Keri Pickett

In 2016, the Walker Art Center screened portions of Pickett's second full-length documentary First Daughter and the Black Snake chronicling the opposition of Winona LaDuke, an Anishinaabe activist, to plans to route a pipeline through land granted to her tribe in 1855. The pipeline threatens the tribe's sacred wild rice lakes and the preservation of their traditional way of life. First Daughter and the Black Snake premiered at the Native Women in Film Festival, in Los Angeles, California in February 2017. It subsequently screened at the Minneapolis–Saint Paul International Film Festival in April 2017.

In 2013, Pickett's first feature-length documentary film The Fabulous Ice Age premiered as an official selection of the 2013 Minneapolis–Saint Paul International Film Festival, where it was runner up for ‘MN Made’ audience favorite and was selected for inclusion in Festival Best of Fest. The Fabulous Ice Age is a documentary about the history of theatrical figure skating highlighting entertainers such as Sonja Henie and Gloria Nord, featuring Pickett's uncle Roy Blakey - a former ice-skater, turned photographer. Blakey has the largest collection of theatrical ice-skating memorabilia in the world, housed at The IceStage Archive in Minneapolis.The New York Times featured The Fabulous Ice Age in January 2014 on the front page of its arts section and the film is now being distributed by Netflix and is listed on IMDb.

Pickett's third book published in 2004, Saving Body & Soul: The Mission of Mary Jo Copeland uses her photography paired with essays and writings by Margaret Nelson to illuminate the story of Mary Jo Copeland, a housewife and mother of twelve who has overcome remarkable odds in her quest to serve the poor and homeless.

In 1995, Pickett published Love in the 90s. B.B. and Jo, The Story of a Lifelong Love, A Granddaughter's Portrait, black-and-white photographs of her grandparents that she took when they were in their 90s, interwoven with the love and courtship letters they wrote to each other beginning in 1928. The book won the American Photography Book Award for 1995. Photographs of her grandparents have appeared in Life, German and German Geo and the Village Voice (cover).

Pickett's Lambda Literary Award-winning book Faeries, published by Aperture Books with a foreword by James Broughton, records the life and personality of gay men who self-identify as Radical Faeries and gather every summer off-the-grid in a celebration of identity. Begun in 1994, the project was shot over six years at an annual ten-day meeting in the northern Minnesota sanctuary called Kawashaway. Pickett says that she is "someone who honors and celebrates the unique mix of masculine and feminine in everybody".

Pickett graduated with a B.A. degree in photography from Moorhead State University in Minnesota with minors in Art History and Women's Studies. After graduation in 1983, Pickett moved in with her photographer uncle Roy Blakey in New York for a short time while starting an internship under the direction of American photographer Fred W. McDarrah at the Village Voice. In 1987, after Pickett was diagnosed with Burkett's lymphoma, a rare cancer characterized by the rapid growth of tumors in the body, she left New York and returned to Minnesota to begin chemotherapy. During the two years of Pickett's treatment, she concentrated on her photographic work: Kids Coping with Life-Threatening Illness. Where once she had thought she was too young to die, Pickett's paradigm shifted as she photographed and became friends with children in the hospital who were dying of cancer. Pickett says, "When I was on chemotherapy I was so upbeat and positive that this started coming out in my pictures. I was a positive example to people. I started taking photos of kids with life-threatening illnesses, and my work switched....I starting putting more of myself into the work."

Keri Pickett (born in 1959, Charleston, S.C.) is an American photographer, author and filmmaker. Pickett's work "pulls subjects from the edges of public awareness to the center of the frame". Pickett was first exposed to photography as a child through her figure-skater/photographer uncle Roy Blakey and years later, as an adult, she made a film about his life.