Luce Irigaray

Irigaray employs three different modes in her investigations into the nature of gender, language, and identity: the analytic, the essayistic, and the lyrical poetic. As of October 2021, she is active in the Women's Movements in both France and Italy.

It has also been noted that in her writings, Irigaray has stated a concern that an interest in her biography would affect the interpretation of her ideas, as the entrance of women into intellectual discussions has often also included the challenging of women's point of view based on biographical material. Her most extensive autobiographical statements thus far are gathered in Through Vegetal Being (co-authored with Michael Marder). Overall, she maintains the belief that biographical details pertaining to her personal life hold the possibility to be used against her within the male dominated educational establishment as a tool to discredit her work. However, at age 91, she published A New Culture of Energy: Beyond East and West (2021) in which she discusses her decades-long practices of yoga asanas (postures) and pranayama (breathing) and maintains that yoga builds a bridge between body and spirit.

Since 1990, Irigaray's work has turned increasingly toward women and men together. In Between East and West, From Singularity to Community (1999) and in The Way of Love (2002), she imagines new forms of love for a global democratic community. In An Ethics of Sexual Difference, she introduces the idea of relationships between men and women centered around a bond other than reproduction. She acknowledges themes including finiteness and intersubjectivity, embodied divinity, and the emotional distinction between the two sexes. She concludes that Western culture is unethical due to gender discrimination.

Luce Irigaray's Elemental Passions (1982) could be read as a response to Merleau‐Ponty's article “The Intertwining—The Chiasm” in The Visible and the Invisible. Like Merleau‐Ponty, Irigaray describes corporeal intertwining or vision and touch. Counteracting the narcissistic strain in Merleau‐Ponty's chiasm, she assumes that sexual difference must precede the intertwining. The subject is marked by the alterity or the “more than one” and encoded as a historically contingent gendered conflict.

In 1977, Irigaray published This Sex Which is Not One (Ce sexe qui n'en est pas un) which was subsequently translated into English with that title and published in 1985, along with Speculum. In addition to more commentary on psychoanalysis, including discussions of Lacan's work, This Sex Which is Not One also comments on political economy, drawing on structuralist writers such as Lévi-Strauss. For example, Irigaray argues that the phallic economy places women alongside signs and currency, since all forms of exchange are conducted exclusively between men.

Her first major book, Speculum of the Other Woman, based on her second dissertation, was published in 1974. In Speculum, Irigaray engages in close analyses of phallocentrism in Western philosophy and psychoanalytic theory, analyzing texts by Freud, Hegel, Plato, Aristotle, Descartes, and Kant. The book's most cited essay, "The Blind Spot of an Old Dream," critiques Freud's lecture on femininity.

She completed a PhD in linguistics in 1968 from the University of Vincennes in Saint-Denis (University of Paris VIII). Her dissertation on speech patterns of subjects suffering from dementia became her first book, Le langage des déments, published in 1973. In 1974, she earned a second PhD in Philosophy.

She held a research post at the Centre national de la recherche scientifique since 1964, where she is now a Director of Research in Philosophy. Her initial research focused on dementia patients, about whom she produced a study of the differences between the language of male and female patients.

In 1960, she moved to Paris to pursue a master's degree in Psychology from the University of Paris, which she earned in 1961. She also received a specialist diploma in Psychopathology from the school in 1962. In 1968, she received a doctorate in Linguistics from Paris X Nanterre. Her thesis was titled Approche psycholinguistique du langage des déments.

In the 1960s, Irigaray started attending the psychoanalytic seminars of Jacques Lacan and joined the École Freudienne de Paris (Freudian School of Paris), directed by Lacan. She was expelled from this school in 1974, after the publication of her second doctoral thesis (doctorat d'État), Speculum of the Other Woman (Speculum: La fonction de la femme dans le discours philosophique, later retitled as Speculum: De l'autre femme), which received much criticism from both the Lacanian and Freudian schools of psychoanalysis. This criticism brought her recognition, but she was removed from her position as an instructor at the University of Vincennes as well as ostracized from the Lacanian community.

Luce Irigaray received a bachelor's degree from the University of Louvain in 1954, a master's degree from the same university in 1956, and taught at a high school in Brussels from 1956 to 1959.

Luce Irigaray (born 3 May 1930) is a Belgian-born French feminist, philosopher, linguist, psycholinguist, psychoanalyst, and cultural theorist who examined the uses and misuses of language in relation to women. Irigaray's first and most well known book, published in 1974, was Speculum of the Other Woman (1974), which analyzes the texts of Freud, Hegel, Plato, Aristotle, Descartes, and Kant through the lens of phallocentrism. Irigaray is the author of works analyzing many thinkers, including This Sex Which Is Not One (1977), which discusses Lacan's work as well as political economy; Elemental Passions (1982) can be read as a response to Merleau‐Ponty's article “The Intertwining—The Chiasm” in The Visible and the Invisible, and in The Forgetting of Air in Martin Heidegger (1999), Irigaray critiques Heidegger's emphasis on the element of earth as the ground of life and speech and his "oblivion" or forgetting of air.