Age, Biography and Wiki
Oliver Wood was born on 2 April, 1950 in London, United Kingdom, is a Cinematographer. Discover Oliver Wood's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 70 years old?
Popular As |
N/A |
Occupation |
Cinematographer |
Age |
72 years old |
Zodiac Sign |
Aries |
Born |
2 April, 1950 |
Birthday |
2 April |
Birthplace |
London, England |
Date of death |
February 13, 2023 |
Died Place |
Los Angeles, California, U.S. |
Nationality |
United Kingdom |
We recommend you to check the complete list of Famous People born on 2 April.
He is a member of famous Cinematographer with the age 72 years old group.
Oliver Wood Height, Weight & Measurements
At 72 years old, Oliver Wood height not available right now. We will update Oliver Wood's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
Family |
Parents |
Not Available |
Wife |
Not Available |
Sibling |
Not Available |
Children |
Not Available |
Oliver Wood Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Oliver Wood worth at the age of 72 years old? Oliver Wood’s income source is mostly from being a successful Cinematographer. He is from United Kingdom. We have estimated
Oliver Wood's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
Net Worth in 2022 |
Pending |
Salary in 2022 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
Cinematographer |
Oliver Wood Social Network
Timeline
In 2016, Wood shot the remake of Ben-Hur, directed by Timur Bekmambetov, utilizing GoPro cameras to film the movie's actions sequences.
His big break came when he was director of photography for 53 episodes of stylish crime drama Miami Vice, serving as the series primary DP between 1987 and 1989. His work on the series caught the attention of producers, enabling him to work on big-budget Hollywood films including Die Hard 2 (1990), Face/Off (1997), U-571 (2000) Fantastic Four (2005), and Anchorman 2: The Legend Continues (2013). He was the original director of photography on the swashbuckling action film Cutthroat Island, but suffered an on-set injury and was replaced by Peter Levy. He also shot the Bourne Trilogy, where he worked with director Paul Greengrass to produce a spontaneous, naturalistic effect, often using multiple cameras, frequently handheld, citing films such as The Battle of Algiers as an influence. He was nominated for a BAFTA for The Bourne Ultimatum (2007).
Oliver Wood (born April 2, 1950) is an English cinematographer, known for his work on blockbuster action and comedy films such as Die Hard 2, Face/Off, Freaky Friday, Talladega Nights: The Ballad of Ricky Bobby, and the Bourne franchise. He has collaborated with directors like Paul Greengrass, John Woo, Renny Harlin, Ron Underwood, and Adam McKay, and was nominated for a BAFTA Award for Best Cinematography for The Bourne Ultimatum.
Wood was born in London, England on April 2, 1950. At the age of 19, he moved to New York City. His first break came for director Leonard Kastle on cult crime film The Honeymoon Killers (1969) where he used available light to give the dark comedy a newsreel look. He shot numerous B-movies and independent films throughout the late 1970s and 1980s, frequently collaborating with cinematographers Joseph Mangine and Fred Murphy. He also worked as a camera operator on higher-profile projects including Body Rock (1984) and To Live and Die in L.A. (1985), both of which where shot by Robby Müller. He also became a prolific music video and commercial cinematographer, working for directors like Bob Giraldi and Rupert Wainwright.