Red Jordan Arobateau

As of 2013, Arobateau had painted 60 paintings. He was a part of FTM International, and lived with his partner Dalila Jasmin, a belly dancer who often danced at Arobateau's book readings. In 2019, Arobateau became the first person to move into Marcy Adelman and Jeanette Gurevitch Community on 95 Laguna, an LGBTQ+ friendly senior housing by Openhouse and Mercy Housing. He died on November 25, 2021 in San Francisco, aged 78; his memorial service was conducted at Grace Cathedral on March 27, 2022.

American studies doctorate of Moultry (University of Iowa, 2019) focused on influences a mixed-race identity had on writers and artists of 1960–89, and how they reconciled their racial hybridity when the one-drop rule (legal and social practice of classifying individuals under only one race) was still in effect. Moultry categorized Arobateau's expression of hybridity as liminal (or ambiguous), and said that Arobateau "actively resists normativizing protocols" by not adhering to cultural stereotypes of the time. For her Doctor of Psychology, Lauren Nicole Logan (Alliant International University, 2010) conducted a psychological research into minority stress coping mechanisms of masculine African-American lesbians, especially people like Arobateau who identify as multiple minorities; Logan found that Arobateau and others utilized "social support, activities, avoidance coping, drugs and alcohol, and self-acceptance" to cope with the minority stress.

Arobateau was one of the earliest writers and proponents of street lit, transgender and lesbian erotica. A 2018 profile in Vice described his content as "writing that helped pave the way for inclusive depictions of Black sexuality". For his entry in Encyclopedia of Contemporary LGBTQ Literature of the United States (2009), Emmanuel S. Nelson summarized that "arguably Red Jordan Arobateau is the first and probably most prolific female-to-male transsexual writer of African American descent."

In 2007, Arobateau appeared in Martin Rawlings-Fein's Clocked: An Oral History, where he gave personal anecdotes in context of the history of the transgender rights movement. By that year, he had published 80 novels, plays, collection of short stories and poetry. Tom Waddell Health Center in Tenderloin, San Francisco was the first primary care clinic in the US to offer transgender health care services; Arobateau was one of 12 patients to feature in its 2012 documentary, Transgender Tuesdays: A Clinic in the Tenderloin by Mark Freeman and Nathaniel Walters. He also presented the film at the 2012 Transgender Summit.

Arobateau was self-critical of his writing, saying that he was aware that he "needs an editor to help refine [his] work". In an article of The Lesbian Review of Books, Stephanie Byrd was critical of his unfiltered writing style—in particular, of his poetry—and stated that he "struggles to put [his] 'vision' on paper". Byrd said of Laughter Of The Witch that "the metamorphoses that Arobateau chronicles in these poems is not easily accessed due to an overabundance of metaphor and imagery". Discussing the readability of The Bars Across Heaven, Loewenstein said that its unconventional dialogue "works amazingly well within the context of the novel", but added that his writing style makes it apparent that Arobateau "did not attend the school where many of us learned 'how to write'". In her 2005 book Funk the Erotic, Horton-Stallings criticized Arobateau's prose for its poor quality. However, she emphasized the novelty of his transgender and transsexual characters, elaborating that "their intersection, or lack thereof, with a more mainstream transgender movement should also garner some attention for the novels' historical importance, if not for their literary merits."

Holly Ann Larson's doctoral dissertation (Florida Atlantic University, 2003) was a feminist standpoint epistemological discourse on how financially weak women and individuals like Arobateau tackle structural gender biases. Larson concluded that those experiences led to development of knowledge of resistance unique to them, and that individuals like Arobateau attempted to reclaim agency by exerting sexual capital in their writings. In her doctoral dissertation, Naomi Extra (Rutgers University, 2021) explored a more inclusive understanding of sex-positive feminism and the early sex-positive movement; noting that development and early history of those movements mainly credited works of white women, Extra advocated for literary recognition of writings of black writers Arobateau, SDiane Bogus and Shockley and their contributions. The dissertation also presented their work as a literary aspect of black feminism and medium for expression of sexuality by black women – areas that have been insufficiently researched according to her.

Excerpts from his books have been a part of several anthologies, including Cum With Me Lucy in Off the Rag (1996) by Lee Lynch and Akia Woods, Lay Lady Lay in Best Lesbian Erotica 1997 by Jewelle Gomez and Tristan Taormino, and The Nearness Of You/Sorrow Of The Madonna in Hot & Bothered (1998) by Karen X. Tulchinsky. Arobateau experienced homelessness "for a while" until moving in with his then-wife in Oakland. After getting divorced in 2003, he shifted back to San Francisco. Arobateau's books were not circulated in Canada until at least 2004 due to tight pornography laws in the country that bar the entry of "obscene material".

Nisa Donnelly defended Arobateau and said that his "raucous and raw and rough-hewn" writing was reflective of the qualities of his characters and storylines. Lynch assessed Arobateau's writing as "iconoclastic and idiosyncratic" in his 1995 review of contemporary LGBTQ+ literature for Lambda Book Report. He further opined that Arobateau "is the graffiti artist of lesbian literature, not respectable by a long shot, but chronicling for us the raw material of [his] world". Noting difficulties Arobateau faced in getting his books published "as an erotic writer of street-class butch life", Thyme S. Siegel commended him for continuing to write and self-publish works in his unique style.

According to Shockley, characters Arobateau depicted had been "largely ignored or glossed over in the whole of Afro-American literature by black female writers." In To Write Like a Woman (1995), Joanna Russ characterizes works such as Arobateau's fiction to be "a few of the marvelous things that exists outside the pale of the dominators". Michelle Tea concluded that "if our culture wasn't sickened with so many isms, he would be much more well-known, studied, and respected." Shockley and Tea have mentioned Arobateau as one of their inspirations.

Analyzing semantic shift of the word "cum" in a Sexuality & Culture article, Sara Johnsdotter traced the first mention of "female cum" to Arobateau's Hobo Sex (1991). Ute Rupp's (University of California, Berkeley, 2001) comparative literature doctorate discussed that writings of Daniel Paul Schreber, Djuna Barnes, Kathy Acker and Arobateau offer an unconventional reading of the Symbolic in the Name of the Father, which in turn develops "new types of subjects, laws, reals, imaginaries, and similar psycho-somatic fictions" within Lacanian frameworks.

Born and raised in Chicago, Arobateau moved to San Francisco in adulthood because of its LGBTQ+ friendly culture, where he transitioned and became a trans man. Most indie and LGBTQ+ publishing houses rejected his manuscripts. Arobateau worked odd jobs to finance his self-publications, and sold hand-stapled books in lesbian bars, feminist bookstores and on the streets. He spent most of his adult life in poverty. Arobateau appeared in documentaries such as Before Stonewall (1984) and his writings were intermittently published in anthologies like Daughters of Africa (1992).

In 1984, Arobateau appeared in Greta Schiller's Before Stonewall, where they discussed his life and challenges before the Stonewall riots of 1969. He went on an 11-year hiatus before authoring Lucy & Mickey in the 1990s. Around that time, Arobateau transitioned his gender, underwent a sex reassignment surgery and began to identify as a trans man. Arobateau's "Nobody's People"—an essay about social alienation felt by people of mixed-race heritage, including himself—was a part of Daughters of Africa (1992), edited by Margaret Busby. Arobateau wrote an erotic lesbian retelling of "The Shoes That Were Danced to Pieces" for Michael Thomas Ford's Once Upon a Time: Erotic Fairy Tales for Women in 1996.

In 1982, writer Ann Allen Shockley wrote one of the earliest reviews of Arobateau's writing. She briefly reviewed several of his works and provided a collection of his biographical details for a Sinister Wisdom article. In her review of "Suzie Q", Shockley wrote that it "brought a new protagonist to black lesbian fiction, springing to life the black lesbian street woman in all her hard glaring reality." Shockley further praised the storyline for its progressive portrayal of black prostitutes "in the personalized role of being human", that she said were otherwise cast in mainstream "as a piece of meat to be exploited in pornography"; writing for the Gay Community News, Andrea Loewenstein said that "Suzie Q" does so with "a rare combination of respect, sympathy, and realism."

Prior to the publication of his short story "Suzie Q" in poet Judy Grahn's anthology True to Life Adventure Stories (1978), every indie and LGBTQ+ publisher Arobateau approached had refused to publish his work. Arobateau attributed those refusals to the prominence of sexual content in his works, which he claimed was relatively unacceptable even for feminist and LGBTQ+ publishers of the time. His writings were occasionally published through publications like On Our Backs, although he remained mostly self-published throughout his life. By and large, Arobateau lived his adult life in poverty and on unemployment benefits.

Arobateau began self-publishing in the 1970s, with The Bars Across Heaven (1975) being his first novel. He worked different jobs to fund each publication, and had experience working as an office assistant, factory worker, karate teacher, nurse's aide, cashier and cook. Arobateau could write a novel in a month; he would then make photocopies and staple the manuscript together with a book cover. Relying on the grapevine, Arobateau sold his works in off the record lesbian channels, and limited physical distribution of his copies to lesbian bars, feminist bookstores and the streets.

In 1969, Arobateau helped establish Gay Women's Liberation, an organization dedicated to lesbian feminist activism. He taught self-defense and karate to its members. Formerly an atheist, Arobateau became a Christian and joined the Metropolitan Community Church after the death of his father in 1973. He operated a storefront church where he would preach the gospel. His conversion alienated some of his friends who were concerned about the social and political implications of a rise in Christian fundamentalism across the country. Arobateau used drugs until his hospitalization, after which he had become clean.

Arobateau painted in a contemporary and expressionist style, incorporating symbolic and surreal imagery into his works. He painted portraits and animals, and on subjects of spirituality and religion. Arobateau practiced social artistry through paintings, such as portraying exploitation of labor in The Pig (1969). Arobateau often used "pig" metaphorically as a derogatory term in his prose to refer to things such as a self-critical internal monologue and internalization of external pressures. Stacey Cherie Moultry interpreted The Pig in relation to Arobateau's literary "pig", and said that the painting portrays "a seemingly congenial persona who works into one's good graces long enough to gain trust before administering unconstructive criticism."

Arobateau's birth name had been "Suzanne Ilsa Robateau". He took "Jordan" from his grandmother's last name for its religious connotations and relations to his African-American heritage. "Arobateau" was based off his given surname with an "A" added to the original form. After he got his hair dyed red, he conceived that the color represented "his attention to passion and eroticism as a writer"; thus he adopted "Red" as his first name. Citing persecutory policies of then-mayor Richard J. Daley, Arobateau decided to move out of Chicago. He shifted to New York City before moving to San Francisco in 1967—where he spent the rest of his life—largely because of its LGBTQ+ friendly culture.

Red Jordan Arobateau (November 15, 1943 – November 25, 2021) was an American author, playwright, poet and painter. Largely self-publishing over 80 literary works—often with autofictional elements—Arobateau was one of the most prolific writers of street lit, and a proponent of transgender and lesbian erotica.

Red Jordan Arobateau was born on November 15, 1943, in Chicago. He was the only child of a Christian Honduran immigrant father and a mother of African American descent. He was raised as a female. Arobateau started writing when he was 13 to escape a turbulent home life; his mother was abusive towards him. When he was 15, he read a pulp magazine that had a brief mention of a lesbian character – feeling seen for the first time, he began to identify as a butch lesbian. Arobateau spent time on the streets, in queer areas and dive bars, and developed alcoholism in adolescence. His parents divorced when he was 17 and he moved with his father. Arobateau enrolled in a college but left after a year, stating that it was too much a "social affair".