Maurice Escande

Too few great names of French cinema used him, and when they did, they tended to hire Escande for their lesser efforts like Marcel Pagnol for Le gendre de Monsieur Poirier (1933) or Jean Grémillon for L'étrange Madame X (1951). And what a lot of cheesy titles in his filmography signed by patented rubbishy filmmakers as Wulschleger, Caron, Vallée, Hugon, Tavano, Couzinet, Jayet! Just to boil the pot for sure.

The name of Maurice Escande is inextricably linked to the Comédie-Française, the oldest and most illustrious theatre company of France. He indeed belonged to the troupe - with only a few interruptions - from 1918 to 1970, rose through the ranks from "pensionnaire" (paid actor) to "sociétaire" (regular member) to chief administrator between 1960 and 1970.

and that is not the half of it! Not content to tread the boards, to direct plays, to teach drama to dozens of future thespians such as Claude Piéplu and Michel Bouquet, Maurice Escande was also a movie actor, from 1917 to 1970. But the adjective "prestigious" cannot apply to his film career, rich in terms of quantity (70 titles) but much less in terms of quality.

Born on 4-11-1892, he is still a teen when he decides to become an actor. A play seen at the Odeon is the revelation of his vocation. He studies drama with Denis d'Inès and Raphaël Duflos and wins two acting prizes, one in comedy, another in tragedy. It is the beginning of a long and prestigious career on the stage where he played Racine, Corneille, Victor Hugo, Musset, Balzac, Molière, Verlaine, Voltaire, Shakespeare, Beaumarchais, Vigny, Guitry, Rostand, Montherlant. . .