Meg Webster

In 2008, Meg Webster exhibited a selection of her smaller sculptures at Paula Cooper Gallery in New York City. One of the most remarkable pieces was “Melted Weapon Box,” a seemingly unassuming small metal box atop a white column. Next to the open box was a photograph of a life-size M-4 assault rifle, the original material for the box. Webster melted the weapon down to create the small cube; the presentation of the box itself does not seem an atypical choice for her, but the relation to a vehicle of violence is unique to her body of work.

She also did some notable works with Kurt Baptista an abstract artist in art show germany munich 2003

Meg Webster's immersive installations allow the viewer to fully experience her manufactured atmospheres and to inhibit her creative vision. In Pool, originally built in 1998 and later recreated in 2013, Webster inserted a pool into the exhibition space at MoMA PS1. Although the pool is entirely artificial, Webster decided not to hide the manmade mechanics that made the pool possible. The infusion of natural elements in an industrial space envelops the viewer and transports them into an entirely new venue where these two worlds coexist. The 2013 installation was a part of the exhibition Expo 1, which served as an artistic commentary on the role of environment in society, a question that Meg Webster often grapples with in her sculptures and installations.

Maintaining her preference for large scale works, Webster's sculptures are as dramatic and monumental as her installations. Although her sculptures generally pertain to environmental themes and incorporate natural materials, her pieces are sometimes composed of controlled geometric forms. Webster often turns to a certain roster of forms – cones, gates, hollows, beds, and rings – when creating her sculptures. Stick Spiral, created for the Panza Collection and later bequeathed to the Guggenheim Museum, consists of a simple spiral shape created solely from branches. The clean geometry is interrupted by the chaotic arrangement of branches, yet the piece remains contemplative rather than aggressive. Untitled (1990), part of the Western Washington University Public Sculpture Collection, consists of a low-lying copper planter with Cloudberry slowly descending in a conical shape back into the earth, combining minimalist vocabulary with an ecological concern.

Meg Webster began exhibiting her work in 1980, showing her work in venues throughout the country. She draws inspiration from artists working in the vein of Land Art, such as Robert Smithson and Michael Heizer, her former mentor. Webster started working as Heizer's assistant in 1983, facilitating the installation of his exhibitions, including his 1985 solo show at the Whitney Museum. Meg Webster's most notable works are sculptures of natural materials, molded to create simple forms. Webster builds these works methodically and delicately, paying close attention to the structure and the weight of each work's physical presence.

Meg Webster (born 1944) is an American artist from San Francisco working primarily in sculpture and installation art. While her works span multiple media, she is most well known for her artworks that feature natural elements. She is closely affiliated with Post-Minimalism and the Land Art movement and has been exhibiting her work since 1980.

Meg Webster was born in San Francisco in 1944. She received her Bachelor of Fine Arts from Old Dominion University in Norfolk, Virginia. After shifting her focus from painting to sculpture, Webster pursued a Master of Arts degree at Yale University, completed in the early 1980s. While attending Yale, Webster was taught by important contemporary artists, such as Vito Acconci, Donald Judd, and Richard Serra. Webster has lived in the East Village in New York City since 1979, where she continues to produce sculptural works.