Age, Biography and Wiki
Khalid Amin was born on 19 February, 1966, is a writer. Discover Khalid Amin's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 57 years old?
Popular As |
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Occupation |
Collage professor, writer, researcher |
Age |
58 years old |
Zodiac Sign |
Aquarius |
Born |
19 February, 1966 |
Birthday |
19 February |
Birthplace |
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We recommend you to check the complete list of Famous People born on 19 February.
He is a member of famous writer with the age 58 years old group.
Khalid Amin Height, Weight & Measurements
At 58 years old, Khalid Amin height not available right now. We will update Khalid Amin's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Not Available |
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Not Available |
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Not Available |
Khalid Amin Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Khalid Amin worth at the age of 58 years old? Khalid Amin’s income source is mostly from being a successful writer. He is from . We have estimated
Khalid Amin's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
Net Worth in 2022 |
Pending |
Salary in 2022 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
writer |
Khalid Amin Social Network
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Timeline
Erica Fisher Lichte, From the Theater of Acculturation to the Interweaving of Performance Cultures, the Publications of the International Center for Performance Studies, 2015
Patrice Bavis, Dramaturgy and Beyond Dramaturgy, co-translated with Said Karimi, Publications of the International Center for the Performance Studies, 2014
After obtaining his bachelor's degree from Zainab Al-Nafzweyya High School in Tangiers, he studied at the English Language Department at the Faculty of Arts and Humanities in Tétouan. As soon as he obtained his bachelor's degree, Khalid Amin traveled to England to obtain a master’s degree from the University of Essex. He said about that experience and its cognitive and personal horizons, "Since I set foot in the University of Essex in Britain in 1990 with to complete my postgraduate studies, I was asked by Roger Howard, the head of the theater department at that prestigious university, "What about Moroccan theater?", then I realized that it was my duty to work on the self within the limits of its relationship with the other. The beginning was from Shakespeare in the Moroccan theater, accompanied by my professors, Dr. Hasan Al-Munai’i and Muhammad Al-Amiri”. As soon as he obtained his master's degree from the University of Essex in modern literature – specializing in theater, he returned to Morocco and worked as a professor of higher education since 1993. Khalid Amin was keen to study the arts of Moroccan and Arab Performance and to introduce it to the whole world, based on the idea that a Performance is a human practice and is not confined to a specific culture. In 2000, he discussed his doctoral thesis in comparative literature in which he studied "Shakespeare in Moroccan Theater" under the joint supervision of England and Morocco.
Khalid Amin (Arabic: خالد أمين; born 15 February 1966) is a Moroccan writer, academic and researcher. He is a professor of Higher Education at the Faculty of Arts and Human Sciences in Tetouan, belonging to Abdelmalek Essaâdi University. He specialized in English literature, theater, Performance and cultural studies. He is the founder and president of the International Center for Performance Studies in Tangier and a member of the advisory board of the International Institute for the Interweaving of Performance Cultures at the University of Berlin. He was born in Tetouan on February 15, 1966, and settled in Tangiers. He wrote dozens of works and studies in both English and Arabic languages that mainly approached different types of Performance arts and sought to establish a kind of double criticism residing within the interstitial spaces. His work also integrates with the voices of post-colonial studies and those which underminine the colonial situation (Decoloniality).