Nat D. Williams

He died in 1983 and is buried in New Park Cemetery in Memphis.

At WDIA, he was a gatekeeper who watched for lyrics that were obscene to the station's audience and detrimental to Black radio. He was also a cultural historian Nat D. kept doing his afternoon show and never failed to appear for his shift. He went off the radio due to a stroke in 1972 and Rufus Thomas replaced him on air.

As a journalist, his columns ran in various newspapers. One of them, Down on Beale, started in 1931; and on June 1, 1955, one column was announced into the Congressional Record. His Dark Shadows written under the pseudonym D. Natural ran from 1951 to 1971. In 1951, he joined the staff of a new Black newspaper, the Tri-State Defender, published in Memphis. The position was first city editor. The column A point of view began in 1966 and had a run in Black newspapers around the country.

In the 1950s both Rufus Thomas and Riley King were disc jockeys at WDIA. The advent of shellac records had begun to push out the live performances on the radio, as a market teens and young adults preferred the music of the jukeboxes. The jive patter sprinkled between the records was fresh and distinctly Black in origin on these upstart radio stations; contrary to expectations, this did not turn off the white audience, which in turn contributed to the rise of rock and roll music. The new Memphis sound peaked in the 1960s and '70s with Stax Records.

His influence in 'jive' talk radio extended to WERD, which ran with the format under 'Jockey Jack' when the first Black-owned station made its debut in 1949. Elvis, Bobby Blue Bland, Rufus Thomas and Riley King all got their start on amateur night. Radio disc jockeys copied his format and Black appeal radio thrived. The Cotton Makers Jubilee was a Memphis institution annually for 30+ years. Nat D. was a history teacher that left a mark. Well, yes-siree, it's Nat Dee on the Jamboree, coming at thee on seventy-three (on the dial), WDIA. Now, whatchubet.

In 1948, Nat D. became the first African-American disc jockey in Memphis when he went on air for WDIA-AM. He is in the Memphis Music Hall of Fame and the Tennessee Radio Hall of Fame; and in 2017 was inducted into the National Rhythm and Blues Hall of Fame. There is a historical marker outside the former site of the Palace theatre on Beale Street where he was often master of ceremonies, placed there by the Tennessee Historical Commission.

In 1935 Nat D. was a co-founder with Dr. Ransom Q. Venson of the Cotton Makers Jubilee and is credited with naming the celebration on a historical plaque on Beale st. The depression era cotillion was Black-organized, with its Kings and Queens and Krewes, and continued thru the '90s, steadily losing the parades down Beale Street, the grand Memphis balls, the fireworks and the hurley burley of the midway, itself a bygone celebration of when the city was epicenter of the cotton crop. The Black court held the Jubilees, the white court a carnival, which survives to this day as the Memphis Carnival.

Born on Beale Street, then known as a jazz haunt in Memphis, he went to Nashville, earning both a bachelor's and a master's degrees at Tennessee State University, a public university and HBCU. He became a high school teacher at Booker T. Washington High School upon returning to Memphis in 1930. Since 1928 he had been an at-large journalist for Black newspaper Memphis World. Williams was also Master of Ceremonies for Amateur Night on Beale Street, officiating at a raucous roundup in 1935 at the Old Palace Theater.

Nathaniel Dowd Williams (October 19, 1907 – October 27, 1983), known as Nat D. Williams or simply Nat D., was an American high school teacher, disc jockey on Black Appeal radio, journalist and editor. He was born on Beale Street in Memphis, Tennessee. Known for his ‘’jive’’ patter on the air, Williams had 10% of African-Americans in the U.S. listening to his program and heralded the changing radio style which helped to create "Black appeal radio", which it turn led to the urban contemporary listening format of Black radio in the 1960s and '70s.