Age, Biography and Wiki
Lee Isaac Chung was born on 19 October, 1978 in Denver, CO, is an American film director and screenwriter. Discover Lee Isaac Chung's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 46 years old?
Popular As |
Lee Isaac Chung |
Occupation |
Film director, screenwriter, producer |
Age |
46 years old |
Zodiac Sign |
Libra |
Born |
19 October, 1978 |
Birthday |
19 October |
Birthplace |
Denver, Colorado, U.S. |
Nationality |
United States |
We recommend you to check the complete list of Famous People born on 19 October.
He is a member of famous Film director with the age 46 years old group.
Lee Isaac Chung Height, Weight & Measurements
At 46 years old, Lee Isaac Chung height not available right now. We will update Lee Isaac Chung's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Who Is Lee Isaac Chung's Wife?
His wife is Valerie Chung
Family |
Parents |
Not Available |
Wife |
Valerie Chung |
Sibling |
Not Available |
Children |
Not Available |
Lee Isaac Chung Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Lee Isaac Chung worth at the age of 46 years old? Lee Isaac Chung’s income source is mostly from being a successful Film director. He is from United States. We have estimated
Lee Isaac Chung's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
Net Worth in 2022 |
Pending |
Salary in 2022 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
Film director |
Lee Isaac Chung Social Network
Timeline
According to the New York Times, prior to the making of Munyurangabo, director Lee Isaac Chung’s wife Valerie, an art therapist, had traveled to Rwanda as a volunteer to work with those affected by the 1994 genocide. At her urging, Chung accompanied her to Rwanda and volunteered to teach a filmmaking class at a relief base in Kigali in the summer of 2006. Sensing an opportunity to present the contemporary reality of Rwanda and to provide his students with practical film training, Chung arrived with a nine-page outline which he had written with the help of old friend (and the film's eventual co-producer and co-writer) Samuel Gray Anderson. Chung shot Munyurangabo over 11 days, working with a team of nonprofessional actors Chung found through local orphanages and his students as crew members.
Chung also co-directed the 2015 Rwandan documentary "I Have Seen My Last Born" with Samuel Gray Anderson. Produced by Chung, Anderson, John Kwezi,and Eugene Suen, the film focuses on the family relations and history of a genocide survivor in modern-day Rwanda.
Roger Ebert calls Munyurangabo "in every frame a beautiful and powerful film — a masterpiece.". In his 2007 Cannes Film Festival review, Variety critic Robert Koehler describes it as "by several light years -- the finest and truest film yet on the moral and emotional repercussions of the 15-year-old genocide that wracked Rwanda." Writing in Film Comment, the late critic Robin Wood similarly described the film as "a masterpiece" and "an authentically beautiful film."
Chung's third film, Abigail Harm (2012), is based on the Korean folktale "The Woodcutter and the Nymph". It stars Amanda Plummer, Will Patton, and Burt Young and was produced by Eugene Suen and Samuel Gray Anderson. Shot on location in New York City, the film was an official selection at the Busan International Film Festival, Torino Film Festival, San Diego Asian Film Festival, CAAMFest, and winner of the Grand Prize and Best Director at Los Angeles Asian Pacific Film Festival.
In 2012 Chung received a United States Artists Fellow award.
Chung's second film, Lucky Life (2010), was developed with the support of Kodak Film and the Cinéfondation at the Cannes Film Festival. Inspired by the poetry of Gerald Stern, the film premiered at the 2010 Tribeca Film Festival in New York City and has screened at festivals worldwide.
His directorial debut, the Rwanda-set Munyurangabo, premiered at the 2007 Cannes Film Festival (Official Selection: Un Certain Regard) to great acclaims. A collaboration with students at an international relief base in Kigali and an intimate story about the friendship between two boys in the aftermath of the Rwandan Genocide, the film has played as an official selection at top film festivals worldwide, including the Busan International Film Festival, the Toronto International Film Festival, the Berlin International Film Festival, the Rotterdam International Film Festival, Roger Ebert's Ebertfest, and AFI Fest in Hollywood, where it won the festival's Grand Prize. It was an official selection of the New Directors/New Films Festival at New York's Lincoln Center and the Museum of Modern Art. For the film, Chung was a nominee at the Independent Spirit Awards ("Someone to Watch," 2008) and the Gotham Awards
Lee Isaac Chung (born October 19, 1978) is an American film director and screenwriter. His debut feature Munyurangabo (2007) was an Official Selection at the 2007 Cannes Film Festival. The first narrative feature film in the Kinyarwanda language, the film was an Official Selection at the Cannes Film Festival, the Berlin Film Festival, the Toronto International Film Festival, the Busan International Film Festival. American critic Roger Ebert calls it "in every frame a beautiful and powerful film — a masterpiece." For the film, Chung was nominated for an Independent Spirit Award and the Breakthrough Director Award at the Gotham Awards. He also directed the feature films Lucky Life (2010) and Abigail Harm (2012).
Lee Isaac Chung was born October 19, 1978 in Denver, Colorado and grew up on a small farm in a rural town Lincoln, Arkansas. His family comes from South Korea. He attended Yale University to study Biology. At Yale, with exposure to world cinema in his senior year, he dropped his plans for medical school to pursue filmmaking.