Age, Biography and Wiki

Peter Maag was born on 10 May, 1919, is a conductor. Discover Peter Maag's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 82 years old?

Popular As N/A
Occupation N/A
Age 82 years old
Zodiac Sign Taurus
Born 10 May, 1919
Birthday 10 May
Birthplace N/A
Date of death 16 April 2001
Died Place N/A
Nationality

We recommend you to check the complete list of Famous People born on 10 May. He is a member of famous conductor with the age 82 years old group.

Peter Maag Height, Weight & Measurements

At 82 years old, Peter Maag height not available right now. We will update Peter Maag's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Peter Maag Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Peter Maag worth at the age of 82 years old? Peter Maag’s income source is mostly from being a successful conductor. He is from . We have estimated Peter Maag's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
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Source of Income conductor

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Timeline

1980

With the Berner Symphonie-Orchester of which he was Music Director, Maag made recordings for Innovative Music Productions in the late 1980s. They were licensed to MCA Records for sale in the USA.

1975

For Decca he also recorded Verdi's Luisa Miller with the National Philharmonic Orchestra in June 1975 and Paer's Leonora with the Bavarian Symphony Orchestra (likely the Bavarian State Orchestra) in June and July 1978.

1972

Maag was the chief conductor of the Vienna Volksoper from 1964 to 1968. His Metropolitan Opera debut was made on 23 September 1972 with Mozart's Don Giovanni. He became artistic director of the Teatro Regio di Parma in 1972 and of the Teatro Regio in Turin in 1974. He held posts at the RAI Symphony Orchestra, Turin and the Orquesta Nacional de España. He was the music director of the Berner Symphonie-Orchester from 1984 to 1991. He served as the principal conductor of the Orchestra di Padova e del Veneto from 1983 to 2001. He was also a frequent guest conductor with orchestras and opera houses worldwide.

1962

In 1962, Maag temporarily abandoned his musical career. Believing he was losing touch with music and theology, he sought guidance first from the Greek Orthodox Church and then planned to spend a few months at a Buddhist monastery near Hong Kong. "I decided it was time to retire because I was having too much success," Maag said. The planned "few months" grew to over two years. "Those two years spent meditating and praying in a small cell purified my soul." Maag’s retreat proved to be a detriment to his career when he returned to the world of conducting.

1958

Maag also recorded two LPs with the Orchestre de la Société des Concerts du Conservatoire in November 1958 with works of Chopin, Delibes, and Rossini.

1957

Maag's early stereophonic sound recordings for Decca were well received, and many have remained in the catalogs for decades. The original LPs, particularly with the London Symphony Orchestra, have become collector's items. He began recording with the London Symphony Orchestra in February 1957. This included a series of Mendelssohn and Mozart works, and the Schumann Piano Concerto. Maag’s favorite recordings came from this association: Mozart’s Symphony No. 29 and Symphony No. 34. His recording from this period of Mendelssohn's Symphony No. 3 (the "Scottish" symphony) was widely admired, and Maag came to be particularly associated with the piece.

1952

Maag was first conductor at the Düsseldorf Opera from 1952 to 1955, and then Generalmusikdirektor of the Bonn City Theater from 1955 to 1959. His first appearance at the Royal Opera House Covent Garden was in 1959, with Mozart's Die Zauberflöte. In the same year he made his debut at the Glyndebourne Festival Opera in Mozart's Le nozze di Figaro. His U.S. debut was as guest conductor in 1959 of the Minneapolis Symphony Orchestra, and he made his U.S. opera debut in 1961 at the Lyric Opera of Chicago with Mozart's Così fan tutte.

1950

He began recording for Decca Records in October 1950 with the Orchestre de la Suisse Romande. These monaural recordings included Mozart's Symphony No. 29 and Symphony No. 34 and Serenade No. 9 "Posthorn".

1943

Maag described his association with Wilhelm Furtwängler to be the most important in his life. He performed as pianist in a Furtwängler concert with Beethoven's Piano Concerto No. 4 in G major. As recounted by Maag, Furtwängler told him: "Why don't you try to conduct? I have observed you while you were playing the concert tonight, staring at the orchestra more than at the keyboard. It was more you than me that have given the entry." He followed Furtwängler's advice to start out at a small theatre. His new career began as répétiteur and then director at the Swiss Theater Biel-Solothurn from 1943 to 1946. After the first season at Biel-Solothurn, he served as an assistant to Furtwängler prior to the opening of his second season there. After Biel-Solothurn, he became Ernest Ansermet's assistant with the Orchestre de la Suisse Romande.

1919

Ernst Peter Johannes Maag (10 May 1919 – 16 April 2001) was a Swiss conductor.

Peter Maag was born on 10 May 1919 in St. Gallen, Switzerland and died on 16 April 2001 in Verona, Italy.