Age, Biography and Wiki

Keiko Fukazawa was born on 1955 in Niigata, Niigata, Japan. Discover Keiko Fukazawa's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 68 years old?

Popular As N/A
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Age 68 years old
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Born , 1955
Birthday
Birthplace Niigata, Japan
Nationality Japan

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Keiko Fukazawa Height, Weight & Measurements

At 68 years old, Keiko Fukazawa height not available right now. We will update Keiko Fukazawa's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

Family
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Keiko Fukazawa Net Worth

Her net worth has been growing significantly in 2022-2023. So, how much is Keiko Fukazawa worth at the age of 68 years old? Keiko Fukazawa’s income source is mostly from being a successful . She is from Japan. We have estimated Keiko Fukazawa's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income

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Timeline

1992

Fukazawa went on to teach at the Department of Corrections, California Rehabilitation Center in Norco and as adjunct faculty at Otis College of Art and Design in 1992, at the California State Polytechnic University, Pomona, the University of Southern California, Cerritos College and multiple disciplinary youth/women's facilities. In 1998, Fukazawa married photographer Dennis O. Callwood. In a joint 2002 exhibition Art and Deviation, the couple challenged "assumptions about 'juvie' kids and their so-called low culture" through works in collaboration with youth at Camp Ronald McNair, an incarcerating rehabilitative center in Lancaster, CA. Starting in 2013, Fukazawa spent three years in Jingdezhen, China, a "global center of ceramic production and innovation for almost 2,000 years." These experiences inspired her 2016 exhibition, Made in China, with pieces that address Chinese capitalism. She currently lives and works in Pasadena, CA, where she is an assistant professor and head of the ceramics department.

1977

After growing up in Tokyo, Fukazawa earned her Bachelor of Fine Arts at Musashino Art University in 1977, originally focusing on painting. She later changed her focus to ceramics to pursue a more practical profession for a women in Japan. Completing her post-graduate studies in ceramics there in 1981. She also studied at the studio of Sotoen in Shigaraki, but soon realized that due to the "conservative nature of art education for women" in Japan, it could be years before she would be allowed to produce her own individual work. Fukazawa relocated to the United States, and after a brief time at Anderson Ranch Arts Center in Snowmass Village, Colorado, she moved to California in 1984 to follow her interest in the California Funk Movement, and artists like, Peter Voulkos, Marilyn Levine and Ron Nagel. "I'd read in a magazine of many things happening on the West Coast in avant-garde ceramics, beautiful, strong pieces." While in LA, she studied at Otis College of Art and Design and earned her Masters of Fine Arts in 1986. There, she studied under ceramicist Ralph Bacerra, whose focus in teaching was on technical ability and the integrity in form and surface, influencing her early work.

1955

Keiko Fukazawa (born 1955 in Niigata, Niigata, Japan) is an Issei (first generation) Japanese ceramicist and professor. She is known for her whimsical yet poignant sculptures that often incorporate traditional Asian motifs, while also addressing cultural and social issues. Fukazawa's recent work is incorporates graffiti-like styles that reference violence and modern issues such as globalization, consumerism, and capitalism. Her "functional, though impractical...interpretations of traditional forms serve as a personal vehicle of expression to integrate her heritage with her American environment." She states "I want to share something as an immigrant artist." After moving to the United States to escape the limited opportunities for women artists in Japan, she studied at Otis and Parsons School of Art and has since established her art career.