McKenzie Wark

In 2019, McKenzie Wark's book Capital Is Dead: Is This Something Worse? was published from Verso. Building on her earlier book A Hacker Manifesto, Wark differentiates vectoralist class from capitalists and pastoralists as a new ruling class gaining its power through the ownership and control of information.

In 2013 Wark, along with Alexander Galloway and Eugene Thacker, published the book Excommunication: Three Inquiries in Media and Mediation. In the opening of the book the authors ask "Does everything that exists, exist to me presented and represented, to be mediated and remediated, to be communicated and translated? There are mediative situations in which heresy, exile, or banishment carry the day, not repetition, communion, or integration. There are certain kinds of messages that state 'there will be no more messages'. Hence for every communication there is a correlative excommunication." This approach has been referred to as the "New York School of Media Theory."

At The New School, Professor Wark teaches seminars on the Situationist International, the Militarized Vision lecture, as well as Introduction to Cultural Studies. Wark was an Eyebeam resident in 2007.

In 2004 Wark published her best known work, A Hacker Manifesto. Here Wark argues that the rise of intellectual property creates a new class division, between those who produce it, whom she calls the hacker class, and those who come to own it, the vectoralist class. Wark argues that these vectoralists have imposed the concept of property on all physical fields (thus having scarcity), but now the new vectoralists lay claim to intellectual property, a field that is not bound by scarcity. By the concept of intellectual property these vectoralists attempt to institute an imposed scarcity in an immaterial field. Wark argues that the vectoral class cannot control the intellectual (property) world itself, but only in its commodified form—not its overall application or use.

Wark emigrated to the United States in 2000. With the Australian poet John Kinsella, Australian novelist Bernard Cohen and Australian memoirist Terri-Ann White, Wark co-wrote Speed Factory, an experimental work about distance and expatriation. The co-authors developed for this the speed factory writing technique, in which an author writes 300 words, emails it to the next author, who then has 24 hours to write the next 300 words.

In two subsequent books, The Virtual Republic, published in 1997, and Celebrities, Culture and Cyberspace (1999), Wark turned her attention to the national cultural space of her homeland, Australia. The first of these works examined the so-called 'culture wars' of the 1990s as symptomatic of struggles over the redefinition of Australian national identity and culture in an age of global media. The second of these 'Australian' books looked at the transformation of a social democratic idea of the 'popular' as a political idea into a more market-based and media-driven popular culture.

In Virtual Geography, published in 1994, Wark offered a theory of what she called the 'weird global media event'. Examples given in the book include the stock market crash of 1987, the Tiananmen square demonstrations of 1989 and the fall of the Berlin Wall in 1989. She argued that the emergence of a global media space – a virtual geography – made out of increasingly pervasive lines of communication – vectors – was emerging as a more chaotic space than globalisation theory usually maintains.

McKenzie Wark (born 1961) is an Australian-born writer and scholar. Wark is known for her writings on media theory, critical theory, new media, and the Situationist International. Her best known works are A Hacker Manifesto and Gamer Theory. She is Professor of Media and Cultural Studies at The New School in New York City.

McKenzie Wark was born in Newcastle, Australia in 1961 and grew up with her older brother Robert and sister Susan. When McKenzie was 6 years old, her mother died. Brother Robert McKenzie Wark remembers reading to McKenzie as a young child and the three children were brought up by their architect father Ross Kenneth Wark. McKenzie received a bachelor's degree from Macquarie University, a Master's from the University of Technology, Sydney and received a PhD in Communications from Murdoch University. Wark is married to Christen Clifford. The couple have two children. In 2018 Wark came out as transgender and began using they/them pronouns, though as of 2019 she uses she/her pronouns.