Age, Biography and Wiki

Louise Odes Neaderland was born on 23 August, 1932 in [[New York] City]], U.S., is a Founder. Discover Louise Odes Neaderland's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 91 years old?

Popular As N/A
Occupation Artist and Lecturer
Age 90 years old
Zodiac Sign Leo
Born 23 August, 1932
Birthday 23 August
Birthplace New York City, U.S.
Date of death December 30, 2022
Died Place N/A
Nationality United States

We recommend you to check the complete list of Famous People born on 23 August. She is a member of famous Founder with the age 90 years old group.

Louise Odes Neaderland Height, Weight & Measurements

At 90 years old, Louise Odes Neaderland height not available right now. We will update Louise Odes Neaderland's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Louise Odes Neaderland's Husband?

Her husband is Ralph Neaderland (1926 - 2013)

Family
Parents Not Available
Husband Ralph Neaderland (1926 - 2013)
Sibling Not Available
Children Not Available

Louise Odes Neaderland Net Worth

Her net worth has been growing significantly in 2022-2023. So, how much is Louise Odes Neaderland worth at the age of 90 years old? Louise Odes Neaderland’s income source is mostly from being a successful Founder. She is from United States. We have estimated Louise Odes Neaderland's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income Founder

Louise Odes Neaderland Social Network

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Timeline

1991

In 1991 Tom Trusky, Director of the Idaho Center for the Book, interviewed and videotaped Neaderland in her studio at 800 West End Avenue in NYC, where her studio was located from 1967-1994. Roy Proctor, art critic for the Richmond News-Leader, said of Neaderland in a 1990 review of the exhibition Art ex Machina at 1708 Gallery, then located in Shockoe Bottom in Richmond, Virginia, "She's living proof that, when a new technology begins to be mass-produced, artists will be curious enough--and imaginative enough--to explore its creative uses." In 1994 Proctor also reviewed Art ex Libris, a curated invitational exhibition of artist's books, including books by Neaderland, at Artspace in Richmond, Virginia, then on Broad Street in Richmond Virginia. Artspace received a Virginia Commission for the Arts Technical Assistance Grant to produce video documentation of all the exhibited books in Art ex Libris, including those by Neaderland.

1972

Neaderland began using the photocopier for making art during a residency at Women's Studio Workshop, WSW, in 1972 and received a residency grant from WSW in 1982. By the 1980s she had gained international recognition in the field of xerography. In 1982, Neaderland founded the International Society of Copier Artists in New York City[]. She is the author/artist of many xerographic limited edition books, some of which are still available to private collectors. Later books by Neaderland include Where Could the Dark Matter Be? and a compilation, Original Contributions, of her original pages contributed to the International Society of Copier Artists ISCA portfolios.

1954

Neaderland is an alumna of Bard College (1954) and received a Master of Fine Arts degree in printmaking from the University of Iowa in 1957. In 1952, she was awarded a Yale University Norfolk Fellowship in Printmaking. In both 1960 and 1962 she received fellowship awards from the Huntington Hartford Foundation. In 1986 she was awarded a National Endowment for the Arts grant for artists' bookmaking.

1932

Louise Odes Neaderland (born August 23, 1932) is an American photographer, printmaker, book artist and founder of the International Society of Copier Artists (I.S.C.A.) and the I.S.C.A. Quarterly, a collaborative mail, book art, and copy art publication. She was the organizer of ISCAGRAPHICS, a traveling exhibition of xerographic art.