Age, Biography and Wiki
Ken Ernst was born on 1918, is a cartoonist. Discover Ken Ernst's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 67 years old?
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67 years old |
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1918, 1918 |
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1918 |
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August 6, 1985 |
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We recommend you to check the complete list of Famous People born on 1918.
He is a member of famous cartoonist with the age 67 years old group.
Ken Ernst Height, Weight & Measurements
At 67 years old, Ken Ernst height not available right now. We will update Ken Ernst's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Ken Ernst Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Ken Ernst worth at the age of 67 years old? Ken Ernst’s income source is mostly from being a successful cartoonist. He is from . We have estimated
Ken Ernst's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
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Pending |
Salary in 2022 |
Under Review |
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cartoonist |
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Timeline
Kenneth Frederic Ernst (1918 – August 6, 1985) was a US comic book and comic strip artist. He is most notable for his work on the popular and long-running comic strip Mary Worth from 1942 to 1985. With his realistic style, uncommon in those early years, Ernst paved the way for soap opera strips that followed.
Ken Ernst illustrated the Mary Worth strip until the time of his death. He died August 6, 1985, of a heart attack, while visiting his son in Salem, Oregon.
In 1942, Ernst took over as artist on the King Features Syndicate comic strip Mary Worth, and that strip became his life's work. According to Ernst in a comic-style segment from the January 8, 1949 issue of Collier's ("Mary Worth and Us" by Ken Ernst and Allen Saunders, p. 45), he and writer Allen Saunders replaced the "tear-stained melodrama" of Apple Mary, the strip's previous incarnation, with more "modern material-- stuff that might appear in slick paper fiction." The new approach brought success, as well as a succession of Ernst's gorgeously drawn, but often troubled females into range of Mary's meddling and advice. "I have to grind out a new honey every few weeks, instead of drawing the same face every day for 20 years," Ernst remarked.
The Wisconsin Historical Society possesses some black and white photographs of Ernst sketching co-eds at the University of Wisconsin on February 5, 1947. Ernst is said to have chosen one of the young women to serve as the model for a new character in Mary Worth. Seven related images were published in the Wisconsin State Journal on February 9, 1947.
Ernst's artwork appeared in comic books again in the late 1940s and early 1950s in The Green Hornet from Harvey Comics, but the panels were reprints of his Mary Worth.
It was in the field of newspaper comics, however, that Ken Ernst became famous. Between 1940 and 1942, he assisted on the daily Don Winslow of the Navy strip. (Another source reports that he "ghosted" that strip).
In 1936, Ernst began his art career during the burgeoning Golden Age of Comic Books. He joined the Harry "A" Chesler comic book production shop, where he contributed to Star Comics and Funny Pages until 1943. He took assignments on numerous titles from Centaur in the late 1930s. Ernst also worked for National Periodical Publications on Larry Steele and at Western Publishing on Buck Jones, Tom Mix and Clyde Beatty. He is credited with the art on back-up stories in the DC Comics flagship title Detective Comics, issues 31–33, 38, and most issues between 39 and 49.
Ken Ernst was born in 1918 in Illinois. At the age of 12, he was elected president of the Chicago Chapter of the International Brotherhood of Magicians. Ernst began his working life as a stage magician, but he aimed for a career in art. Using money made performing magic to finance his education, he studied at the Art Institute of Chicago and the Chicago Academy of Fine Arts.