Nichola Bruce

Her award-winning feature documentary Axis of Light (2011) co-directed and produced with Pia Getty is a poignant and absorbing observation of the influences of conflict seen through the work of eight leading artists – Etel Adnan, Jananne Al–Ani, Ayman Baalbaki, Mona Hatoum, Rachid Koraïchi, Youssef Nabil, Shirin Neshat, Mona Saudi.

Bruce's film about the Apollo moon landings, Moonbug (2010), won the Special Jury Remi Award for Theatrical Feature Documentary at the 2011 Houston International Film Festival. Moonbug is both a photographic road trip and an exploration of how photographs become signpost for history as it documents photographer Steve Pyke as he sets out on a journey across America in his search to meet and photograph the Apollo space pioneers. The pair also collaborated on a touring exhibition of Steve Pyke's Apollo portraits & space artefacts alongside a 3 Channel Triptych of the Moonbug film called Man On The Moon. Musician Matt Johnson produced the soundtrack for Moonbug having previously worked with Bruce on her documentary One Man Show: Dramatic Art of Steven Berkoff in (1995).

Bruce was awarded a NESTA Fellowship in 2003 to study perception and was mentored by Richard Gregory (CBE) resulting in Strangeness of Seeing a body of work including a series of 26 films developed over a period of four years in collaboration with film maker Rebecca E Marshall.

Bruce's first feature film I Could Read the Sky (2000) featuring Dermot Healy, Maria Doyle-Kennedy, Brendan Coyle and Stephen Rea was inspired by the photographic novel by writer Timothy O'Grady and photographer Steve Pyke. It focuses on the losses and memories of an old Irishman who spent most of his life working in England. The film has been described as "innovative, melancholic, and deeply moving film is a small gem, as much informed by literature as it is by cinema." In Jill Nelmes and Jule Selbo's book Women Screenwriters: An International Guide (2015) it is explained that "Because the film is an adaptation of a photographic novel, rather than a filmed version of its original source, Bruce creates the events in layers of images that tell the story." The music for the film was composed by Irish sean nós singer and member of Afro Celt Sound System, Iarla Ó Lionáird. Sinéad O'Connor, Noel Hill and Liam O'Maonlai also contributed to the soundtrack which was released by Real World Records.

Bruce's 1985 short horror/drama Wings of Death (BFI) which she co-directed with Mike Coulson, featuring Dexter Fletcher and Kate Hardie, explored addiction. It was reviewed in Monthly Film Bulletin in 1986 by Mark Finch who described the film as "...certainly a curiosity--a modern morality tale, too long to be a commercial, too short to be a feature, but with a surer visual sense than many recent British films."

1984 film-maker Neil Jordan worked for several weeks in pre-production with artist filmmakers Nichola Bruce and Michael Coulson to create hundreds of detailed storyboard drawings for the feature The Company of Wolves. The film's visuals were of particular importance, as Jordan explains: The visual design was an integral part of the script. It was written and imagined with a heightened sense of reality in mind.

Nichola Bruce (born 1953) is a British avant garde film director, cinematographer, screenwriter, and artist. Bruce uses an artistic approach to filmmaking alongside the use of digital technologies. Her use of digital film is accredited to the speed, creativity, and multi-layering that can be accessed through the technology. Daily Variety featured Bruce in their article "10 Digital Directors To Watch"(2000) and noted that Bruce takes her inspiration from the surrealists, Andrei Tarkovsky, and painting.

Nichola Bruce was born in 1953 in Bromley, England. She was raised in Kent and London throughout her childhood. She began working with film, photography, art during her attendance at Hornsey College of Art and at Middlesex Polytechnic, beginning with super eight and 16mm.