Age, Biography and Wiki
Jennifer Maiden was born on 1949 in Penrith, New South Wales, is a poet. Discover Jennifer Maiden's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 74 years old?
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1949 |
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Penrith, New South Wales |
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Australia |
We recommend you to check the complete list of Famous People born on 1949.
She is a member of famous poet with the age years old group.
Jennifer Maiden Height, Weight & Measurements
At years old, Jennifer Maiden height not available right now. We will update Jennifer Maiden's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Jennifer Maiden Net Worth
Her net worth has been growing significantly in 2022-2023. So, how much is Jennifer Maiden worth at the age of years old? Jennifer Maiden’s income source is mostly from being a successful poet. She is from Australia. We have estimated
Jennifer Maiden's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
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poet |
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Timeline
Maiden's most recent poetry collection Golden Bridge was published in January, 2023.
Biological Necessity: New Poems was released in 2021.
Maiden's poetry collection The Espionage Act, was published at the beginning of 2020. In December 2019, an advance copy was included in Fairfax Media's list of most appreciated books in 2019'
In 2020, another non-fiction work by Jennifer Maiden was released, entitled The Cuckold and the Vampires: an essay on some aspects of conservative political manipulation of art and literature, including the experimental, and the conservatives' creation of conflict.
Her new collection of poems, brookings: the noun, was released in early 2019 by Quemar Press.
Following her work as Writer in Residence at the NSW Service for the Treatment and Rehabilitation of Torture and Trauma Survivors, Jennifer Maiden and the torture and trauma clinician, academic and researcher, Margaret Bennett collaborated, in 2019, on a workbook to assist torture or trauma survivors to write of their experiences, entitled Workbook Questions: Writing of Torture, Trauma Experience.
Her collection, Appalachian Fall: Poems About Poverty in Power, was released by Quemar Press in 2018.
In January 2018, her novel, Play With Knives, was combined with its sequel, Play With Knives: Two: Complicity, in a paperback published by Quemar Press. This was the first time Play With Knives: Two: Complicity was published in print form.
Jennifer Maiden's recent novels in poetry and prose, Play With Knives: Three and Play With Knives: Four were published in single paperback book from Quemar Press in 2018.
The final novel in the Play With Knives Quintet, Play With Knives: Five: George and Clare, the Malachite and the Diamonds, an experimental novel in poetry and prose, was released by Quemar Press in September 2018.
A new, revised edition of her novel Play With Knives was published online as a free download by Quemar Press in 2016, followed by its previously unpublished sequel, Play With Knives: Two: Complicity.
Maiden's collection, The Metronome, deals partly with the 2016 U.S. elections and includes their result in its epilogue. Because of topical relevance, Quemar Press uploaded its electronic edition on 9 November 2016. Giramondo published a print edition of The Metronome in March 2017.
Her fourth novel, Play With Knives: Three: George and Clare and the Grey Hat Hacker, was published online in December, 2016, as an exclusive from Quemar Press. It is a prose/verse sequel to Play With Knives, Play With Knives: Two: Complicity, and those of her poems which feature her characters George Jeffreys and Clare Collins.
Her first UK collection, Intimate Geography, which is a selection from four of her Australian collections (Acoustic Shadow, Mines, Friendly Fire and Pirate Rain), was published by Bloodaxe Books in March, 2012.
Her collection, Liquid Nitrogen, was published by Giramondo in November, 2012, won the C. J. Dennis Prize for Poetry and the overall Victorian Prize for Literature, and was shortlisted for the Griffin International Poetry Prize, the Australian Prime Minister's Awards, and the Judith Wright Calanthe Award. A chapbook of some of her new poems, The Violence of Waiting, was published by Vagabond Press in November, 2013. Her collection, Drones and Phantoms, was published by Giramondo in 2014, and won the 2015 ALS Gold Medal. Her collection, The Fox Petition, was published by Giramondo in November, 2015.
In October 2011, the Australian magazine of politics, society and culture, The Monthly, listed her poetry collection, Friendly Fire (2005), as the poetry book in their selection of 20 Australian Masterpieces since 2000, when they asked 20 Australian art critics to identify "the most significant work of art in their field since 2000".
Her collection, Pirate Rain, won The Melbourne Age Poetry Book of the Year in 2010 and the N.S.W. Premier's Kenneth Slessor Prize for Poetry in 2011. She is the first writer to have won the Kenneth Slessor Prize three times.
Her second novel Play With Knives has been translated into German as Ein Messer im Haus (dtv, 1994).
A Selected Poems 1967-2018 by Jennifer Maiden was published from Quemar Press in February 2018.
Jennifer Maiden (born 1949) is an Australian poet. She was born in Penrith, New South Wales, and has had 36 books published: 28 poetry collections, 6 novels and 2 nonfiction works. Her current publishers are Quemar Press in Australia and Bloodaxe Books in the UK. She began writing professionally in the late 1960s and has been active in Sydney's literary scene since then. She took a BA at Macquarie University in the early 1970s. She has one daughter, Katharine Margot Toohey. Aside from writing, Jennifer Maiden runs writers workshops with a variety of literary, community and educational organizations and has devised and co-written (with Margaret Cunningham Bennett, who was then the director of the New South Wales Torture and Trauma Rehabilitation Service) a manual of questions to facilitate writing by Torture and Trauma Victims. Later, Maiden and Bennett used the questions they had created as a basis for a clinically planned workbook.