed into a different direction because of Giraud's work under his alter ego Moebius.

Moebius and Jodorowsky also made 'Le Coeur Couronné' (1992-1998), a comics trilogy about the affair of a Philosophy professor with a delusional student, as well as the erotic one-shot 'Griffes d'Ange' (1994).

Giraud revived the series in 1991 and wrote six more books for artist Christian Rossi at Casterman until 1999. Moebius While Giraud and Charlier had basically renewed the western comics genre with 'Blueberry', Giraud embarked upon even more innovative territory under his pen name Moebius.

The first two books of 'Marshal Blueberry' were drawn by William Vance (Alpen, 1991, 1993), while the third one was drawn by Michel Rouge (Dargaud, 2000). In the meantime, the 'Young Blueberry' series was still continued by François Corteggiani and Michel Blanc-Dumont, although with no creative input from Giraud.

It was reprinted by Casterman in 1991 in 'Moebius : Entretiens avec Numa Sadoul', which also contained later interviews. A large career retrospective called 'Trait de Génie Giraud/Moebius' was on exhibit in the Comics Museum in Angoulême, and an extensive catalogue edited by Thierry Groensteen was published for this occasion. Legacy and influence With an oeuvre fuelled by mind-expanding drugs and New Age philosophies, Moebius has created a legacy which remains an inspiration to science fiction and fantasy authors to this day. He is considered one of the most influential comic artists since Hergé, and among his many and diverse admirers are comic authors like Hergé, Stan Lee and Marc Sleen, film directors Federico Fellini, George Lucas, Ridley Scott and Quentin Tarantino, and novelists Paulo Coelho, Neil Gaiman and William Gibson. He was an influence on the work of Hayao Miyazaki, William Stout, Emmanuel Roudier, Arno, Georges Bess, Dominique Hé, André Juillard, François Boucq, Geof Darrow, Louis Paradis, Martin tom Dieck, Milan Misic, Katsuya Terada, Jean-Jacques Sanchez, Zalozabal, Karel Verschuere, Jan Bosschaert, Stedho, François Schuiten, Frank and Thierry Van Hasselt.

'The Elsewhere Prince' was drawn by and Eric Shanower and published by Epic Comics in six issues in 1990, while Jerry Bingham did the art for 'The Onyx Overlord', which was published in four issues in 1992.

He completed the final story he had started with Charlier, 'Arizona Love' (Alpen, 1990), and wrote and drew five more albums, which form the 'Mister Blueberry' cycle (1995-2005). Instead of following Charlier's plan of rehabilitating Blueberry and sending him back to the army, Giraud decided to turn his protagonist into a loafing civilian who spends his days playing poker. He also added another spin-off to the 'Blueberry' universe, which focused on Blueberry's adventures as a marshal in the war against the Apaches prior to the Confederate gold storyline.

In the 1990s, Giraud worked on a planned movie adaptation of 'The Airtight Garage', which remained unreleased due to financial problems.

The story was colorized for the US publication, and has been published both as a graphic novel (Titan Books, 1989) and a 4-issue comic book series in 1992. The comic is widely praised because of its improvised nature, which makes the reader a witness of the artistic process of story development, while it also leaves a lot open to the reader's own interpretation. Therefore, 'The Airtight Garage' is not only a journey through a fictional world, but also through an artist's mind.

Especially after Jean-Michel Charlier's death in 1989, Giraud further developed the character's background and deeper emotions.

Last but not least, superhero fans may know him from his mini-series based on Stan Lee and Jack Kirby's 'The Silver Surfer' (1988-1989). Both as Giraud and as Moebius he is one of the most important comics authors of all time, whose influence can be felt in several fantasy and science fiction films and video games too.

The character's early years were explored in 'Avant l'Incal' by Jodorowsky and Zoran Janjetov (1988-1995) and a final cycle called 'Final Incal' was produced by Jodorowsky and Ladrönn (2008-2014). Moebius was highly influenced by drugs and the philosophies of French New Age guru Jean-Paul Appel-Guéry and Swiss nutritionist Guy-Claude Burger for his next major work, 'Le Monde d'Edena' ('The Aedena Cycle'). The artist's journeying lifestyle also left its mark on the comic; the installments were drawn in Tokyo, California and France.

Éditions Casterman collected the rest of what has to be Moebius' most philosophical series in four books between 1988 and 2001. Main themes are dreams, nutrition, health, biology and sexuality, structured societies and the archetype of good and evil.

The series was published in English by Marvel/Epic comics between 1988 and 1994.

He furthermore worked with Stan Lee on a two-issue mini-series starring the 'Silver Surfer' for Marvel's Epic imprint in 1988 and 1989.

' (1988), 'Quattre-vingt huit' (1990), 'Chaos' (1991), 'Chroniques Métalliques' (1992), 'Fusion' (1995), 'Une jeunesse heureuse' (1999). He additonally made illustrations for books and magazines, including an edition of Paulo Coelho's novel 'The Alchemist'.

The final issue of the original run of Métal Hurlant appeared in 1987, but Les Humanoïdes Associés has continued to publish comics and graphic novels in France since then. The Airtight Garage Moebius experimented with every aspect of the comics medium. He switched from drawing with a brush to a pen, which resulted in more open drawings with influences from the "Clear Line" style. He crafted highly imaginative worlds and creatures, while his narratives are mainly based around improvisation and character development instead of plot. An essential character in Moebius' output is Major Grubert, a rather stereotypical explorer inspired by Frank M.

His further scriptwriting work includes six books of 'Altor' with Marc Bati, a comic initially published under the title 'Cristal Majeur' (Dargaud, 1986-2003), and 'Little Nemo', a sequel to the classic American newspaper comic 'Little Nemo in Slumberland' by Winsor McCay, which was drawn by Bruno Marchand (Casterman, 1994-2002).

Later career & recognition Several artbooks with Moebius' drawings and paintings have been published, such as 'Starwatcher' (1986), 'Made in L. A.

Three new installments of 'La Jeunesse de Blueberry' ('Young Blueberry') were created by Charlier and New-Zealand artist Colin Wilson at Novedi between 1985 and 1990.

Under his own Aedena label, he produced the portfolio 'La Cité-Feu' (1985) with Geoff Darrow, and he published 'La Nuit de l'Étoile' (1986), a sci-fi comic written by Moebius and drawn by Marc Bati.

Giraud and Bati have also made a comic book based on George Orwell's 'Animal Farm' ('La Ferme des Animaux' at Novedi in 1985).

In 1985 Moebius headed for Tokyo to work on the script and conceptual art for 'Little Nemo: Adventures in Slumberland' (1989), an animated film based on Winsor McCay's 'Little Nemo in Slumberland'.

He co-founded the publishing label Aedena in 1984, while his wife Claudine Giraud oversaw Starwatcher, a company specialized in publishing and distributing related products. Based in Los Angeles, Moebius got most of his graphic novels published in the US through Marvel Comics.

The cycle had its origin in a promotional comic Moebius had made for French car manufacturer Citroën in 1983 ('Une Croisière Citroën sur l'Étoile'), in which two characters are transported to a "Garden of Eden" in another galaxy.

From 1983, Moebius was active in merchandising his properties.

The story has been a huge source of inspiration for George Lucas' 'Star Wars' film 'The Empire Strikes Back', Ridley Scott's sci-fi film 'Blade Runner' (1982) as well as the fashion in the videoclip for 'Firestarter' by The Prodigy (1996).

A comic album with stills from 'Les Maîtres du Temps' and a companion book with storyboard drawings and photos were published by Les Humanoïdes Associés in 1982.

Compilations of Moebius' other short stories were published by Les Humanoïdes in books like 'Double Évasion' (1981), 'La Citadelle Aveugle' (1989) and 'Escale sur Phargonescia' (1989).

The original series by Moebius and Jodorowsky was prepublished in Métal Hurlant from December 1980 on and then made available in six books by Les Humanoïdes Associés between 1981 and 1988. It was the first installment in Jodorowsky's own sci-fi universe known as the "Jodoverse", which also includes 'Meta-Barons' (drawn by Juan Giménez), 'The Technopriests' (drawn by Zoran Janjetov) and 'Mégalex' (drawn by Fred Beltrán).

Giraud also created another western series with Charlier, 'Jim Cutlass' (1979), but later wrote the stories himself while Christian Rossi provided artwork.

During their dispute with Dargaud, Giraud and Charlier created 'Jim Cutlass', another western comic of which one album was published by Les Humanoïdes Associés in 1979.

The original French book version was published in black-and-white under the title 'Major Fatal' in 1979.

After releasing the comic book 'Les Yeux du Chat' at Les Humanoïdes Associés in 1978, they created a comics classic with 'L'Incal' ('The Incal'). The saga focuses on P. I. John Difool, who receives the Light Incal, a crystal of enormous powers.

A licensed US edition called Heavy Metal was launched in April 1977.

, and in the US edition Heavy Metal from 1977.

He did storyboards and concept designs for Ridley Scott's movie 'Alien' (1977), 'Tron' by The Walt Disney Company (1982), René Laloux's 'Les Maîtres du Temps' ('Time Masters', 1982), James Cameron's 'The Abyss' (1989) and Luc Besson's 'The Fifth Element' (1997).

He was also instrumental in one of Moebius' masterpieces, 'Le Garage Hermétique' ('The Airtight Garage', 1976-1979). In this series of often confusing short stories, Major Grubert encounters several entities seeking to invade an asteroid in a pocket universe. Another notable character is Jerry Cornelius, a secret agent created by sci-fi and fantasy author Michael Moorcock as a sort of "open source" character for other authors to work with.

The Airtight Garage'Le Garage Hermétique' was serialized in Métal Hurlant from 1 March 1976 to 1 June 1979.

Another notable comic by Moebius is 'The Long Tomorrow' (1976), a futuristic crime noir short story written by Dan O'Bannon, who also did the special effects on Jodorowsky's 'Dune' project.

An interview that Numa Sadoul had with Jean Giraud was published under the title 'Mister Moebius et Docteur Gir' at Albin Michel in 1976.

As Moebius, he was one of the most innovative and influential comic artists of the 20th century, known for groundbreaking science-fiction and fantasy works like 'Arzach' (1975), 'The Airtight Garage of Jerry Cornelius' (1976-1979) and 'The Incal' (1980-1985). He experimented with graphic styles, lay-out, dialogue, visuals and plot development. Its themes, highly influenced by philosophical writings and hallucinogenic drugs, elevated adult comics to another level. Moebius was at the forefront of a new wave of experimental comic authors, who gathered in the comics magazine Métal Hurlant (Heavy Metal) and the publishing label Les Humanoïdes Associés. He was active as a comics writer, screen writer, storyboard and concept designer too.

Stories were prepublished in Nouveau Tintin (1975), Métal Hurlant (1979), Super As (1980), L'Écho des Savanes (1981) and Spirou (1983), before they were published directly in albums.

Dargaud published three books with these stories in 1975 and 1979.

The installments appeared in Métal Hurlant between 1 April 1975 and 1 January 1976 and were collected in book format in 1976. Moebius returned to this character at the end of his life, when he planned to explore the character's origins in a trilogy.

L'Incal Moebius' first collaboration with avant-garde comics writer and film director Alejandro Jodorowsky was in 1975, when he did creature and character designs and storyboards for Jodorowsky's planned movie adaptation of Frank Herbert's epic sci-fi novel 'Dune' in 1975. The project was never completed, but Moebius and Jodorowsky continued to work together on comics projects.

Giraud further developed his Moebius persona while on a hiatus from 'Blueberry' between 1974 and 1979.

With comic artist Philippe Druillet, journalist/writer Jean-Pierre Dionnet and financial director Bernard Farkas he launched the revolutionary comics anthology Métal Hurlant in December 1974. The men gathered under the collective name Les Humanoïdes Associés, which also became the name of the associated publishing house. Métal Hurlant published mainly avant-garde science fiction and fantasy comics. Besides aforementioned authors, it also ran work by international creators like Richard Corben, Alejandro Jodorowsky, Paolo Eleuteri Serpieri, Enki Bilal, Caza, Serge Clerc, Alain Voss, Berni Wrightson, Milo Manara, Jordi Bernet, Antonio Segura and Frank Margerin.

However, Dargaud, the original publisher of the books, continued to use the series title 'Fort Navajo, une Aventure du Lieutenant Blueberry' until 1973. The first 'Blueberry' cycle dealt with the American Indian Wars, and consisted of more basic adventure stories in the tradition of Charlier's other series, such as 'Buck Danny', 'La Patrouille des Castors' and 'Barbe-Rouge'. Giraud based Blueberry's original looks on the French western actor Jean-Paul Belmondo, while his artwork in general was still heavily inspired by Jijé. As the series evolved, Giraud became more and more influenced by the gritty western movies of Sergio Leone, Sergio Corbucci and Sam Peckinpah, American comic artists Milton Caniff and Hal Foster, and Western painter Frederic Remington. Giraud's brushwork became grittier too, and his involvement in Charlier's scripts increased. Giraud let Blueberry age as the stories progressed, which was highly unusual in comic series at the time.

This story arc consists of the albums 'Chihuahua Pearl' (1973), 'L'Homme qui Valait 500.

000 $' ('The Half-A-Million Dollar Man', 1973), 'Ballade pour un Cercueil' ('Ballad for a Coffin', 1974), 'Le Hors-la-loi' ('The Outlaw', 1974) and 'Angel Face' (1975). The flawless hero of 'Fort Navajo' had by now transformed into a normal human being, one who wasn't safe from being manipulated, betrayed and tortured. Giraud's explicit graphic portrayals of the dirty and sweaty Far West with all its violence and dangers paved the way for other European western comics, such as 'Comanche' by Hermann and Greg, 'Jonathan Cartland' by Michel Blanc-Dumont, 'Durango' by Yves Swolfs and even the later 'Jerry Spring' stories by Jijé.

A dispute over royalties with publisher Georges Dargaud led to a more complex publication history of 'Blueberry' stories after 1973.

Writings Giraud had been writing comic stories for other artists since the early 1970s.

For Pilote, he wrote the initial episodes of the post-apocalyptic comic 'Jason Muller' for Claude Auclair in 1970, as well as a couple of short stories for Jacques Tardi.

Starting in 1969, Moebius made a series of science fiction illustrations for sci-fi novels published by Opta, which marked the beginning of Giraud's exploits outside of the mainstream.

The stories and the action became more hard-boiled after Pilote began to focus on a more mature readership from 1968 on. The series gained full maturity when Giraud and Charlier made a cycle about a hidden treasure of Confederate gold in Mexico.

In addition, Giraud and Charlier had been presenting scenes from Blueberry's younger years in Super Pocket Pilote from 1968.

Jean Giraud had one of the most interesting double lives in comics history. Under his own name, he co-created the legendary western comic 'Blueberry' (1963-2012) with writer Jean-Michel Charlier. He also used the shortened signature of "Gir" for this series.

The first story, 'Fort Navajo', premiered in Pilote on 31 October 1963. The initial set-up featured an ensemble cast, but the character of Lieutenant Mike S. Donovan, a. k. a. Blueberry, quickly took the centre stage. Along the way, he received two sidekicks, namely the boozing gold prospector Jimmy McClure and Redneck, an expert on Indian matters.

He had first used the name for a couple of short stories in the satirical monthly Hara-Kiri in 1963-1964.

He inked the episode 'La Route de Coronado' of Jijé's western series 'Jerry Spring', which was published in Spirou magazine in 1961. Jijé learned Giraud the finer points of the comics profession, training him in creating simple lay-outs, effective usage of black, rhythm in storytelling and working with photo documentation.

In 1961 and 1962, Giraud and Mézières were artists at Studio Hachette, where they participated in collections like 'L'Histoire des Civilisations'. Blueberry When scriptwriter Jean-Michel Charlier proposed Jijé to create a new western series for Charlier's magazine Pilote, Jijé suggested Giraud for the assignment.

This cowboy series was noted for its highly realistic artwork and more gritty, complex and adult story lines, which had a tremendous impact on several other European western comics from the late 1960s on.

He also worked on comic stories for Bonux-Boy (1960-1961) and Total Journal (1966-1968), two advertising comic magazines edited by Jijé's son Benoît, who had become a close friend of his.

Back in France in 1956, he sold his first comic story ('Les Aventures de Frank et Jérémie') to Far West, a western magazine edited by Marijac.

Through Mézières he subsequently got the opportunity to work for the children's publications of Éditions Fleurus, such as Fripounet et Marisette, Coeurs Vaillants and Âmes Vaillantes between 1956 and 1958. His contributions were mainly short stories of an educational and historical nature, and he also provided artwork to a publication called Sitting-Bull. He spent his military service in Algeria and Germany, where he made illustrations and comic strips for the army monthly 5/5 Forces Françaises. Another contributor to this magazine was André Chéret. Assistant of Jijé Back in civilian life, Giraud became an apprentice of Joseph Gillain, the classic Belgian comic artist known as Jijé.

After leaving the Academy in 1955 he went to live with his mother in Mexico for eight months. There, he was exposed to mind-expanding substances, sex and the desert for the first time. The experience had an enormous impact on his future life and career, both as Giraud and as Moebius.

Giraud was largely raised by his grandparents, with whom he lived in Fontenay-sous-Bois since his parents' divorce in 1941. He grew up reading comics and watching American B-Westerns, while developing a passion for drawing. His mother encouraged him to further pursue his artistic ambitions, and he took art courses from an early age. He enrolled at The Duperré School of Applied Arts in Paris, where he studied alongside Jean-Claude Mézières, who became a close friend, and Pat Mallet for two years. While feeling no desire for designing wallpaper and furniture, he started drawing his own western comic strips, inspired by Belgian artists like André Franquin and Morris. He also published his first illustrations in Fiction magazine. Other artistic influences of Giraud were were Leonardo Da Vinci, Rembrandt van Rijn, Winsor McCay, Harold Foster, Jijé, Jack Kirby and Robert Crumb.

Early life Jean Henri Gaston Giraud was born in 1938 in Nogent-sur Marne, a commune in the eastern suburbs of Paris.

Buck's 1930 novel 'Bring 'm Back Alive'. The character had first appeared in a short story for Pilote, and then in experimental and surreal stories for France-Soir and Fluide Glacial.

A third planned spin-off about an elderly Blueberry was called 'Blueberry: 1900', and was supposed to be drawn by François Boucq. Giraud wanted Blueberry to reside with the Hopi tribe and meditate under the influence of mind-expanding substances, while a comatose President McKinley is levitated in his bed. The project was halted by Philippe Charlier, the son and heir of Jean-Michel Charlier, who found this new direction too far away from the creative integrity and legacy of his father.