Age, Biography and Wiki

Peter Crossley-Holland was born on 28 January, 1916, is a composer. Discover Peter Crossley-Holland's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 107 years old?

Popular As N/A
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Age 108 years old
Zodiac Sign Aquarius
Born 28 January, 1916
Birthday 28 January
Birthplace N/A
Nationality

We recommend you to check the complete list of Famous People born on 28 January. He is a member of famous composer with the age 108 years old group.

Peter Crossley-Holland Height, Weight & Measurements

At 108 years old, Peter Crossley-Holland height not available right now. We will update Peter Crossley-Holland's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Peter Crossley-Holland Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Peter Crossley-Holland worth at the age of 108 years old? Peter Crossley-Holland’s income source is mostly from being a successful composer. He is from . We have estimated Peter Crossley-Holland's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
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Source of Income composer

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Timeline

2001

He married Joan Mary Cowper in 1939. They had two children, Kevin and Sally. He set some of his son's poems to music; his final work, the song "The Philosopher Bird" has words by his son Kevin and is dedicated to his daughter Sally. He and his wife were divorced in 1970. He subsequently married Dr. Nicole Crossley-Holland (née Marzac), a French medieval historian who has taught at Aberystwyth University since 1985. He died of a heart attack on 27 April 2001, age 85.

1988

The symphony was composed over the period 1988 to 1994. It was recorded by the Royal Scottish National Orchestra, conducted by Martin Yates. Writing for AllMusic, James Leonard criticised it saying "...though well-composed and effectively orchestrated, lacks drive and cogency. Each movement rolls forward without going anywhere in particular..." Greenfield and Layton, writing in The Penguin Guide, were kinder, noting "...the ideas unfolding inevitably and organically. The idiom is distinctly diatonic but there is a real sense of purpose. He writes well for the orchestra and always holds the listener."

1983

In 1983, Robert Stevenson of UCLA listed 92 performed compositions by Crossley-Holland in "Selected Reports in Ethnomusicology, Volume IV: Essays in Honour of Peter Crossley-Holland on his Sixty-Fifth Birthday":

1948

From 1948, he was a producer for the BBC Radio classical music station called the Third Programme, until he moved to Germany from 1964 to 1966 where he was Assistant Director of the Institute for Musical Research in Berlin. After teaching assignments in Illinois and Hawaii universities, he was appointed Professor of Music (Ethnomusicology) at UCLA in 1969. He retired in 1983 and moved to Wales.

1933

Crossley-Holland attended Abbotsholme School. Although he was a keen pianist, he studied medicine not music at St John's College, Oxford, when he matriculated in 1933. However, his composition "Fantasy Quintet" for piano and strings enjoyed a professional performance in Sheffield by George Linstead. Further his "Violin Sonata" and "Suite No. 1 for strings", both composed in 1938, won him a composition scholarship at the Royal College of Music, where he was taught by John Ireland. He later he returned to Oxford for a B. Mus. degree. His graduating piece was in the celtic style, "A Song of Saint Columba." He later studied privately with Mátyás Seiber, Edmund Rubbra and Julius Harrison.

1916

Peter Crossley-Holland (born 28 January 1916, London; died 27 April 2001, London) was a composer and ethnomusicologist. He wrote several books on the music of Tibetan Buddhism and composed music in ethnic styles including Celtic.