Mark Morrisroe

His career as a photographer began when he was given a Polaroid Model 195 Land camera. He experimented with unusual development techniques, receiving generous support of supplies, film, and chemicals from the Polaroid Corporation. Within his close circle of friends he soon laid claim to the "invention" of what are called "sandwich" prints—enlargements of double negatives of the same subject mounted on top of one another — which yielded an elaborate pictorial quality, producing a very iconic painterly impression in the final result, which over time he learned to use in an increasingly controlled way.

Early on, the artist recognized the intrinsic value of prints—irrespective of the medium used to produce them—as pictorial objects that he could manipulate, color, paint, and write on at will. Thus, Morrisroe scrawled comments, biographical notes and dedications on the side of his pictures, which made them very personal pieces of art. His photographs were mostly portraits, and his subjects included lovers, friends, hustlers, and people who visited his apartment. He also often incorporated stills from Super 8 films. There are a few photographs which incorporate landscapes and external shots.

After his death, he was the center of the survey exhibition at ICA Boston 1995 (curated by Lia Gangitano). Solo exhibitions of his work have included Mark Morrisroe, 1959-1989, Neue Gesellschaft für Bildende Kunst, Berlin, and My Life: Mark Morrisroe, Polaroids 1977-1989, MOCA, Los Angeles (both 1997).

Morrisroe died on July 24, 1989, aged 30, in Jersey City, New Jersey from complications of AIDS. His ashes are scattered in McMinnville, Oregon on the farm of his last boyfriend, Ramsey McPhillips. His fame has increased steadily since his death. He is considered a member of the Boston School of Photography and his work is found in many important collections including that of the Whitney and MOCA of Los Angeles. The estate of Mark Morrisroe (Collection Ringier) is currently located at the Fotomuseum Winterthur.

"His work was exhibited by Pat Hearn Gallery from 1985 onward, including solo exhibitions in 1986 and 1988, His photographs have been included in two group shows at Artists Space: Split Vision, in 1985 (curated by Robert Mapplethorpe): and Witnesses: Against Our Vanishing, 1989 (curated by Nan Goldin).

Between 1981-84, he shot three low-budget movies on Super-8 film: The Laziest Girl in Town (1981), Hello from Bertha (1983) and Nymph-O-Maniac (1984). These films were reportedly influenced by such directors as John Waters and Jack Smith.

Mark Morrisroe (January 10, 1959 - July 24, 1989) was an American performance artist and photographer. He is known for his performances and photographs, which were germane in the development of the punk scene in Boston in the 1970s and the art world boom of the mid to late 1980s in New York City. By the time of his death he had created some 2,000 pieces of work.