Age, Biography and Wiki
Laura Dean (choreographer) was born on 3 December, 1945 in mali. Discover Laura Dean (choreographer)'s Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 78 years old?
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| Age |
78 years old |
| Zodiac Sign |
Sagittarius |
| Born |
3 December, 1945 |
| Birthday |
3 December |
| Birthplace |
N/A |
| Nationality |
Mali |
We recommend you to check the complete list of Famous People born on 3 December.
She is a member of famous with the age 78 years old group.
Laura Dean (choreographer) Height, Weight & Measurements
At 78 years old, Laura Dean (choreographer) height not available right now. We will update Laura Dean (choreographer)'s Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
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Not Available |
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Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Not Available |
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Not Available |
Laura Dean (choreographer) Net Worth
Her net worth has been growing significantly in 2022-2023. So, how much is Laura Dean (choreographer) worth at the age of 78 years old? Laura Dean (choreographer)’s income source is mostly from being a successful . She is from Mali. We have estimated
Laura Dean (choreographer)'s net worth
, money, salary, income, and assets.
| Net Worth in 2023 |
$1 Million - $5 Million |
| Salary in 2023 |
Under Review |
| Net Worth in 2022 |
Pending |
| Salary in 2022 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
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Laura Dean (choreographer) Social Network
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Timeline
Dean is the recipient of awards including the 2008 Samuel H. Scripps American Dance Festival Award for Lifetime Achievement in Dance. She has also received a "Bessie" New York Dance and Performance Award for her work with composer Steve Reich (1986). Dean has been awarded two John Simon Guggenheim Fellowships for choreography (1976 and 1981), the Montgomery Fellowship from Dartmouth College(1986), the Dance Magazine Award (1982), the Smithsonian Institution Certificate of Appreciation (1975), Harvard University's Certificate of Appreciation (1991), New York City Commission of the Status of Women Special Recognition Award (1984), the ABSOLUT Award for Artistic Achievement (1993), the Staten Island Arts Council Award for Outstanding Achievement (1988), the Lester Horton Award for Music for Dance (1994), the Brandeis Creative Arts Award for Extraordinary Artistic Achievement in Dance (1986) and an Honorary Doctorate from The College of Staten Island/The City University of New York (2001).
Dean stopped choreographing and writing music in 2001. As of 2009, Laura Dean, the choreographer/composer, is no longer arranging and allowing restaging/reconstruction projects of her dance and music works. Dean does not allow the teaching of her choreography or music in classes, lectures, panels or in any way whatsoever.
Laura Dean has composed thirty music scores and choreographed one hundred and nine dance works. This includes the choreography for her own dance and music company as well as for ballet companies, ice skating companies, other modern dance companies, student dance companies, The American Indian Dance Theatre and The Aman Folk Ensemble. She has choreographed nine works to the music of Steve Reich with the music played live by Steve Reich and Musicians to five of the works. Laura Dean Dancers and Musicians commissioned Steve Reich for the music Sextet for Laura Dean's dance IMPACT. Steve Reich and Laura Dean were awarded a Bessie/New York Dance and Performance Award for IMPACT/SEXTET in 1986.
Laura Dean (born December 3, 1945) is an American dancer, choreographer and composer. She is known for her collaborations with Steve Reich, a number of commissioned works for the Joffrey Ballet, and works for her own dance companies. Dean's earliest works were marked by a minimalist approach and an affinity for spinning; her later work saw more use of traditional dance methods.
