Matthew King

King composed an experimental dramatic cantata Schoenberg in Hollywood (libretto by Alasdair Middleton), premiered in Guildhall School of Music and Drama's Milton Court concert hall in 2015; the comic faux-Baroque cantata Il Pastorale, l'Urbano e il Suburbano (libretto by Alasdair Middleton) was first performed at Snape Maltings, Aldeburgh in 2015 and the chamber opera The Pied Piper (libretto by Michael Irwin (author)) was first produced at Stour Music Festival, with the British countertenor Michael Chance in the title role, in 2015. The Pied Piper was subsequently revived in a new revision with German translation (Was Bleibt) in productions in Salzburg and Nuremberg in 2018

King embarked on a series of increasingly political protest pieces, including Fix This (2012) for piano, violin, cello, electric guitar and 2 percussionists, first performed at the Royal Northern College of Music in which theme tunes and catchphrases associated with Jimmy Savile are subjected to a brutal and surreal outpouring of musical rage.

King has also experimented with unusual combinations of instruments, sometimes located in unconventional performing environments. The King's Wood Symphony (2007) for multiple horns with percussion and an electronic score by Nye Parry was composed for performance in a forest (originally King's Wood in Kent). Described as "a site-specific symphony, one that could never sound the same way twice", the work utilises the harmonic spectra of natural horns and electronically altered horn sounds calling to each other across a vast performing space. King's Wood Symphony also gave rise to two chamber works, a trio for violin, horn and piano, and a nonet of horns with electronics, both premiered in the Wigmore Hall in 2007. An ambitious community project in 2008 gave rise to the Odyssean Variations, premiered by the British cellist Natalie Clein and an orchestra of young musicians from the London Borough of Hackney, at LSO St Luke's in London. Una Piccolo Sinfonia (2011) is a miniature symphony in three movements for an ensemble of nine piccolos.

As a pianist, King has focussed his attention on a series of piano works: his short miniature, Sonatas (2005) takes only a minute to perform and contains a succession of 32 bars, quoting from all of Beethoven’s piano sonatas in chronological order. He composed sequences of nocturnes, polonaise (dance)s and Contemplations (after Erik Satie). He composed a cycle of single movement piano sonatas, in the tradition of Scarlatti, but inspired by a wide range of topics including Hildegard of Bingen, Duke Ellington, Bernard Herrman, Italian Opera, Irish Folk Music, Morton Feldman, Derek Jarman and Bill Evans among others.

King composed a range of instrumental works for a diversity of ensembles, some traditional, others much more unorthodox. His Robert Schumann in Three Pieces were recorded by the Avenue A ensemble and described, by one critic, as "rich and sumptuous, with some spine-tingling moments"; King has composed two string quartets (Quartet 2001 and Four Places in Yorkshire) both premiered by the Fitzwilliam String Quartet; his orchestral work Totentango was first performed in 2010 by the London Symphony Orchestra and a 'Hitchcockian tone poem’ called Velocity, for ensemble, chorus and big band, was premiered by the Aurora Orchestra in 2011. Blue, a rhapsody for piano and chamber orchestra, was written in 2011 for the Savant pianist Derek Paravicini with whom Matthew King had previously improvised on BBC Radio 4 in 2009. In 2018 King composed a new three movement piano concerto for Derek Paravicini which was first performed at the Mainly Mozart Festival in San Diego conducted by Michael Francis (conductor)

An alumnus of the University of York, King is also an educator: from 1998 - 2001 he was head of composition at the Yehudi Menuhin School and is professor of composition at Guildhall School of Music & Drama. For over a decade he has led workshops for Hackney Music Development Trust. He has led workshops for Bridging Arts in Salzburg and guest-leads the Wigmore Study Group at the Wigmore Hall in London. He has presented a number of programmes on BBC Radio 4 and Radio 3.

Matthew King has composed a number of operas and music theatre pieces which have earned him an international reputation. Several of these pieces have a community component, combining amateurs and young people with professionals in the tradition of Benjamin Britten's Noye's Fludde. King's first chamber opera, The Snow Queen, was composed for the British soprano Jane Manning and her virtuoso ensemble Jane's Minstrels. The Snow Queen was described by one reviewer as "music of distinctive beauty with disarming theatre sense." The opera Jonah (libretto by Michael Irwin (author)) was commissioned by the Canterbury Festival and first produced in Canterbury Cathedral in 1996; the dramatic cantata Gethsemane was premiered by Florilegium at the Spitalfields Festival in 1998; the Brunel (opera project), featured on BBC Radio 4's Setting Brunel to Music in October 2003; the community opera On London Fields (libretto by Alasdair Middleton), winner of a Royal Philharmonic Society Award in 2005, was described by Stephen Pettitt in the Evening Standard as "unafraid of complexity, even when writing for very young performers. Some of the clashing rhythms and textural layerings are mind-boggling."; the dramatic cantata Hear our Voice (co-written with the British composer Jonathan Dove) was premiered in London, Nuremberg and Prague in 2006; the chamber opera Das Babylon Experiment (German libretto by Michael Kerstan) was produced in Nuremberg in 2008.

Matthew King (born 1967) is a British composer, pianist and educator. His works include opera, piano and chamber music, choral and orchestral pieces. He has been described, by Judith Weir, Master of the Queen’s Music, as “one of Britain's most adventurous composers, utterly skilled, imaginative and resourceful”.