Peter Gorschlüter

Since July 1, 2018, Peter Gorschlüter has succeeded Tobia Bezzola as director of the Museum Folkwang Essen. Under his leadership, the Museum Folkwang was named "Museum of the Year" in 2019 by the international art critics association AICA - German section.

Gorschlüter has been chairman of the board of trustees of the Deutsche Börse Photography Foundation since 2015 and spokesperson for the RuhrKunstMuseen together with Regina Selter since 2020.

On July 1, 2010, Gorschlüter became curator and deputy director at the MMK Museum für Moderne Kunst in Frankfurt am Main under Susanne Gaensheimer - succeeding Andreas Bee. From September 1 to December 31, 2017, he served as the museum's acting director. In 2012, Gorschlüter also co-founded the Triennale Ray Fotografieprojekte Frankfurt/RheinMain and co-curated its follow-up editions in 2015 and 2018.

From 2010 to 2018, Gorschlüter held a lectureship at the Institute of Art History in the field of study Curatorial Studies Theory-History-Criticism at Goethe University Frankfurt am Main / Städelschule Frankfurt am Main. From 2015 to 2018, he held another lectureship on Vergangenheitsdiskurs und Gegenwartskunst at the Department of Philosophy and Humanities at the University of Frankfurt am Main.

In 2005, Gorschlüter co-founded Passenger Books, a small publishing house that published books by artists David Shrigley, Simon Lewis, and Wilhelm Hein, among others. On January 1, 2008, Gorschlüter became chief curator of Tate Liverpool, heading the Exhibitions and Displays Department. He worked there with director Christoph Grunenberg primarily on the re-presentation of the collection. Within this framework, a collaboration developed with artist Michael Craig-Martin, film director Mike Figgis, and theater maker and author Tim Etchells. As head of exhibitions at Tate Liverpool, he was involved in major presentations on Gustav Klimt and Pablo Picasso, among others, and curated with Tanya Barson the exhibition "Afro Modern: Journeys through the Black Atlantic." In 2010 he was co-curator of the Liverpool Biennial.

From 2002 to 2007 Peter Gorschlüter worked as curator and assistant director at the Kunsthalle Düsseldorf under Ulrike Groos. He curated exhibitions on art and music, e.g. in 2002 for the reopening of the Kunsthalle the exhibition "Back to Concrete - The Beginnings of Punk and New Wave". In 2007, he conceived the festival "düsseldorf sounds." In the same year, together with Groos, he curated a project with art in public space in Wuppertal entitled "SICHT WEISEN - Kunst auf der Talachse" [Ways of Viewing - Art on the Valley Axis]. Furthermore, he supervised solo exhibitions and publications on Blinky Palermo and Martin Honert at the Kunsthalle.

From 1999 to 2001 Gorschlüter worked as an employee of the Karlsruhe gallery Meyer Riegger. In 2001 and 2002, he curated his own exhibition space there, "c/o Peter Gorschlüter," and showed exhibitions by Armin Boehm, Rosa Barba, and Zilla Leutenegger (30 Minuten vor Abfahrt), among others, as well as by Benita Liebel, Yasmin Müller, and Ulf Neumann and by Lee Taylor.

Peter Gorschlüter (b. 30 September 1974 in Mainz) is a German art historian and curator. He was deputy director of the Museum für Moderne Kunst in Frankfurt am Main from 2010 to 2018 and has been director of the Museum Folkwang in Essen since July 1, 2018. In 2021 Gorschlüter was awarded an honorary professorship for "Art and the Public" at the Folkwang University of the Arts.

Peter Gorschlüter was born as the son of Hans-Peter Gorschlüter (1939-1992), head of the department of culture of the city of Koblenz, and Vittoria Spani Molella (* 1941), an Italian scholar of German studies. He is a German and Italian citizen. From 1994 to 1998 he studied theater, film and television studies at the University of Cologne, as well as German studies and philosophy. This was followed by studies in art history and media theory at the Hochschule für Gestaltung in Karlsruhe from 1998 to 2003. During his studies, he was a staff member of the Bonn Biennale '96 and '98 and worked as an assistant director. In Cologne, Gorschlüter curated exhibitions of works by young artists in private spaces.