Marlon James

In 2020, James began co-hosting a literary podcast with his editor Jake Morrissey called "Marlon and Jake Read Dead People" that explores in a casual setting the work of deceased authors.

In February 2019, James gave the seventh annual Tolkien Lecture at Pembroke College, Oxford.

Themes in James’s work span religion and the supernatural, sexuality, violence, and colonialism. Often, his novels display the struggle to find an identity, whether it be as a slave or a postcolonial inhabitant of Jamaica.

Additionally, the novel explores the complexity of what it is to be a woman, with some characters having deep connections to Obeah and Myal spiritualism. The female slaves are portrayed as strong-willed and intelligent, while the male slaves are often portrayed as weak, thoughtless, and even traitorous. "Rape, torture, murder and other dehumanizing acts propel the narrative, never failing to shock in both their depravity and their humanness. It is this complex intertwining that makes James’s book so disturbing and so eloquent". The novel "defies hegemonic notions of empire by pointing out the explosive and antagonistic relationship between colonizers and colonized."

His most recent book, Black Leopard, Red Wolf (2019) — characterized as "an African Game of Thrones — is the first instalment of a planned trilogy. It has been described by NPR journalist Ari Shapiro as "an epic fantasy quest — full of monsters, sex, and violence, set in a mythic version of ancient Africa." According to TIME magazine, the novel "joins the ranks of those by authors like Tomi Adeyemi and N.K. Jemisin, whose works push back against stereotypes about the types of figures who 'should' appear in fantasy fiction."

James's influences include authors as well as musicians. In his acceptance speech for the Man Booker Prize in 2015, James explained: "The reggae singers Bob Marley and Peter Tosh were the first to recognize that the voice coming out our mouths was a legitimate voice for fiction and for poetry." In other words, these singers empowered other artists such as James to create. In his popular 2015 essay "From Jamaica to Minnesota to Myself", published in the New York Times Magazine, James describes reading Salman Rushdie's novel Shame (1983): "Its prose was so audacious, its reality so unhinged, that you didn't see at first how pointedly political and just plain furious it was. It made me realize that the present was something I could write my way out of."

In The Book of Night Women, James challenges the traditional slave narrative by presenting a protagonist (Lilith) who approaches her enslavement with complex duality, despite the constant description of antagonism between slaves and masters on a plantation in Jamaica. Lilith hates the masters, but much of the novel deals with how she "aspires to obtain a privileged stature within plantation society by submitting to the sexual subjugation of a white overseer, Robert Quinn". This is additionally challenged by Lilith and Robert's "love", leading the reader to question the limits of love and relationships. James intends to have readers root for Robert and Lilith, but then catch themselves, as Robert Quinn has a reputation as a brutal, violent overseer—even ordering Lilith to be severely whipped. The situation for the reader is further complicated because Quinn is Irish, another population that was looked down upon during the time period. While this at times brings him sympathy, his whiteness overshadows his Irishness.

James's 2014 novel, A Brief History of Seven Killings, portrays "a passionate, often angry account of postcolonial society struggling to balance identity and a burgeoning criminal element." The novel has twelve narrators, contributing to the "excess" that Sheri-Marie Harrison explores in her article "Excess in A Brief History of Seven Killings". She explains: "James's rejection of a purely nationalist tradition, like that of other authors in his cohort, concretizes his critique of the ways nationalism distracts us from the increased deregulation of global capital and its production of material inequality around the globe. This disruption of privileged tropes in the interest of turning attention onto the transnational forces that structure inequality helps to explain James's use of 'a poetics of excess.' His experimentation with form functions to rework now familiar paradigms and themes that have been central to the literary imagination of postcolonial realities for a little over half a century."

Reception of James's novels has been conflicted—the same elements that some critics find to be strengths, others believe are his weaknesses. The conflicting nature of how readers and reviewers respond stems from reactions to the often upfront brutality juxtaposed with the mechanical elements James uses to tell his stories. One critic writes: "The linguistic and stylistic excess which dominates A Brief History of Seven Killings both elevates it and burdens it." Another reviewer explained, "I have had conversations with fellow Caribbeanists and students in which they have used terms like "orgiastic" and "masturbatory" to describe James's writing." When reviewing The Book of Night Women, another critic explains: "Rape, torture, murder and other dehumanizing acts propel the narrative, never failing to shock in both their depravity and their humanness. It is this complex intertwining that makes James’s book so disturbing and so eloquent."

James has taught English and creative writing at Macalester College in St. Paul, Minnesota, since 2007. He is also a faculty lecturer at St. Francis College's Low Residency MFA in Creative Writing.

His first novel, John Crow's Devil (2005) – which was rejected 70 times before being accepted for publication – tells the story of a biblical struggle in a remote Jamaican village in 1957. His second novel, The Book of Night Women (2009), is about a slave woman's revolt in a Jamaican plantation in the early 19th century. His 2014 novel, A Brief History of Seven Killings, explores several decades of Jamaican history and political instability through the perspectives of many narrators. It won the fiction category of the 2015 OCM Bocas Prize for Caribbean Literature and the 2015 Man Booker Prize for Fiction, having been the first book by a Jamaican author ever to be shortlisted. He is the second Caribbean winner of the prize, following Trinidad-born V. S. Naipaul who won in 1971. James's most recent work, Black Leopard, Red Wolf (2019), is the first in a planned fantasy series.

James was born in Kingston, Jamaica, to parents who were both in the Jamaican police: his mother (who gave him his first prose book, a collection of stories by O. Henry) became a detective and his father (from whom James took a love of Shakespeare and Coleridge) a lawyer. James attended Kingston's prestigious Wolmer's Trust High School for Boys. He is a 1991 graduate of the University of the West Indies, where he read Language and Literature. He left Jamaica to escape homophobic violence and economic conditions that he felt would mean career stagnation, later explaining: "Whether it was in a plane or a coffin, I knew I had to get out of Jamaica." He received a master's degree in creative writing from Wilkes University (2006).

James has said that he re-read Ben Okri's 1991 novel The Famished Road while writing Black Leopard, Red Wolf: "Okri is such an influence on me. I’ve read Famished Road like four times."

Marlon James (born 24 November 1970) is a Jamaican writer. He has written four novels: John Crow's Devil (2005), The Book of Night Women (2009), A Brief History of Seven Killings (2014), winner of the 2015 Man Booker Prize, and Black Leopard, Red Wolf (2019). Now living in Minneapolis, Minnesota in the U.S., James teaches literature at Macalester College in St. Paul, Minnesota. He is also a faculty lecturer at St. Francis College's Low Residency MFA in Creative Writing.