Kim Haengsook

Kim, Suna. “Laotzu’s Way of Thinking and Imagination on ‘Body without Organs’ in Contemporary Female Poem.” The Education of Korean Language and Literature 38, 2016.

“Winner of Midang & Hwang Sun-won Literary Awards: Humans Are Fragile...If We Can Share Each Other’s Pain.”

“Jeong Cheol-hun’s Contemporary Poetry Walk, the Alchemy of Sensations: The Invention of Encounters...Poet Kim Haengsook.”

4. 송승환, ｢‘사이’의 발견과 ‘큰 주체’의 물음｣, 『창작과비평』 봄호, 2011.

Song, Seung-hwan. “The Discovery of Betweenness and the Question of ‘the Subject.’” Changbi, Spring 2011 Issue.

6. 김순아, ｢현대 여성시에 나타난 ‘기관 없는 몸’의 상상력과 노장적 사유, 『한어문교육』 38호, 2016.

『에코의 초상』(문학과지성사, 2014)

2. 『에로스와 아우라』(민음사, 2012)

5. 박혜경, ｢세계라는 허구의 영토｣, 『문학과사회』 여름호, 2012.

Park, Hye-gyeong. “The Fictional Territory of the World.” Literature and Society, Summer 2012 Issue.

3. 장은석, ｢연인에서 이웃으로｣, 『문학과사회』 봄호, 2011.

Chang, Eun-seok. “From Lovers to Neighbors.” Literature and Society, Spring 2011 Issue.

Kim's language is open to various interpretations. It has been described as “sliding or floating across the signifier and the signified.” Literary critic Shin Hyeong-cheol notes that Kim “breaks down the world into pieces of feeling and allows the self to become a vessel for each feeling. Her poetry is freely fantastical and unegotistically objective.” Kim's third poetry collection Tainui uimi (타인의 의미 The Significance of Others) (2010) shows a slight change in style. The world of feeling she portrays in previous poems remains the same, but she focuses on the sensations born from the relationship between the self and the Other. The self strives to reach the Other, fails, and accepts a fate of solitude.

3. 『타인의 의미』(민음사, 2010)

1. 『마주침의 발명』(케포이북스, 2009)

Kim Haengsook's work has been referred to as “a symptom of contemporary poetry” that “achieved a new kind of lyricism” by writer and literary critic Lee Jangwook. Starting with her first poetry collection Sachungi (사춘기 Adolescence), the strangeness and ambiguity of her poems challenged readers to find new ways of interpreting them other than simply looking for meaning or images. In a commentary on her second poetry collection Ibyeoreui neungryeok (이별의 능력 The Ability to Part) (2007), literary critic Shin Hyeong-cheol argues that Kim “does not write with intuition but with the mind of a programmer” who has “the ability to enter into a particular world of feeling and to invite readers into that world.”

2. 『이별의 능력』(문학과지성사, 2007)

1. 조연정, ｢사랑의 능력, 이토록 모호한｣, 『문학과사회』 겨울호, 2007.

Cho, Yeon-jeong. “The Ability of Love: How Ambiguous.” Literature and Society, Winter 2007 Issue.

2. 신형철, ｢시뮬라크르를 사랑해｣, 『이별의 능력』 해설, 문학과지성사, 2007.

Shin, Hyeong-cheol. “A Love for Simulacrums.” Afterword in The Ability to Part. Moonji, 2007.

2. 『문학이란 무엇이었는가』(소명출판, 2005)

3. 『창조와 폐허를 가로지르다』(소명출판, 2005)

1. 『문학의 새로운 이해』(소명출판, 2004)

A New Understanding of Literature. Somyung Books, 2004.

1. 『사춘기』(문학과지성사, 2003)

Kim Haengsook (Hangul 김행숙; born 1970) is a South Korean poet.

Kim Haengsook was born in Seoul, South Korea in 1970. She studied Korean language education at Korea University, where she also earned her master's and doctoral degree in Korean literature. She made her literary debut in 1999 when the journal Hyundae Munhak published “Ppul” (뿔 Horn) and a few other poems. She is primarily associated with the Korean Futurism school of poetry, which emerged in the 2000s when young poets began writing experimental works that broke with the lyrical tradition of South Korea. Kim published her first poetry collection Sachungi (사춘기 Adolescence) in 2003, which earned critical and popular acclaim for its unconventional style and put her alongside other Korean Futurist poets like Hwang Byungsng, Kim Kyung Ju, Kim Min-jeong, and Ha Jaeyoun. She won the 9th Nojak Literature Prize in 2009, the inaugural Jeon Bonggeon Literary Award in 2015, and the 16th Midang Literary Award in 2016. She was an editor for the quarterly journal World Literature, and currently teaches Korean literature at Kangnam University.