Miriam Chandy Menacherry

Lyari Notes (2015), co-directed by Maheen Zia, is a coming-of-age story of four young girls in Karachi. Living in Lyari, an area known for gang warfare, they make the decision to choose music over violence. Zia and Menacherry, two filmmakers from India and Pakistan respectively, come together to produce a political discourse through the media of music and film. The documentary was the winner of the IDPA Long form Documentary Award (Silver). It was nominated by the Alliance of Women Film Journalists for the EDA Award at IDFA (Netherlands), and the youth jury award at Sheffield (UK). Lyari Notes was the opening film at the Artists cinema package at the Kochi Biennale (India), and the Indie Meme International Festival in Austin, Texas (USA).

The Rat Race (2011) documents the lives of the rat-killers in Mumbai who work whilst the city sleeps. The central node of the story is an aspiring Bollywood dancer who turns to rat-catching for various reasons and spends the next 37 years killing rats and supervising other rat-catchers. This documentary was the winner of the Mipdoc Co-Production Challenge, Cannes (France), Audience Awards, Florence (Italy) and Kerala (India). The documentary also premiered at IDFA, Amsterdam (Netherlands).

Meeting the energy needs of a community without resorting to vandalizing nature – A Light Burns (2008) is about the difficulties faced by a remote community in Jharkhand to bring electricity to their village. The film follows the journey of the community to produce biodiesel from locally available oil seeds. It won the UK Environment Film Fellowship.

A documentary that verges on the border of science fiction, Robot Jockey (2007) explores the juncture in the life of the Bedouin camel racers in Qatar when they had to train their camels to accept metallic riders. On facing international backlash for using child jockeys in camel racing, Qatar decided to silence the criticism by switching to robot jockeys. Robot Jockey won the Asian Television Awards for Best Social Documentary in 2008.

After schooling she was a correspondent for CNBC, India and then moved on to UTV as a director. Filament Pictures was established in 2005 to make meaningful cinema catering to a worldwide audience.

The Stuntmen of Bollywood (2005) was produced for the National Geographic Channel. The documentary features the lives and hardships faced by the stunt doubles in Bollywood. It was nominated for 'most innovative’ film at the Asian Television Awards.

Mee Koli (2005) is a documentary about the Koli fishermen of Mumbai, the original settlers of the city and their fight to preserve the delicate web of marine life that sustains their livelihood.

Back to the Floor (2004) was a series directed by Menacherry for the BBC World. This was the Indian edition of the British series by the same name Back to the Floor. The Indian edition featured top management from the leading business houses in India working at the shop level to gain a different perspective on the challenges faced by their employees. It won the India Television Awards for Best Business Series.

Miriam Chandy Menacherry (born 9 March 1975) is a Keralite documentary filmmaker and producer based in Mumbai, India. She founded Filament Pictures in 2005, a production house which creates socially relevant feature length documentaries. She was one of the 18 filmmakers selected from the Middle East and Asia for the Global Media Makers Fellowship 2019-20. The fellowship is offered by the US State Department and Film Independent. Her documentary, Rat Race (2011) was the winner of the Mipdoc Co-Production Challenge at Cannes (France). Miriam has also won the Asian Television Awards for Best Social Documentary (2007) and the UK Environment Film Fellowship (2008).