Michael Dunn (actor)

Dunn was born to Jewell (née Hilly; died 1990) and Fred Miller (died 1981) during the time of the Dust Bowl drought. He chose his stage name in order to differentiate himself from another Gary Miller in the Screen Actors Guild. ("Dunn" was his maternal grandmother's maiden name, but his reason for choosing "Michael" is unknown and not derived from his monastic experience in 1958.) An only child, when he was four years old, his family moved to Dearborn, Michigan.

Spinal deformities, including scoliosis, caused a distorted ribcage that restricted Dunn's lung growth and function. The resulting respiratory insufficiency caused overload of the heart's right chambers, a chronic condition called cor pulmonale. He died in his sleep in his room at the Cadogan Hotel, Chelsea, London, on August 30, 1973, aged 38, while on location for The Abdication.

The New York Times reported his cause of death as undisclosed, leading to decades of repeated public speculation about possible suicide. However, the designation "undisclosed" signified merely that no cause of death had yet been determined. An autopsy was performed on August 31, 1973, by Professor R.D. Teare at St. George's Hospital, London, who noted: "The right side of the heart was widely dilated and hypertrophied to twice its normal thickness. The left ventricle was normal in size." He recorded the cause of death as cor pulmonale. This information is confirmed in the "Report of the Death of an American Citizen" from the U.S. Department of State, Foreign Service, American Embassy in London, made out on October 12, 1973, by Micaela A. Cella, Vice Consul. The report is on record in the U.S. National Archives in College Park, Maryland.

Despite being severely ill and in great pain, Dunn continued working nearly up to the day of his death, living up to his own description of himself as "a both-feet jumper". He was buried on September 10, 1973, in Lauderdale Memorial Park Cemetery, Fort Lauderdale, Florida, near his parents' retirement home in Lauderhill. In July 2007, a first cousin had his remains exhumed and driven to Oklahoma, re-interred near his parents' graves in Sunset Memorial Park Cemetery, Norman, Oklahoma.

In 1969, The New York Times drama critic Clive Barnes praised Dunn's portrayal of Antaeus in the tragedy The Inner Journey by British novelist and playwright James Hanley, performed at the Lincoln Center: "Michael Dunn as the dwarf is so good that the play may be worth seeing merely for him. Controlled, with his heart turned inward, his mind a pattern of pain, Mr. Dunn's Antaeus deserves all the praise it can be given."

Between those career highlights, he accepted roles in many pulp horror movies, as well as a role in the 1968 film No Way to Treat a Lady, starring Rod Steiger and George Segal. However, at the time of his death, he was in London playing Birgito in The Abdication (Warner Brothers, 1974, directed by Anthony Harvey), starring Peter Finch and Liv Ullmann. Author Günter Grass had already asked him to play in a film adaptation of his novel, The Tin Drum, a role that ultimately went to the young David Bennent after Dunn's death.

In the pilot episode of the Mel Brooks and Buck Henry television spy spoof Get Smart, Dunn showed his skill with comic farce as the well-heeled gangster Mr. Big, leader of international crime organization K.A.O.S. (September 18, 1965). Dunn featured as Alexander, a courageous court jester, in the Star Trek episode "Plato's Stepchildren" (November 22, 1968). He also appeared in an episode of Bonanza, "It's a Small World" (January 4, 1970), portraying a recently widowed circus performer trying to start a new life, and as a killer clown in the Voyage to the Bottom of the Sea episode "The Wax Men" (5 March 1967).

Dunn was married on December 14, 1966, to Joy Talbot. Motion Picture Magazine described her as a model, in a photo caption in the March, 1967 issue. The marriage ended in divorce after a few years. He developed into a dedicated philanthropist toward children with dwarfism who would write fan letters to him confiding their loneliness and despair. According to Dorin, Dunn often traveled to visit such children at his own expense, delivering encouragement to them and stern counsel to overly protective parents.

In 1963, he received the New York critics' Circle Award for best supporting actor and was nominated for a 1964 Tony Award, for his performance as Cousin Lymon in Edward Albee's stage adaptation of The Ballad of the Sad Café, by Carson McCullers. Dunn received an Oscar nomination and the Laurel Award as the best supporting actor for his role as the cynical Karl Glocken in Ship of Fools (Columbia Pictures, 1965, directed by Stanley Kramer).

In New York, Dunn re-encountered Softness, who volunteered to be his manager. He also befriended actress Phoebe Dorin in an off-Broadway show, Two by Saroyan, in which both had small parts in the early 1960s. They began singing together casually after their nighttime performances, sitting on the wall of the fountain opposite the Plaza Hotel, and drew a following. Eventually, on the advice of fellow actor Roddy McDowall, the pair started a nightclub act of songs mixed with conversational patter, titled "Michael Dunn and Phoebe". The act received favorable reviews in Time magazine and The New York Times and ultimately led directly to the pair being cast on The Wild Wild West television series, a Western spy spoof with elements of historical fiction and science fiction, which debuted in 1965.

Dunn converted to Catholicism and was baptized in 1954. He was living in Ann Arbor with his parents, working as a professional singer, at the time he entered St. Bonaventure Monastery in Detroit, on February 25, 1958.

However, monastery records entered by the Master of Novices show that the physical demands of monastic life in a huge, 19th-century building with no elevator proved too strenuous. Dunn left of his own accord on May 8, 1958, to pursue a stage career in New York.

At various points, he held different odd jobs—singing in a nightclub, answering telephones for the Miami Daily News, and working as a hotel detective. ("What a gaff! I got my room free and all I did was play cards with the night clerk and keep an eye open for any funny business in the lobby. Who would ever suspect me of being a detective?") He left college in 1956 after completing only his sophomore year, returned to Michigan, and attended summer classes at the University of Detroit, in 1957.

In 1953, he transferred to the University of Miami, College of Arts and Sciences, which offered a better climate and more accessible campus. His transcript shows that, despite scoring at the 97th percentile of ACE placement exams and the 99th percentile of the CTS English test, he did not distinguish himself academically. However, he was a high spirited and well-known figure about campus who sang in the talent show and facetiously joined the football cheerleading squad. Archives at that university's Otto G. Richter Library show that he became first a copyeditor and a contributing writer, then managing editor in 1954 of the college magazine, Tempo. (Contrary to information that later appeared in his Columbia Studios biography, Dunn could not take credit for Tempo winning the Sigma Delta Chi Award for best college magazine in the country, since credit went to the Editor-in-Chief.) His classmate John Softness recalled, "He could sing like an angel, and he could act and he could write and he was a brilliant raconteur." Softness ran a campus-wide advertising campaign called "Wheels for Gary," which brought in enough money from student donations to buy a used 1951 Austin outfitted with hand controls, so that Dunn could get around independently.

Dunn started reading at age three, was champion of the 1947 Detroit News Spelling Bee—representing Wallaceville School in Wayne County—and showed early skill at the piano. He enjoyed singing from childhood, loved to draw an impromptu audience (even while waiting for a bus), and developed a pleasing lyric baritone and superb sight-reading skills. His parents defied pressure from school authorities to sequester him in a school for disabled children and staunchly supported his talents, independence, and integration into mainstream society. "I always got thrown out of classes for being too lippy", he commented about his experience with elementary school teachers. "I'd read more than they." His orthopedic condition greatly limited his mobility, but he swam and ice-skated in childhood and remained a skilled swimmer throughout his life.

He attended Redford High School in Detroit (1947–1951), then entered University of Michigan in Ann Arbor in September 1951, just before his 17th birthday. However, according to his Columbia Studios press kit biography, his studies were interrupted when he was knocked down a flight of stairs during a "student rush", which resulted in a three-month hospital stay.

Michael Dunn (born Gary Neil Miller; October 20, 1934 – August 30, 1973) was an American actor and singer with dwarfism. He inspired a number of actors significantly smaller and shorter (those with dwarfism) than most people, including Zelda Rubinstein, Eric the Actor, and Mark Povinelli.