Lauralee Farrer

She wrote of the Sisters of Charity in Ethiopia, was in Moscow when the 1991 coup took place, and when Leningrad became St. Petersburg again. She was in East Germany before and after the wall went down, in Mexico City to write about cultures of poverty, and in U. S. cities like Philadelphia, Houston, Washington, D. C. , Chicago, and Boston to write about American life. She lived in a Benedictine community in Denver, Colorado for three years-a providential experience that formed much of the basis for her book "Praying the Hours in Ordinary Life" and feature film, "Praying the Hours.

As president and principal filmmaker of Burning Heart Productions, Writer/Director Lauralee Farrer began her own film work with the award-winning documentary "Laundry and Tosca. " The feature-length documentary that followed, "The Fair Trade," was chosen as the launch film for the Film Baby, Ryko, and Warner series of "Powerful Films. " Farrer was co-writer and director on the feature narrative "Not That Funny" starring Tony Hale, and writer/director on the narrative feature "Praying the Hours" (2021). Farrer was co-producer for Lovestruck Pictures' award-winning feature romantic comedy "The Best Man in Grass Creek" and has been writing and producing professionally for over thirty years. Her short doc "Laundry and Tosca" investigates the life of soprano Marcia Whitehead, and explores the idea of whether simply following a dream can be enough to build a meaningful life. An event combining the film screening, Whitehead singing, and Farrer speaking was presented in the years following its completion; similarly, her feature documentary "The Fair Trade" has continued to have a rich life beyond festivals and international distribution. Events with various combinations of film screenings, music, social activism awareness, and Farrer's public speaking have been presented in recent years at film festivals, panels, conferences, colleges, summits, churches, and professional and private environments which has increased the occasion for her public speaking. Much of the material from which her directing and screenwriting voice emerges comes from Farrer's seminal freelance work for humanitarian organizations. This work took her to Spain when Franco died, to Kenya during the droughts of 1981 and 1991, to Somalia when the war broke out, and to Uganda to write about early outbreaks of AIDS and the plight of its orphans.