Pilar Pedraza

Pedraza's research focuses on three fields: art and society of the Renaissance and Baroque, cinema, and misogyny. The trilogy formed by La bella, enigma y pesadilla (1991), Máquinas de amar. Secretos del Cuerpo Artificial (1998), and Espectra. Descenso a las criptas de la literatura y el cine (2004) – the latter winning the 2005 Premio Ignotus for best essay book – explores different facets of fear and fascination caused in man by the image of the sinister woman, seen as a lethal seductress, android without soul, or corpse that defies death. Venus barbuda y el eslabón perdido (2009) continues this research path, addressing the bearded or hairy woman as a freak who transgresses the border between the two sexes and links the woman with the animal.

Pilar Pedraza's stories and novels present disturbing characters and environments, in which the sinister presence of the supernatural (dead that return to life, demons, enchanted objects) is associated with madness, death, and sadomasochistic pleasure. This theme, which dominates her first novel, Las joyas de la serpiente (1984), undergoes a gradual stylization in subsequent deliveries. In La perra de Alejandría (2003) Pedraza offers a peculiar version of the story of Hypatia (Melanta, in the novel), who is presented as a victim of the confrontation between the cult of Dionysus and that of Christ, led by the bishop Críspulo (an analogue of Cyril of Alexandria).

After earning her doctorate in History at the University of Valencia, Pilar Pedraza has been teaching Film and avant-garde cinema there since 1982. She was Councilor of Culture of the Generalitat Valenciana from 1993 to 1995, during the last term of Joan Lerma, and member of the Board of Directors of RTVV. Throughout her career, she has combined teaching and research with literary creation.

Pilar Pedraza Martínez (born 12 October 1951) is a Spanish professor and writer. Her work has two main aspects: horror narrative and essay.