Paul Winfield

Biography in: "The Scribner Encyclopedia of American Lives". Volume 7, 2003-2005, pages 579-581. Farmington Hills, MI: Thomson Gale, 2007.

(March 5, 2002) His companion of 30 years, set designer and architect Charles Gillan Jr., has died of a rare bone disease in Los Angeles, California.

In August 2000, Winfield appeared with John Williams and the Boston Pops Orchestra at Tanglewood on Parade, as narrator of "The Unfinished Journey".

Paul's showier work at this period of time included the film Catfish In Black Bean Sauce (1999) and a surprise cross-dressing cameo as Aunt Matilda in Relax. . .

It's Just Sex (1998). On stage, Paul graced such productions as "Richard III" (at New York's Lincoln Center Theatre), "Othello", "The Merry Wives of Windsor", "The Seagull", "A Few Good Men", "Happy Endings" and "Checkmates", which became his sole Broadway credit. Paul also served as Artist in Residence at the University of Hawaii and subsequently at the University of California at Santa Barbara.

In his final years, Winfield narrated the A&E crime series City Confidential (1998), appeared as a teacher in a television adaptation of his earlier success The Wonderful World of Disney: Sounder (2003), and enjoyed a recurring role as Sam for many years on the series Touched by an Angel (1994).

Won an Emmy Award in 1995 for his portrayal of Judge Harold Nance on the drama series Picket Fences (1992).

Relegated to character roles, he still appeared in such quality television as Breathing Lessons (1994), although he was not the major focus.

After two nominations, he finally won the Emmy for a guest performance as a judge on Picket Fences (1992).

While at a dog show in Denver, Colorado in the late 1990s, Winfield fell into a diabetic coma and required three weeks of hospitalization.

There were originally more scenes of his character, Lt. Ted Traxler, in The Terminator (1984), that were cut to keep the film's pace moving but are now available on the special edition DVD from MGM. There were scenes that showed him and his partner-in-crime, played by Lance Henriksen, taking part in the chase sequence that ensues after the Tech Noir shoot out. The last two scenes took place in the police station that revealed that Traxler believed Kyle Reese, played by Michael Biehn, to be telling the truth--one taking place after the questioning of Reese and one where Reese and Sarah Connor, played by Linda Hamilton, are about to escape from the police station during the Terminator's, played by Arnold Schwarzenegger, siege where Traxler gave Reese his gun and car keys.

in King (1978) with Sounder co-star Cicely Tyson as wife Coretta.

Tyson), Damnation Alley (1977), Star Trek II: The Wrath of Khan (1982) and White Dog (1982). Surprisingly, Paul never achieved the promise of a Sidney Poitier-like stardom and his roles diminished in size.

Although the big screen did not offer the same consistent quality following his breakthrough with Sounder, he nevertheless turned in strong roles in Conrack (1974), Huckleberry Finn (1974), A Hero Ain't Nothin' But a Sandwich (1978) (again with Ms.

1972 proved to be a banner year for Paul after winning the male lead opposite Cicely Tyson in the touching classic film Sounder (1972). His towering performance as a sharecropper who is imprisoned and tortured for stealing a ham for his impoverished family earned him an Oscar nomination for "Best Actor" -- the third black actor (Sidney Poitier and James Earl Jones preceded him) to receive such an honor at the time. From there a host of films and quality television roles began arriving on his doorstep. In mini-movies, Paul portrayed various historical/entertainment giants including Thurgood Marshall, Don King and baseball's Roy Campanella, and was Emmy-nominated for his portrayal of Martin Luther King, Jr.

Signifying intelligence, eloquence, versatility and quiet intensity, one of the more important, critically acclaimed black actors to gain a Hollywood foothold in the 1970s was Paul Winfield.

(1970) and Brother John (1971) before major stardom occurred.

Throughout the 1970s and 1980s, he earned solid distinction in such prestige projects as Backstairs at the White House (1979), Roots: The Next Generations (1979) (another Emmy nomination), The Sophisticated Gents (1981), The Blue and the Gray (1982), Sister, Sister (1982), James Baldwin's American Playhouse: Go Tell It on the Mountain (1985), Under Siege (1986) and The Women Of Brewster Place (1989).

In 1969, Paul joined the Inner City Cultural Center Theatre in Los Angeles for two years, which offered a drama program for high school students.

In films, he was given a featured role in the Sidney Poitier film The Lost Man (1969), and earned comparable roles in R. P. M.

Although he won a contract at Columbia Pictures in 1966 and built up his on-camera career with a succession of television credits, he continued to focus on the legitimate stage. A member of the Stanford Repertory Theatre, he concentrated on both classic and contemporary plays.

Paul's first big break came in 1964 when actor/director Burgess Meredith gave him a role in Le Roi Jones' controversial one-act play "The Dutchman and the Toilet". Director Meredith cast him again four years in "The Latent Heterosexual" with Zero Mostel.

In the late 1960s, Paul redirected himself back to performing on television and in films with guest work in more than 40 series on the small screen, including a boyfriend role on the first season of the landmark black sitcom Julia (1968) starring Diahann Carroll.

Winfield did not play an active role in the gay rights movement. His good friend actor-producer Jack Larson (Jimmy Olsen in Adventures of Superman (1952)) described him as "openly gay in his life if not in the media". Like many actors of his generation he concealed his homosexuality for fear of losing employment. Larson stated that Winfield had been distraught in his final years due to his longtime partner's death in 2002.

Was first impacted by the film Home of the Brave (1949), which starred African-American actor James Edwards in a leading role, not a typical supporting role as a servant.

Born in 1939 in Los Angeles, he lived there in his early years before moving with his family to Los Angeles' Watts district. He showed early promise as a student at Manual Arts High School, earning distinction with several performance awards. As a senior, he earned his first professional acting job and extended his theatrical education with a two-year scholarship to the University of Portland in Oregon. Subsequent scholarships led to his studies at Stanford and Los Angeles City College, among other colleges. He left U. C. L. A. just six credits short of his Bachelor's degree.