Lawrence Tibbett

Pictured on one of a set of four 32¢ US commemorative postage stamps in the Legends of American Music series, issued 10 September 1997, celebrating opera singers. Other singers honored in this issue are Lily Pons, Rosa Ponselle, and Richard Tucker.

The 1950s saw him appearing on stage in both musical and dramatic roles, most notably succeeding former Met colleague Ezio Pinza in the Broadway musical hit "Fanny," as well as hosting "Golden Voices" on NBC radio. But heavy drinking, which also brought on a well-publicized traffic arrest, left his once good looks bloated and puffy.

Perhaps wisely, Tibbett left the Met at the end of the 1949-50 season.

In 1941 he had to temporarily retire with what was called severe 'spasticity of the larynx muscle'.

Unfortunately, beginning in around 1940, the stress of taking on too many heavy roles too early brought on a vocal crisis which only worsened in the next decade. He continued to take on new roles at the Metropolitan (Michele in Puccini's "Il Tabarro," Balstrode in Benjamin Britten's "Peter Grimes," Ivan in Mussorgsky's "Khovantchina"), but these were parts that stressed his considerable dramatic abilities, rather than his diminishing vocal ones. This vocal crisis also triggered a drinking problem (some have said vice versa) which also got progressively worse with time.

In 1936, along with violinist Jascha Heifetz, he founded the American Guild of Musical Artists, serving for 17 years as its active president.

In March 1934 it was reported that producer Edward Small had signed him for five movies. Ultimately none were made.

" Blessed, in his younger days, with boyish good looks, in addition to his powerful voice, he was one of the first great opera stars to enjoy success in Hollywood films, most notably 1929's "The Rogue Song," which brought him an Oscar nomination, and 1931's "Cuban Love Song," the latter opposite Lupe Velez and Jimmy Durante. He was also a highly-regarded recitalist and appeared successfully on radio. His recordings for Victor sold in the millions.

Two years later, in 1925, he caused a sensation as "Ford" in Verdi's "Falstaff" and his future with the company was assured. At home in French, Italian, German, and American opera, he created the leads in numerous Met premiers, most notably in Deems Taylor's "The King's Henchman," Verdi's "Simon Boccanegra," and Louis Gruenberg's "The Emperor Jones.

He made his company debut in the small role of Lovitsky in Mussorgsky's "Boris Godonov" in 1923.

Son Richard Mackay Tibbett was born in 1920 (he married in 1951 and had three children and six grandchildren).

One of the great voices of the Metropolitan Opera, Lawrence Mervil Tibbet was born in Bakersfield, California, in 1896. Born at the end of the "wild west" era, he was only six when his father, who was a Kern County deputy sheriff, was killed by bandits. After training with, among others, Metropolitan Opera bass (and later film actor) Basil Ruysdael, he joined the Met, adding another "t" to his name in his initial contract.