Age, Biography and Wiki
Joline Blais was born on 9 May, 1960 in Lewiston, Maine, United States, is an educator. Discover Joline Blais's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 64 years old?
| Popular As |
N/A |
| Occupation |
educator |
| Age |
64 years old |
| Zodiac Sign |
Taurus |
| Born |
9 May, 1960 |
| Birthday |
9 May |
| Birthplace |
Lewiston, Maine |
| Nationality |
United States |
We recommend you to check the complete list of Famous People born on 9 May.
She is a member of famous Educator with the age 64 years old group.
Joline Blais Height, Weight & Measurements
At 64 years old, Joline Blais height not available right now. We will update Joline Blais's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
| Family |
| Parents |
Not Available |
| Husband |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Joline Blais Net Worth
Her net worth has been growing significantly in 2022-2023. So, how much is Joline Blais worth at the age of 64 years old? Joline Blais’s income source is mostly from being a successful Educator. She is from United States. We have estimated
Joline Blais's net worth
, money, salary, income, and assets.
| Net Worth in 2023 |
$1 Million - $5 Million |
| Salary in 2023 |
Under Review |
| Net Worth in 2022 |
Pending |
| Salary in 2022 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
Educator |
Joline Blais Social Network
Timeline
Joline Blais and Jon Ippolito, "New Media Innovators," in Lucas Dietrich, ed., 60: Innovators Shaping Our Creative Future (London: Thames & Hudson, 2010).
Joline Blais, Jon Ippolito, Steve Evans, Owen Smith, and Nate Stormer, "New Criteria for New Media," Leonardo (MIT Press) 42, no. 1 (Spring 2009).
In 2008 Blais expanded this work from the university to community contexts as a partner and equity member of Belfast Cohousing & Ecovillage, whose net-zero prototype house was the US Green Building Council's 2011 Project of the Year.
Her sustainability projects include LongGreenHouse (2007–2011), which wove the Wabanaki Longhouse, permaculture gardens, and networked collaboration in a hybrid "communiversity," in partnership with UMaine, the Wassookeag school, and Wabanaki elders. Other projects include RFC: Request for Ceremony, a call for re-investing quotidian life with ceremony; and the Cross-Cultural Partnership, a legal framework for developing trust networks with indigenous peoples.
Blais' 2006 book At the Edge of Art, co-authored with Ippolito and published by Thames & Hudson, investigates how new media art puts the power of networks and distributed creativity into the hands of ordinary citizens in a variety of non-art contexts. The book creates a metaphor between digital art and the human immune system, relating the auto-immune response to the important role of art in society. In this book Blais coins the terms "autobotography," personal histories automatically recorded by digital devices such as webcams and blogs, and "executability," an ability of 21st-century expression to operate on computable, social, or legal codes.
Joline Blais and Jon Ippolito, "Art As Antibody: A Redefinition of Art for the Internet Age," Intelligent Agent 6, no. 2 (Summer 2006), mirrored at http://www.intelligentagent.com/archive/ia6_2_transvergence_blaisippolito_artasantibody.pdf.
Joline Blais and Jon Ippolito, At the Edge of Art (London: Thames & Hudson, 2006).
In 2005 Blais partnered with New York's Eyebeam Art and Technology Center to conceive and produce an online forum on open culture that spanned six weeks and four continents. Entitled Distributed creativity, this system wove together correspondents from separate email lists based in California (Creative Commons), New York (Rhizome), Ireland (DATA), India (Sarai), and Australia (Fibreculture) in a global conversation on the future of creativity, intellectual property, and mobile media.
Joline Blais, Jon Ippolito, Lawrence Lessig, and Carrie McLaren, "Share/Share Alike," Intelligent Agent (New York and Baton Rouge) 4.2 (June 2004), http://www.intelligentagent.com.
As Associate Professor in the University of Maine's New Media Department, Blais teaches classes on digital narrative, sustainable design, and permaculture. With Jon Ippolito in 2002, she co-founded Still Water, a new media lab she continues to co-direct that is devoted to studying and building creative networks. Blais' publications and creative work explore the overlap of digital culture, indigenous culture, and permaculture which has included advocacy for updated tenure and promotion criteria based on sharing rather than hierarchical principles.
