Noma Bar

2017 saw the release of Bar's third and most recent book, Bittersweet. A overview of all the work of his career to date, the book comes in two versions, a 395-page paperback edition and a 680-page, 5 volume monograph, published by Thames & Hudson.

In recent years, Bar's work has expanded further beyond print. In 2012, The Guardian released a range of notebooks featuring Bar's designs and his illustrations have since featured on limited edition drinks cans and London Underground Oyster card holders. Also in 2012, Bar created a number of room installations that were then photographed to create a series of trompe-l'œil covers for Wallpaper* magazine. In 2015, Bar translated his illustrations into architecture for the first time, when invited by the Momofuku Centre to create a viewhouse in the wooded area near the Centre, in Komoro, Japan. The bird-shaped design was influenced by falling leaves in the surrounding forest and provided a spectacular 'bird's eye' view of the countryside. Since that year, Bar has also made a number of animated shorts in his trademark style: one for Mercedes Benz, another for the World Food Programme and a Gold Clio award-winning short for the NewYork–Presbyterian Hospital's immunotherapy cancer treatment programme, that was shown during the 2016 Super Bowl and was seen by over 40 million people. This last animation was added to MoMA's permanent collection in 2016.

By 2011, Bar was receiving industry recognition for his work, collecting awards from, amongst others, the Cannes Lions and New York Festivals International Advertising Awards for his work on IBM's Smarter Planet campaign, and being awarded a D&AD Yellow Pencil for his series of Don Delilo book covers. For his involvement with the two language learning books, Chineasy: The New Way to Read Chinese, he won 'Life-enhancer of the Year' at the Wallpaper* Design Awards 2014, as well as two further D&AD Wood Pencils, a European Product Design Award and a nomination for 'Design of the Year' by the Design Museum.

In 2010, Bar began showing his work internationally in exhibitions, turning some of his works into 3D sculptures for the first time. For the major show Cut It Out, part of the 2011 London Design Festival celebrations, he created an innovative print cutting machine that members of the public could use to create their own personalised artworks using Bar's designs. The size of a human adult, the imposing, dog-shaped machine was hugely popular, with people queuing to make a cut-out print with a wide variety of materials that they chose to bring along. In 2013, he took the successful concepts from Cut It Out further, developing a whole new project and exhibition in 2013, called Cut the Conflict, in which people affected by wars around the world were invited to send in materials to be printed with Bar's designs based on motifs of peace. These cut-outs were then combined together to make works that contained only materials from two countries in conflict with one another, making Cut the Conflict a celebrated project which has personally stood out for Bar.

A year later, this was followed up with a second book, Negative Space (2009), which looked more broadly at Bar's other illustrations as well as his portraits, focusing on his technique of utilising negative space to create images with hidden double meanings relating to their original subjects.

Over the next years, Bar was commissioned to produce dozens of illustrations that appeared in a number of different major publications, including a portrait of George W. Bush that referenced the Abu Ghraib torture scandal, for The Guardian, and an image of Adolf Hitler, for an Esquire UK article on the growing market for books on Nazism, that replaced the dictator's infamous moustache with a barcode. In 2007, Bar published his first book, Guess Who?: The Many Faces of Noma Bar, which featured a selection of previously published images of well-known famous figures, past and present.

Born in Israel and based in London since 2000, his illustrations appear internationally in newspapers, magazines, book covers and advertising campaigns. Publications that have featured his work include The New Yorker, The Guardian, The New York Times, Time Out London, GQ, The Economist, Wallpaper* and Esquire. Bar works on campaigns for companies such as Apple, Google, Sony, Nike, IBM and Coca-Cola, as well as for public institutions like the V&A, the BBC, NewYork–Presbyterian Hospital and BAFTA. He also designs book covers, including covers for book series by the authors Don DeLilo and Haruki Murakami, as well as releasing three books of his own work:Guess Who?: The Many Faces of Noma Bar (2008), Negative Space (2009), and Bittersweet (2017), a five-volume retrospective.

After graduating in 2000, Bar moved to London, settling in Highgate. Bar's work was published for the first time shortly after, a full page illustration of William Shakespeare, accompanying an article in Time Out London.

His first notable portrait in the style for which he would later become recognised was made as a teenager; whilst taking refuge in a bomb shelter during the 1990-91 Gulf War, he noticed a similarity in appearance between a radioactivity symbol in a newspaper he was reading and the face of the then President of Iraq, Saddam Hussein, and used this resemblance to create a minimalist portrait of the Iraqi leader.

Noma Bar (born 1973) is an Israeli graphic designer, illustrator and artist, based in London. Bar's work has been described as "deceptively simple", featuring flat colours, minimal detail and negative space to create images that often carry double meanings that are not immediately apparent. Bar himself outlines his approach as avoiding unnecessary detail or decoration that might detract from an image's message, instead aiming for 'maximum communication with minimal elements.'