Age, Biography and Wiki

Masami Teraoka was born on 1936 in Onomichi, Hiroshima Prefecture. Discover Masami Teraoka's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 87 years old?

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Born 1936, 1936
Birthday 1936
Birthplace Onomichi, Hiroshima Prefecture
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We recommend you to check the complete list of Famous People born on 1936. He is a member of famous with the age years old group.

Masami Teraoka Height, Weight & Measurements

At years old, Masami Teraoka height not available right now. We will update Masami Teraoka's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Masami Teraoka Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Masami Teraoka worth at the age of years old? Masami Teraoka’s income source is mostly from being a successful . He is from . We have estimated Masami Teraoka's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
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Timeline

1990

Since the late 1990s, he has been producing large-scale narrative paintings inspired by well-known Renaissance paintings, rather than by Japanese woodblock prints. These paintings reference modern day social and political issues, such as the September 11 attacks and abuse in the Catholic Church. The Cloisters / Tsunami in the collection of the Honolulu Museum of Art, depicts Towers of Babel as the twin towers of the World Trade Center and fallen priests. This painting also includes a self-portrait in the left upper corner. The series also depicts the institutionalized sexual abuse within the Catholic Church.

1988

In 1988 the University of California Press published Waves and Plagues: The Art of Masami Teraoka. In 1997, Masami Teraoka: From Tradition to Technology, the Floating World was published by the University of Michigan Press. A comprehensive monograph on the artist was published in 2006 by Chronicle Books.

1980

In the 1980s, Teraoka shifted palette and scale to depict AIDS as a subject, transforming his ukiyo-e derived paintings into a darker realm. In 1989 during a trip to Australia, he realized that the general public as well as some medical practitioners did not fully understand the impact the virus could have on the Australian populace. He created watercolors based on traditional woodblock prints that depicted kitsune foxes who represent, in Japanese folklore, divine entities who operate as messengers.

Teraoka has been the subject of more than 70 solo exhibitions, many of which have traveled extensively, including those organized by the Whitney Museum of American Art in 1980; The Contemporary Museum, Honolulu (now known as the Honolulu Museum of Art Spalding House) in 1988; and the Yale University Art Gallery in 1998. In 1996, he was featured in a solo exhibition at the Arthur M. Sackler Gallery, Smithsonian Institution and in 1997 at the Asian Art Museum, San Francisco.

1954

Teraoka was born in the town of Onomichi in Hiroshima Prefecture. He studied from 1954–59 at the Kwansei Gakuin University in Kobe, Japan where he received his B.A. in Aesthetics. He moved to the United States in 1961. From 1964 to 1968 he attended and graduated from the Otis Art Institute, now the Otis College of Art and Design in Los Angeles, where he received a B.F.A. and M.F.A. He received an honorary doctorate in the fine arts in 2016 from the Otis College of Art and Design.

1936

Masami Teraoka (born 1936) is an American contemporary artist. His work includes Ukiyo-e-influenced woodcut prints and paintings in watercolor and oil. He is known for work that merges traditional Edo-style aesthetics with icons of American culture.