Pierre Joris

Poems for the Millennium. The University of California Book of North African Poetry, edited by Joris and Habib Tengour was published in December 2012.

In 2011, Peter Cockelbergh edited a book on Joris entitled Pierre Joris--Cartographies of the In-between (Litteraria Pragensia Press), with essays by, among others, Mohammed Bennis, Charles Bernstein, Nicole Brossard, Clayton Eshleman, Allen Fisher, Christine Hume, Regina Keil-Sagawe, Abdelwahab Meddeb, Jennifer Moxley, Carrie Noland, Alice Notley, Marjorie Perloff & Nicole Peyrafitte.

Rothenberg & Joris also co-edited & co-translated The Burial of the Count of Orgaz & Other Writings of Pablo Picasso (Exact Change, 2004).

With Jerome Rothenberg he has published a two-volume anthology of 20th Century Avant-Garde writings, Poems for the Millennium: The University of California Book of Modern & Postmodern Poetry, (University of California Press) the first volume of which received the 1996 PEN Oakland/Josephine Miles Literary Award.

Rothenberg's & Joris's previous collaboration, pppppp: Selected Writings of Kurt Schwitters (Temple University Press, 1993, reissued in 2002 by Exact Change) was awarded the 1994 PEN Center USA West Literary Award for Translation.

With Jean Portante he edited Poésie internationale in 1987.

Joris's first anthology was the bi-lingual Matières d'Angleterre. Anthologie de la nouvelle poésie anglaise, co-edited with Paul Buck. (Les Trois Cailloux, 1984).

From 1976 to 1979 Joris taught in the English Department at the University of Constantine, Algeria, years that also led him to explore the wider Maghreb and especially the great Sahara desert. He moved back to London in 1979 & in the early eighties taught in various institutions, such as the University of Maryland’s UK campuses, while expanding his career as a freelance writer and translator, reviewing, for instance, for the New Statesman, for which publication he also briefly wrote a “Letter from Paris,” and working as editor and writer for the Third World weekly al-Zahaf al-Akhdar. Relocating to Paris, Joris started working as author, commentator, actor & editor for France Culture, the National French radio station. During those years he would return annually to the U.S. for poetry readings and work with various collaborators on a range of translation projects. In 1987, invited by the Iowa International Writing Program (the first Luxemburger to be thus invited) to spend the fall in Iowa City, he used the occasion to relocate to the US. He first moved from Iowa to Binghamton, N.Y., where he started a Ph.D. in Comparative Literature he was to complete in 1990; from there he moved to San Diego where he was active as visiting poet in the University of California, San Diego Literature Department and would meet Nicole Peyrafitte. A range of projects got underway at this time: besides completing several collections of poems & a first volume of essays, Joris embarked on a very fruitful collaboration with poet and anthologist Jerome Rothenberg. In 1993 the pair co-edited and co-translated pppppp : THE SELECTED WRITINGS OF KURT SCHWITTERS (Temple University Press) which received the 1994 Pen Center USA West Award for Translation, and the following year a Selected Poems of Pablo Picasso, under the title The Death of the Count of Orgaz & Other Writings. Joris and Rothenberg also began work on a two volume anthology of 20th Century Avant-Garde writings, POEMS FOR THE MILLENNIUM: A UNIVERSITY OF CALIFORNIA BOOK OF MODERN & POSTMODERN POETRY, the first volume of which was published by UCP in 95 and the second in 98. In 1992 Joris returned to the Mid-Hudson valley to take up a teaching post in the Department of English at the University at Albany, SUNY, where he taught until his retirement in 2013. In 2009 he moved to Bay Ridge, Brooklyn, where he lives with his wife Nicole Peyrafitte, a performance artist, painter & singer. The pair continue to work together in a range of ways, including performances with jazz musicians & co-teaching, for example in the summer sessions at the Jack Kerouac Institute at Naropa University in Boulder, Colorado. Peyrafitte has also illustrated and created covers for most of Joris’ books since 1992. They are presently involved in a series of collaborative performance actions under the title "Domopoetics Karstic Actions."

Pierre Joris (born July 14, 1946) is a Luxembourg-American poet, essayist, translator, and anthologist. He has moved between Europe, North Africa & the US for 55 years, publishing over 80 books of poetry, essays, translations & anthologies — most recently Fox-trails, -tales & -trots: Poems & Proses (Black Fountain Press), the translations Memory Rose into Threshold Speech: The Collected Earlier Poetry of Paul Celan (FSG) & Microliths: Posthumous Prose of Paul Celan (CMP) & A City Full of Voices: Essays on the Work of Robert Kelly. Earlier, Arabia (not so) Deserta (Essays, Spuyten Duyvil 2019), Conversations in the Pyrenees with Adonis (CMP 2018), & The Book of U/ Le livre des cormorans (with Nicole Peyrafitte, Simoncini 2017).

Joris was born in Strasbourg, France on July 14, 1946 and raised in Ettelbruck, Luxembourg. He left Luxembourg at nineteen and since then has lived in the US, Great Britain, North Africa and France. After early studies in medicine in Paris, he decided to devote himself to literature, especially poetry, and to use English (his fourth language) as his writing language. In 1967 he moved to the US where he earned a BA (Honors) at Bard College before moving to New York City where he edited the underground arts magazine Corpus from 1969 to 1970. After moving to London, England in late 1971, Joris founded the literary magazine Sixpack (with William Prescott) which published a wide range of innovative poetries and translations from the US, Europe and beyond, and was instrumental in helping to create what came to be known as the British Poetry Revival of the 1970s. In 1975, Sixpack received a grant from the CCLM (Coordinating Council of Little Magazines) as well as that year's Fel's Literary Award. Between 1972 and 1975 Joris pursued graduate work, first in Cultural Studies at the University of London's Institute of United States Studies under the direction of Professor Eric Mottram, and then at Essex University where he earned an MA in the Theory and Practice of Literary Translation in 1975 under the guidance of visiting American poet Ted Berrigan. It was also in London, in 1972, that he published his first chapbook of poems (The Fifth Season).