Louis Beydts

He is known for his work on Les maris de Léontine (1947), La loi du nord (1939) and La Malibran (1944).

Beydts composed A l’aimable Sabine and mélodies such as La lyre et les amours (cycle, 1938), Jeux Rustiques (Joachim du Bellay, 1936), Mélancolie, Quatre Odelettes, 1929 ; Quatre Humoresques, 1932; Quatre Chansons, 1935 (Chansons pour les oiseaux (Heyse): La colombe poignardée; Le petit pigeon blue; L'oiseau bleu; Le petit serin en cage); le Coeur inutile, as well as a suite for 14 instruments. He was one of seven composers to contribute to an oratorio Jeanne d'Arc (co-sponsored by the Association Jeune-France), first performed on 28 April 1942 conducted by Charles Munch at the Société des Concerts du Conservatoire. His D’ombre et de soleil was first performed on 2 February 1947 in a Conservatoire concert, with soloist Ninon Vallin and Beydts himself conducting.

In April and May 1941 he acted as artistic director to the recording of Pelléas et Mélisande conducted by Roger Désormière. He finished his career as Director of the Opéra-Comique in Paris from 1952 to 1953, with the 50th anniversary production of Pelléas et Mélisande and the first French production of The Rake's Progress. An important figure in Parisian musical life, Beydts was a close friend of the cellist Pierre Fournier. He died at Caudéran in Gironde. On the day of his funeral, he was honoured in a simple and moving ceremony at the Opéra-Comique after the curtain for Act I of The Rake's Progress - the curtain rose to reveal the cast and management of the theatre facing the house, and Louis Musy, spoke a brief obituary, requested a minute's silence after which the curtain fell slowly.

His first attempt at operetta was Le Bourreau des cœurs (unperformed), but he went on to write others: Moineau(originally entitled La Noce, staged at the Théâtre Marigny on 13 March 1931) with limited success. In November 1931 la S A D M P (la Société anonyme des messieurs prudents) with words by Sacha Guitry, was seen at the Théâtre de la Madeleine, and on 22 December of the same year le Club les Canards mandarins was performed in Monte Carlo. Another collaboration with Guitry Voyage de Tchong-Li was staged in March 1932. Beydts was among the last generation of composers to conserve and develop the traditional French opérette.

In Paris he had a work for voice and orchestra Le Sommeil performed at the Concerts Lamoureux in 1926. In 1927 Adieu was performed by the Concerts Colonne, and Le Promenoir des deux amants at the Concerts Pasdeloup.

During the First World War Beydts was mobilized, only returning to civilian life in 1919, picking up his much-appreciated studies with Vaubourgoin until 1924. His parents were supportive of their son's musical ambitions.

Louis Beydts was born on June 29, 1895 in Bordeaux, Gironde, France.