Martin Landau

In 2005 he appeared at the Beverly Hills (CA) International Film Festival.

He received his fourth Emmy nomination in 2004 as Outstanding Guest Actor in a Drama Series for Without a Trace (2002). Martin Landau was honored with his own star on the Hollywood Walk of Fame, located at 6801 Hollywood Boulevard.

Landau continued to play a wide variety of roles in motion pictures and on television, turning in a superb performance in a supporting role in The Majestic (2001).

Needing work, Landau and Bain moved to England to play the leading roles in the syndicated science-fiction series Space: 1999 (1975).

Landau's and Bain's careers stalled after Space: 1999 (1975) went out of production, and they were reduced to taking parts in the television movie The Harlem Globetrotters on Gilligan's Island (1981). It was the nadir of both their careers, and Bain's acting days and their marriage were soon over. Landau, one of the most talented character actors in Hollywood, and one not without recognition, had bottomed out career-wise.

He portrayed Bela Lugosi in Tim Burton's biopic Ed Wood (1994) and won glowing reviews. For his performance, he won the Best Supporting Actor Oscar. Martin Landau, the superb character actor, finally had been recognized with his profession's ultimate award. His performance, which also won him his third Golden Globe, garnered numerous awards in addition to the Oscar and Golden Globe, including top honors from the New York Film Critics Circle and the National Society of Film Critics.

Was named as "King of Brooklyn" at the Welcome Back to Brooklyn Festival in 1992.

He followed this up by playing famed Nazi hunter Simon Wiesenthal in the TNT movie Max and Helen (1990).

The next year, he received his second consecutive Best Supporting Actor Oscar nomination for his superb turn as the adulterous husband in Woody Allen's Crimes and Misdemeanors (1989).

Finally, his career renaissance began to gather momentum when Francis Ford Coppola cast him in a critical supporting role in his Tucker: The Man and His Dream (1988), for which Landau was nominated for an Academy Award as Best Supporting Actor. He won his second Golden Globe for the role.

In 1983, he was stuck in low-budget sci-fi and horror movies such as The Being (1983), a role far beneath his talent.

His career renaissance got off to a slow start with a recurring role in the NBC sitcom Buffalo Bill (1983), starring Dabney Coleman. On Broadway, he took over the title role in the revival of "Dracula" and went on the road with the national touring company.

After he began working at the New York Daily News he got his first apartment at 75-15 35th Avenue in Jackson Heights, Queens, New York.

He starred in the television movie Welcome Home, Johnny Bristol (1972) on CBS, playing a prisoner of war returning to the United States from Vietnam. The following year, he shot a pilot for NBC for a proposed show, "Savage. " Though it was directed by emerging wunderkind Steven Spielberg, NBC did not pick up the show.

Landau appeared in support of Sidney Poitier in They Call Me Mister Tibbs! (1970), the less-successful sequel to the Oscar-winning In the Heat of the Night (1967), but it did not generate more work of a similar caliber.

Eventually, he quit the series in 1969 after a salary dispute when the new star, Peter Graves, was given a contract that paid him more than Landau, whose own contract stated he would have parity with any other actor on the show who made more than he did.

In 1968, he won the Golden Globe award as Best Male TV Star.

The producers refused to budge and he and Bain, who had become the first actress in the history of television to be awarded three consecutive Emmy Awards (1967-69) while on the show, left the series, ostensibly to pursue careers in the movies.

Spock on Star Trek: The Original Series (1966), but the role went to Leonard Nimoy, who later replaced Landau on Mission: Impossible (1966), the show that really made Landau famous.

His character, Rollin Hand, was supposed to make occasional, recurring appearances, on Mission: Impossible (1966), but when the producers had problems with star Steven Hill, Landau was used to take up the slack. Landau's characterization was so well-received and so popular with the audience, he was made a regular. Landau received Emmy nominations as Outstanding Lead Actor in a Drama Series for each of the three seasons he appeared.

The move actually held back their careers, and Mission: Impossible (1966) went on for another four years with other actors.

However, the summit of his post-Mission: Impossible (1966) career was about to be scaled.

He also appeared in the blockbuster Cleopatra (1963), the most expensive film ever made up to that time, which nearly scuttled 20th Century-Fox and engendered one of the great public scandals, the Elizabeth Taylor-Richard Burton love affair that overshadowed the film itself. Despite the difficulties with the film, Landau's memorable portrayal in the key role of Rufio was highly favored by the audience and instantly catapulted his popularity.

In 1963, Landau played memorable roles in two episodes of the science-fiction anthology series The Outer Limits (1963), The Outer Limits: The Bellero Shield (1964), and The Outer Limits: The Man Who Was Never Born (1963). He was Gene Roddenberry's first choice to play Mr.

He made his movie debut in Pork Chop Hill (1959), but scored on film as the heavy in Alfred Hitchcock's classic thriller North by Northwest (1959), in which he was shot on top of Mount Rushmore while sadistically stepping on the fingers of Cary Grant, who was holding on for dear life to the cliff face.

In 1957, he made a well-received Broadway debut in the play "Middle of the Night. " As part of the touring company with star Edward G. Robinson, he made it to the West Coast.

Landau originally was not meant to be a regular on the series, which co-starred his wife Barbara Bain, whom he had married in 1957.

He began making a name for himself after replacing star Franchot Tone in the 1956 off-Broadway revival of Anton Chekhov's "Uncle Vanya," a famous production that helped put off-Broadway on the New York theatrical map.

Landau was one of 2,000 applicants who auditioned for Lee Strasberg's Actors Studio in 1955; only he and Steve McQueen were accepted. Landau was a friend of James Dean and McQueen, in a conversation with Landau, mentioned that he knew Dean and had met Landau. When Landau asked where they had met, McQueen informed him he had seen Landau riding on the back of Dean's motorcycle into the New York City garage where he worked as a mechanic.

Landau's major ambition was to act and, in 1951, he made his stage debut in "Detective Story" at the Peaks Island Playhouse in Peaks Island, Maine. He made his off-Broadway debut that year in "First Love".

Landau acted during the mid-1950s in the television anthologies Days Of Wine & Roses - Cliff Robertson & Piper Laurie, "Playhouse 90" Original TV Version (1956), Studio One in Hollywood (1948), The Philco Television Playhouse (1948), Kraft Theatre (1947), Goodyear Playhouse (1951), and Omnibus (1952).

From 1948 to 1953, he made a living as a newspaper artist and staff cartoonist for the New York Daily News, as an illustrator for Billy Rose's "Pitching Horseshoes" newspaper column and as an assistant cartoonist to Gus Edson for "The Gumps" comic strip.

Oscar-winning character actor Martin Landau was born on June 20, 1928, in Brooklyn, New York. At age 17, he was hired by the New York Daily News to work in the promotions department before he became a staff cartoonist and illustrator. In his five years on the paper, he served as the illustrator for Billy Rose's "Pitching Horseshoes" column. He also worked for cartoonist Gus Edson on "The Gumps" comic strip.

Landau's parents were Majer Joel ("Morris") Landau (1888-1970) and Selma Buchman (1889-1958) were immigrants from Austrlia. They also had two daughters, Elinor and Constance. Father was a machinist for a sewing machine company.