Mira Nair

Before she became a filmmaker, Nair was originally interested in acting, and at one point she performed plays written by Badal Sarkar, a Bengali performer. While she studied at Harvard University, Nair became involved in the theater program and won a Boylston Prize for her performance of Jocasta’s speech from Seneca’s Oedipus.

It’s all in how I do it. Keeping the buns on the seats is very important to me. It requires that ineffable thing called rhythm and balance in moviemaking. Foils have to be created, counter-weights. From the intimacy, let’s say, of a love scene to the visceral, jugular quality of war. That shift is something in the editing, how one cuts from the intimate to the epic that keeps you there waiting. The energy propels you.

A longtime activist, Nair set up an annual film-makers’ laboratory, Maisha Film Lab in Kampala, Uganda. Since 2005, young directors in East Africa have been trained at this non-profit facility with the belief that "If we don’t tell our stories, no one else will". Maisha is currently building a school with Architect Raul Pantaleo, winner of Aga Khan Award for Architecture, and his company Studio Tamassociati.

Nair said to Image Journal in 2017 that she chose directing over any other art form because it was collaborative. "That’s why I am neither a photographer nor writer," she said. "I like to work with people, and my strength, if any, is that. Working with life."

A musical adaptation of Monsoon Wedding, directed by Nair, premiered at the Berkeley Repertory Theatre, running from May 5 to July 16, 2017.

Nair's 2016 Queen of Katwe, a Walt Disney Pictures production, starred Lupita Nyong'o and David Oyelowo and was based on the story of Ugandan chess prodigy Phiona Mutesi.

In July 2013, Nair declined an invitation to the Haifa International Film Festival as a "guest of honor" to protest Israel's policies toward Palestine. In postings on her Twitter account, Nair stated "I will go to Israel when the walls come down. I will go to Israel when occupation is gone...I will go to Israel when the state does not privilege one religion over another. I will go to Israel when Apartheid is over. I will go to Israel, soon. I stand w/ Palestine for the Academic and Cultural Boycott of Israel (PACBI) & the larger Boycott, Divestment, Sanctions (BDS) Mov’t." Nair was subsequently praised by PACBI, which stated that her decision to boycott Israel "helps to highlight the struggle against colonialism and apartheid." She subsequently tweeted "I will go to Israel, soon."

In 2012 Nair directed The Reluctant Fundamentalist, a thriller based on the best-selling novel by Mohsin Hamid. It opened the 2012 Venice Film Festival to critical acclaim and was released worldwide in early 2013. For the academic reception of Nair's adaptation of The Reluctant Fundamentalist, see Lau and Mendes (2018), who question "how the ambivalence and provocativeness of the 'source' text translates into the film adaptation, and the extent to which the film format makes the narrative more palatable and appealing to wider audiences as compared to the novel’s target readership."

This was followed by the Amelia Earhart biopic Amelia (2009), starring Hilary Swank and Richard Gere.

In 2007, Nair was asked to direct Harry Potter and the Order of the Phoenix, but turned it down to work on The Namesake. Based on the book by Pulitzer Prize-winner Jhumpa Lahiri, Sooni Taraporevala’s screenplay follows the son of Indian immigrants who wants to fit in with New York society, but struggles to get away from his family’s traditional ways. The film was presented with the Dartmouth Film Award and was also honored with the Pride of India award at the Bollywood Movie Awards.

She was awarded the India Abroad Person of the Year-2007. In 2012 she was awarded India's third highest civilian award the Padma Bhushan by President of India, Pratibha Patil.

Nair commented on filmmaking in a 2004 interview with Jan Huttner:

Nair then directed the Golden Globe winning Hysterical Blindness (2002), followed by making William Makepeace Thackeray’s epic Vanity Fair (2004).

In 2001, with The Laughing Club of India, she shows a new alternative trend that recognizes and embraces the healing powers of laughter based on yoga. Founder Dr. Madan Kararia talks of the club's history and the growth of laughing clubs across the country, now present in a good part of the world. Nair's documentary includes testimonials from members of the laughter clubs who describe how the practice has improved or changed their lives. Its featured segments include a group of workers in an electrical products factory in Bombay who take time off to laugh during their coffee break.

Nair went on to direct four more films before she produced one of her most notable films, Monsoon Wedding. Released in 2001, the film told the story of a Punjabi Indian wedding, written by Sabrina Dhawan. Employing a small crew and casting some of Nair's acquaintances and relatives, the film grossed over $30 million worldwide. The film was awarded the Golden Lion award at the Venice Film Festival, making Nair the first female recipient of the award.

Nair's short films include A Fork, a Spoon and a Knight, inspired by the Nelson Mandela quote, ″Difficulties break some men but make others.″ She contributed to 11'09"01 September 11 (2002) in which 11 filmmakers reacted to the events of 11 September 2001. Other titles include How Can It Be? (2008), Migration (2008), New York, I Love You (2009) and her collaboration with, among others, Emir Kusturica and Guillermo Arriaga on the compilation feature Words with Gods.

In 1998, she used the profits from Salaam Bombay! to create Salaam Baalak Trust which works with street children in India.

Nair and Taraporevala continued to challenge audiences with the 1991 film Mississippi Masala, which told the story of Ugandan-born Indians displaced in Mississippi. The film, featuring Denzel Washington, Roshan Seth, and Sarita Choudhury, centers on a carpet-cleaner business owner (Washington) who falls in love with the daughter (Choudhury) of one of his Indian clients. The film reveals the evident prejudice in African-American and Indian communities. Like Salaam Bombay!, the film was well received by critics, earned a standing ovation at the Sundance Film Festival in 1992, and won three awards at the Venice Film Festival.

Her third documentary, India Cabaret, released in 1984, her most controversial film, revealed the exploitation of female strippers in Bombay (present-day Mumbai), and followed a customer who regularly visits a local strip club while his wife stays at home. Nair raising roughly $130,000 for the project, shooting the 59 minute film was over a span of two months, The film was criticized by Nair's loved ones. Her fourth and last documentary, made for Canadian television, explored how amniocentesis was being used to determine the sex of fetuses. Released in 1987, Children of a Desired Sex exposed the aborting of female fetuses due to society's favoring male offspring.

In 1983 with her friend, Sooni Taraporevala, Nair co-wrote Salaam Bombay! . Using her documentary film-making and acting experience, Nair sought out for real "street children" to more authentically portray the lives of children who survive in the streets and are deprived of a real childhood. Though the film did not do well in the box office, it won 23 international awards, including the Camera D’or and Prix du Public at the Cannes Film Festival in 1988. Salaam Bombay! was nominated at the Academy Awards for Best Foreign Language Film in 1989.

In 1982, she made her second documentary entitled So Far from India, which is a fifty-two-minute film that followed an Indian newspaper dealer living in the subways of New York, while his pregnant wife waited for him to return home. This film was recognized as a Best Documentary winner at the American Film Festival and New York's Global Village Film Festival.

At the start of her film-making career, Nair primarily made documentaries in which she explored Indian cultural tradition. For her film thesis at Harvard between 1978 and 1979, Nair produced a black-and-white film entitled Jama Masjid Street Journal. In the eighteen-minute film, Nair explores the streets of Old Delhi and has casual conversations with Indian locals.

In 1977, Nair met her first husband, Mitch Epstein, when taking photography classes at Harvard University. They divorced by 1987, and in 1988 Nair met her second husband, the Indo-Ugandan political scientist Mahmood Mamdani, while in Uganda doing research for the film Mississippi Masala. Their son, Zohran, was born in 1991. Like his wife, Mamdani also teaches at Columbia University.

Mira Nair (born 15 October 1957) is an Indian-American filmmaker based in New York City. Her production company, Mirabai Films, specializes in films for international audiences on Indian society, whether in the economic, social or cultural spheres. Among her best known films are Mississippi Masala, Kama Sutra: A Tale of Love, The Namesake, the Golden Lion winning Monsoon Wedding, and Salaam Bombay!, which received nominations for the Academy Award for Best Foreign Language Film and the BAFTA Award for Best Film Not in the English Language.

Nair was born on 15 October 1957 in Rourkela, Orissa and grew up with her two older brothers and parents in Bhubaneswar. Her father, Amrit Lal Nair, was an officer of the Indian Administrative Service and her mother, Parveen Nayyar, is a social worker who often worked with children. At the age of eleven, Nair and her family moved to Delhi due to her father transferring posts. By thirteen she left home to attend Loreto Convent Tara Hall, an Irish-Catholic missionary school located in Simla, where she developed an infatuation with English literature. Following Tara Hall, Nair went on to study at Miranda House at Delhi University, where she majored in sociology. In order to gain the best education available, Nair applied to Western schools and at nineteen she was offered a full scholarship to Cambridge University, but ultimately turned it down and instead accepted a full scholarship to Harvard University.