Age, Biography and Wiki
Penka Kouneva was born on 25 February, 1967 in Sofia, Bulgaria, is a Bulgarian-American composer. Discover Penka Kouneva's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 57 years old?
Popular As |
N/A |
Occupation |
Composer, Orchestrator, Soundtrack Producer |
Age |
57 years old |
Zodiac Sign |
Pisces |
Born |
25 February, 1967 |
Birthday |
25 February |
Birthplace |
Sofia, Bulgaria |
Nationality |
Bulgaria |
We recommend you to check the complete list of Famous People born on 25 February.
She is a member of famous Composer with the age 57 years old group.
Penka Kouneva Height, Weight & Measurements
At 57 years old, Penka Kouneva height not available right now. We will update Penka Kouneva's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Who Is Penka Kouneva's Husband?
Her husband is Daniel Schweiger (m. 2004)
Family |
Parents |
Not Available |
Husband |
Daniel Schweiger (m. 2004) |
Sibling |
Not Available |
Children |
Not Available |
Penka Kouneva Net Worth
Her net worth has been growing significantly in 2022-2023. So, how much is Penka Kouneva worth at the age of 57 years old? Penka Kouneva’s income source is mostly from being a successful Composer. She is from Bulgaria. We have estimated
Penka Kouneva's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
Net Worth in 2022 |
Pending |
Salary in 2022 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
Composer |
Penka Kouneva Social Network
Timeline
Kouneva was born and raised in Sofia, Bulgaria, and began studying piano at the age of six. Her mother was a professor of music theory at the Bulgarian Academy of Music and her father was a scientist at the Institute of Chemical Technologies. At the age of twelve, Kouneva composed and performed incidental music for a children’s theater show that ran for a season. She earned fifteen dollars per show; the official start of her career as a paid composer. Kouneva attended the Sofia High School of Music and achieved a degree in piano. She later enrolled in the National Academy of Music and graduated with a degree in music theory.
Kouneva is on the Advisory Board of Game Developers Conference, the world’s foremost conference for game professionals (2014–present), an Advisor for Sundance Composers Lab (2002–2015) and a Mentor for Game Audio Network Guild (G.A.N.G.) Scholars (2014–current). As a guest artist, she has presented invited lectures and seminars at Duke University, Davidson College, USC, Berklee College of Music, Berklee Valencia, CalArts, The Musicians’ Institute, CSULB and many others. She has also presented at the following conferences: Game Developers Conference (2013, 2014, 2015, 2016), East Coast Game Conference (2012), Power Of Play (2015, 2016), Intel Buzz Workshop London (2016), The Society of Composers and Lyricists (2013), Game Sound Con (2013, 2014, 2015), amongst many other.
Kouneva is known for building and training high-performance teams for score production. Amongst her notable protégés are the Hollywood composers & orchestrators Philip Klein, Ben Bromfield, Alexandre Cote, Catherine Grealish, Dallas Aimer, Nicolas Repetto, Steven Melin,Amie Doherty, Fred Emory Smith and many others. Kouneva's arrival to Hollywood was unprepared for the business aspects of entertainment, so she focuses to instructing her protégés to be ready for such challenges. Kouneva’s Composer Career Master Classes are published online by Designing Music Now. Her Gears of War 2 Main Theme analysis is published by Output.com.
Kouneva is profiled in two textbooks (Chance Thomas' “Composing Music For Games” (2016) and Tom Hoover's “Soundtrack Nation” (2011), in a Keynote address (Game Sound Con 2015 Keynote address), in national press and NPR. Additionally, she has been included in two feature-length documentaries: Beep: A Documentary History of Game Sound (2016) and SCORE: A Film Music Documentary (2016).
Kouneva has released two award-winning concept albums: The Woman Astronaut (2015, on Varèse Sarabande / Universal Music Group) and A Warrior's Odyssey (2012, on Howlin’ Wolf Records / Sumthing Else) both receiving 5-star press.
In addition to composing, Kouneva is a studio orchestrator and has made Hollywood history as the first woman Lead Orchestrator on studio blockbusters since Shirley Walker. (Walker was instrumental for Hans Zimmer, Danny Elfman and others.) Kouneva was Lead Orchestrator on Teenage Mutant Ninja Turtles: Out of the Shadows, Elysium, Ender's Game (films) and Sony's 2015 Game of the Year Bloodborne. Other orchestration credits include the franchises The Matrix, Transformers, Pirates of the Caribbean: At World's End; the games Gears of War 2 & Gears of War 3, World of Warcraft, StarCraft II, Diablo III, Overwatch, Sims, Lord of The Rings: War in the North, and many low-budget independent films and games.
In 2015, Kouneva established and funded an Orchestral Reading for Duke Graduate Composers with the North Carolina Symphony Orchestra. Two graduate composers selected by Duke Music Department will receive a professional reading and recording of their compositions by the nationally recognized symphony orchestra. With this opportunity, she hopes to give a competitive edge to composers as they start out their careers.
Her credits also include independent features (Primrose Lane, The Third Nail (starring Chloë Grace Moretz), Midnight Movie (starring Brea Grant) as well as in television (Forensic Files, Modern Marvels)). Since 2012, Kouneva has been scoring many independent games (PS4 Medieval game Rollers of the Realm, VR action project Hades, the military shooter H-Hour on Steam and iOS titles IronKill, Black Hole Explorer, Pierre Roux’s Infinite Warrior.)
In 2004 Kouneva married music editor Daniel Schweiger and has one daughter with him, born in 2006.
In 1999, Kouneva arrived in Los Angeles. Her first mentor was the Emmy-winning composer Patrick Williams whom she met at Duke. She began her career by scoring independent features and thesis films for graduates at the American Film Institute. In 2004, she began to score TV specials and genre telefilms for the SyFy Channel (Chupacabra: Dark Seas, Ice Spiders, Nuclear Hurricane). In 2004, Kouneva met Steve Jablonsky (composer for the Transformers films) and became his orchestrator. She scored video games in 2009 with Ubisoft’s Prince of Persia: The Forgotten Sands and Activision’s Transformers: Revenge Of The Fallen games. For the Transformers game, Kouneva wrote original high-action loops incorporating the musical style that Jablonsky established in the Transformers films – epic orchestra, rousing action melodies and heavy percussion. For the Prince of Persia game, Kouneva composed two hours of original in-game interactive score, fusing inspirations of Persian, Indian and Middle-Eastern music with epic orchestra.
In 1990, she was awarded the Mary Duke Biddle Graduate Fellowship to study composition at Duke University. At Duke she studied composition and orchestration with the American orchestral composers Stephen Jaffe and Scott Lindroth and with the Dutch post-minimalist Louis Andriessen. In 1997, Kouneva received Duke University's first-ever Ph.D. degree in composition in the brand-new doctoral program. In 1997, she also received a Green Card as an “Alien of Extraordinary Abilities.”
Penka Kouneva (Bulgarian: Пенка Кунева ) (/ˈpɛŋkɑː kuːˈnɛvɑː/; born February 25, 1967 in Sofia, Bulgaria) is a Bulgarian-American composer, orchestrator and soundtrack producer. In 1999, she began working in film & television and in 2009 began to score for videogames (Prince of Persia: The Forgotten Sands and Transformers: Revenge of the Fallen video games, with themes by Steve Jablonsky). Her music is a blend of Bulgarian influences, classical training, rock sensibility, and modern film and game soundtracks.