Age, Biography and Wiki
Matthew McLendon was born on 1977, is a Director and Chief Curator, Fralin Museum of Art. Discover Matthew McLendon's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 46 years old?
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Director and Chief Curator, Fralin Museum of Art |
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46 years old |
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, 1977 |
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He is a member of famous Director with the age 46 years old group.
Matthew McLendon Height, Weight & Measurements
At 46 years old, Matthew McLendon height not available right now. We will update Matthew McLendon's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Matthew McLendon Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Matthew McLendon worth at the age of 46 years old? Matthew McLendon’s income source is mostly from being a successful Director. He is from . We have estimated
Matthew McLendon's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
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Pending |
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Under Review |
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Director |
Matthew McLendon Social Network
Timeline
In January 2017, McLendon joined the Fralin Museum of Art at the University of Virginia as director and chief curator.
In 2010, McLendon was recruited by The Ringling to reinvigorate its modern and contemporary programs, after a fifteen-year gap in curatorial leadership. In the first two years of his tenure, McLendon oversaw the permanent installation of Joseph's Coat, the largest Skyspace by James Turrell to date, as well as three exhibitions from the museum's permanent collection and two major exhibitions focused on living artists.
In addition to a revived emphasis on original exhibitions and collection building, McLendon established the Art of Our Time initiative, in conjunction with Ringling Curator of Performance Dwight Currie. The series was created to spotlight emerging and mid-career visual and performing artists, build on the success of the Ringling International Arts Festival inaugurated by the Museum and the Baryshnikov Arts Center in 2009, and renew the contemporary art commitment made by The Ringling's first director, A. Everett "Chick" Austin. In 2016, the initiative celebrated its fifth anniversary with a major gift to support the series and create a new gallery dedicated to contemporary art. With the addition of the Monda Gallery, four rededicated galleries in the Searing Wing, and the in-progress Kotler-Coville Glass Pavilion, close to 10,000 square feet was devoted to the contemporary program during McLendon's tenure. In December 2016, Hyperallergic named McLendon's R. Luke DuBois—Now one of the top 15 exhibitions in the United States.
McLendon was named Interim Curator of Adult Learning at Tate Britain in 2002, where he was responsible for public programming related to the Turner Prize awarded to Keith Tyson. After returning to the United States, he was named the inaugural Curator of Academic Initiatives at the Cornell Fine Arts Museum, where he worked on exhibitions serving both collegiate and community audiences including Michael Phillips and the Infernal Method of William Blake (2009), and Andy Warhol: Personalities (2010)
Matthew McLendon (born 1977) is an American museum director, art historian, and curator of modern and contemporary art. McLendon was appointed director and chief curator of the Fralin Museum of Art in November 2016.
Florida native McLendon grew up in Palatka in the northeast part of the state. A Phi Beta Kappa graduate of Florida State University, McLendon earned bachelor's degrees with honors in both music and art history. While at FSU, McLendon was appointed to the first internship in the Department of Education and Public Programming at the Tate Gallery London. He completed his MA and PhD studies at the Courtauld Institute of Art in London, and is an alumnus of the 64th Attingham Summer School. His master's thesis was focused on the war works of Wyndham Lewis and his dissertation on the manifestos of the Italian Futurists of the early 20th century.